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Memory and Confession in Middle English Literature
This book argues that the traditional relationship between the act of confessing and the act of remembering is manifested through the widespread juxtaposition of confession and memory in Middle English literary texts and, furthermore, that this concept permeates other manifestations of memory as written by authors in a variety of genres. This study, through the framework of confession, identifies moments of recollection within the texts of four major Middle English authors – Langland, Chaucer, Gower, and the Gawain-Poet – and demonstrates that these authors deliberately employed the devices of recollection and forgetfulness in order to indicate changes or the lack thereof, both in conduct and in mindset, in their narrative subjects. Memory and Confession in Middle English Literature explores memory’s connection to confession along with the recurring textual awareness of confession’s ability to transform the soul; demonstrating that memory and recollection is used in medieval literature to emphasize emotional and behavioral change.
The Pastoral Care of Women in Late Medieval England
A close examination of religious texts illuminates the way in which parish priests dealt with their female parishioners in the middle ages.
Humanities
None
Shakespeare and the Middle Ages
Shakespeare and the Middle Ages brings together a distinguished, multidisciplinary group of scholars to rethink the medieval origins of modernity. Shakespeare provides them with the perfect focus, since his works turn back to the Middle Ages as decisively as they anticipate the modern world: almost all of the histories depict events during the Hundred Years War, and King John glances even further back to the thirteenth-century Angevins; several of the comedies, tragedies, and romances rest on medieval sources; and there are important medieval antecedents for some of the poetic modes in which he worked as well. Several of the essays reread Shakespeare by recovering aspects of his works that a...
Arts of Possession
An innovative work of both economic anthropology and literary history, Arts of Possession draws on philosophical, theoretical, literary, historical, and archival sources and insights to situate the household at the center of the social and cultural imagination of fourteenth-century England. D. Vance Smith argues that in a period commonly represented as precapitalist there actually existed a sophisticated economic discourse -- and that discourse underlies common forms of representation and the writing of literary texts. His work provides a new historiography of capital and of the development of the relation between economic sophistication and cultural practices. Smith reads well-known and less-appreciated works -- such as Winner and Waster, Sir Launfal, The Canterbury Tales, and Piers Plowman -- for what they can tell us about the surpluses and economies that drew the medieval imagination, and about the complex ethics of possession at the heart of the fourteenth-century household. In bringing this to light, Smith's book itself becomes an eloquent meditation on the poetics and ethics of possession.
The Faces of Time
The twelfth century witnessed the sudden appearance and virtual disappearance of an important literary genre—the Old French verse chronicle. These poetic histories of the British kings, which today are treated as fiction, were written contemporaneously with Latin prose narratives, which are regarded as historical accounts. In this pathfinding study, however, Jean Blacker asserts that twelfth-century authors and readers viewed both genres as factual history. Blacker examines four Old French verse chronicles—Gaimar's Estoire des Engleis(c. 1135), Wace'sRoman de Brut(c. 1155) andRoman de Rou(c. 1160–1174), and Benoît de Sainte-Maure'sChronique des Ducs de Normandie(c. 1174–1180) and fo...
The Romance of Arthur
First published in 1989. Routledge is an imprint of Taylor & Francis, an informa company.
Ethics in the Arthurian Legend
An interdisciplinary and trans-historical investigation of the representation of ethics in Arthurian Literature. From its earliest days, the Arthurian legend has been preoccupied with questions of good kingship, the behaviours of a ruling class, and their effects on communities, societies, and nations, both locally and in imperial and colonizing contexts. Ethical considerations inform and are informed by local anxieties tied to questions of power and identity, especially where leadership, service, and governance are concerned; they provide a framework for understanding how the texts operate as didactic and critical tools of these subjects. This book brings together chapters drawing on Englis...
The Automaton in English Renaissance Literature
The Automaton in English Renaissance Literature features original essays exploring the automaton-from animated statue to anthropomorphized machine-in the poetry, prose and drama of England in the 16th and 17th centuries. Addressing the history and significance of the living machine in early modern literature, the collection places literary automata of the period within their larger aesthetic, historical, philosophical and scientific contexts.
Sin: Essays on the Moral Tradition in the Western Middle Ages
Richard Newhauser examines here aspects of the moral tradition of medieval thought, specifically the construction of the seven deadly sins, their offspring, and related schematizations of immorality in the Latin West. The emphasis in these studies is on the malleability of moral categories, their relationship to changes in medieval culture, and the creativity and sensitivity of the thinkers who made use of the concepts of sinfulness in the Middle Ages. The first section examines the contexts in which the seven deadly sins (or nine accessory sins) are found in medieval Latin, English, and German texts, and in particular the genre of the treatise on vices and virtues as the major vehicle in wh...
