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How a Revolutionary Art Became Official Culture
This is a study of the reciprocal relationship between Mexican muralism and the three major Mexican museums&—the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum.
The River
A breathtaking mix of observation, prose, natural history, and art We tend to look at landscape in relation to what it can do for us. Does it move us with its beauty? Can we make a living from it? But what if we examined a landscape on its own terms, freed from our expectations and assumptions? This is what celebrated writer Helen Humphreys sets out to do in this beautiful, groundbreaking examination of place. For more than a decade Humphreys has owned a small waterside property on a section of the Napanee River in Ontario. In the watchful way of writers, she has studied her little piece of the river through the seasons and the years, cataloguing its ebb and flows, the plants and creatures that live in and round it, the signs of human usage at its banks and on its bottom. The result is The River, a gorgeous and moving meditation that uses fiction, non-fiction, natural history, archival maps and images, and full-colour original photographs to get at the truth. In doing this, Humphreys has created a work of startling originality that is sure to become a new Canadian classic.
Croatians in Australia
Ilija Sutalo has given us a detailed and fascinating insight into Croatian settlers from the 1800s to the present, the likes of which has never before been attempted. Yet Croatians have been here for 150 years, and, by the 1930s, were well organised and conscious of their heritage. A people without whom Australia could not have developed and grown.
Men of Fire
Exhibition schedule: Hood Museum of Art, Dartmouth College: April 7-June 17, 2012; Pollock-Krasner House and Study Center [East Hampton, NY]: August 2-October 27, 2012.
Orozco's American Epic
Between 1932 and 1934, José Clemente Orozco painted the twenty-four-panel mural cycle entitled The Epic of American Civilization in Dartmouth College's Baker-Berry Library. An artifact of Orozco's migration from Mexico to the United States, the Epic represents a turning point in his career, standing as the only fresco in which he explores both US-American and Mexican narratives of national history, progress, and identity. While his title invokes the heroic epic form, the mural indicts history as complicit in colonial violence. It questions the claims of Manifest Destiny in the United States and the Mexican desire to mend the wounds of conquest in pursuit of a postcolonial national project. In Orozco's American Epic Mary K. Coffey places Orozco in the context of his contemporaries, such as Diego Rivera and David Alfaro Siqueiros, and demonstrates the Epic's power as a melancholic critique of official indigenism, industrial progress, and Marxist messianism. In the process, Coffey finds within Orozco's work a call for justice that resonates with contemporary debates about race, immigration, borders, and nationality.
Dinner and Spirits
This book embodies a desire on the part of the authors to produce a directory of haunted places around the United States that deal with food, drink, and/or accommodations. For the curious traveler, the directory integrates history, adventure, and ghosts—for an extraordinary travel experience, and adventure into the unknown. Dinner and Spirits contains over 500 well-documented listings from 50 states. Go have dinner, or a drink, or perhaps spend a comfortable night in one of the establishments listed herein. The owners of the listed establishments welcome you into a world where you may not need food, drink, or slumbering dreams, but only an open mind to encounter a spirit.
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