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Indian Angles
Indian Angles is a new historical approach to Indian English literature. It shows that poetry, not fiction, was the dominant literary genre of Indian writing in English until 1860 and re-creates the historical webs of affiliation and resistance that writers in colonial India--writers of British, Indian, and mixed ethnicities--experienced.
Science Fiction in Colonial India, 18351905
"Science Fiction in Colonial India, 1835–1905" shows, for the first time, how science fiction writing developed in India years before the writings of Jules Verne and H. G. Wells. The five stories presented in this collection, in their cultural and political contexts, help form a new picture of English language writing in India and a new understanding of the connections among science fiction, modernity and empire. [NP] Speculative fiction developed early in India in part because the intrinsic dysfunction and violence of colonialism encouraged writers there to project alternative futures, whether utopian or dystopic. The stories in "Science Fiction in Colonial India, 1835–1905," created by Indian and British writers, responded to the intellectual ferment and political instabilities of colonial India. They add an important dimension to our understanding of Victorian empire, science fiction and speculative fictional narratives. They provide new examples of the imperial and the anti-imperial imaginations at work.
Anglophone Poetry in Colonial India, 1780–1913
Anglophone Poetry in Colonial India, 1780–1913: A Critical Anthology makes accessible for the first time the entire range of poems written in English on the subcontinent from their beginnings in 1780 to the watershed moment in 1913 when Rabindranath Tagore won the Nobel Prize in Literature.Mary Ellis Gibson establishes accurate texts for such well-known poets as Toru Dutt and the early nineteenth-century poet Kasiprasad Ghosh. The anthology brings together poets who were in fact colleagues, competitors, and influences on each other. The historical scope of the anthology, beginning with the famous Orientalist Sir William Jones and the anonymous “Anna Maria” and ending with Indian poets ...
Science Fiction in Colonial India, 18351905
"Science Fiction in Colonial India, 1835–1905" shows, for the first time, how science fiction writing developed in India years before the writings of Jules Verne and H. G. Wells. The five stories presented in this collection, in their cultural and political contexts, help form a new picture of English language writing in India and a new understanding of the connections among science fiction, modernity and empire. [NP] Speculative fiction developed early in India in part because the intrinsic dysfunction and violence of colonialism encouraged writers there to project alternative futures, whether utopian or dystopic. The stories in "Science Fiction in Colonial India, 1835–1905," created by Indian and British writers, responded to the intellectual ferment and political instabilities of colonial India. They add an important dimension to our understanding of Victorian empire, science fiction and speculative fictional narratives. They provide new examples of the imperial and the anti-imperial imaginations at work.
New Stories by Southern Women
The 21 stories in this collection cover a wide variety of the Southern literary imagination--Bobbie Ann Mason's dry minimalism, Jayne Anne Phillips' incantatory prose poetry, Shirley Ann Gran's lesbian love, Mary Hood's timeless backwoods poverty. They also convey the profound sense of place and romantic intensity characteristic of the South. The volume includes Alice Adams' "Return Trips," set in Yugoslavia and Hilton, a small Southern town; Ellen Gilchrist's "Music," about a 14-year-old Miss Smart-alecky Movie Star, who runs amok; and Elizabeth Spencer's "Indian Summer," on family feuding. ISBN 0-87249-634-1 (pbk.): $14.95.
Homeplaces
Includes eight stories depicting contemporary Southern life by such authors as Alice Walker, Ntozake Shange, and Elizabeth Spencer
Epic Reinvented
For Gibson, the aesthetic Pound and the political Pound, Pound the visionary and Pound the historian, are one.
Margaret Atwood
Novelist, poet, cultural critic, Margaret Atwood is one of the most fascinating, versatile, and productive authors of our time, a superb writer in any genre she chooses to tackle. This book was prepared on the occasion of Atwood's sixtieth birthday in November 1999. Its first aim is therefore to take stock of Atwood's multifarious works and international impact at the height of her creative powers. Secondly, the book serves as a wide-ranging introduction to the writer and her works. Fifteen informative articles written specifically for this volume by Atwood specialists from Canada, the USA, the UK, Germany, and France treat her life and status, her works (up-to-date survey articles on Atwood...
Separate Journeys
This collection, which gathers fifteen stories by contemporary Indian women representing the varied languages and regions of their subcontinent, is now available to an American audience for the first time.
