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In A Poet’s Guide to Poetry, Mary Kinzie brings her decades of expertise as poet, critic, and director of the creative writing program at Northwestern University to bear in a comprehensive reference work for any writer wishing to better understand poetry. Detailing the formal concepts of poetry and methods of poetic analysis, she shows how the craft of writing can guide the art of reading poems. Using examples from the major traditions of lyric and meditative poetry in English from the medieval period to the present, Kinzie considers the sounds and rhythms of poetry along with the ideas and thought-units within poems. Kinzie also shares her own successful classroom tactics that encourage r...
The role of the poet, Mary Kinzie writes, is to engage the most profound subjects with the utmost in expressive clarity. The role of the critic is to follow the poet, word for word, into the arena where the creative struggle occurs. How this mutual purpose is served, ideally and practically, is the subject of this bracingly polemical collection of essays. A distinguished poet and critic, Kinzie assesses poetry's situation during the past twenty-five years. Ours, she contends, is literally a prosaic age, not only in the popularity of prose genres but in the resultant compromises with truth and elegance in literature. In essays on "the rhapsodic fallacy," confessionalism, and the romance of pe...
This master lyric poet's crisp, insightful New Yorker pieces on poetry hold up superbly to the passing of time and fashions. But beyond those brilliant reviews, here are unexpected treasures: Bogan's fiction, letters and journal entries disclose in new ways a literary mind of distinction, wit and depth. In the unpublished poems too, there are flashes of gold. A treasure-book. --Robert Pinsky.
A collection of poems in which twentieth-century American poet Mary Kinzie reflects upon the natural world, the damages of time, and human memory.
WITH AN INTRODUCTION BY JOHN BURNSIDE When Charles Arrowby retires from his glittering career in the London theatre, he buys a remote house on the rocks by the sea. He hopes to escape from his tumultuous love affairs but unexpectedly bumps into his childhood sweetheart and sets his heart on destroying her marriage. His equilibrium is further disturbed when his friends all decide to come and keep him company and Charles finds his seaside idyll severely threatened by his obsessions.
An intimate first book of personal essays and incisive commentary from the editor of Poetry.
This sophisticated first collection by Jim Powell synthesizes personal and world history to produce a compelling vision of the past, through verse letters to friends and relatives, translations of Horace, Propertius, Sappho, and others, and allusions to ancient figures of history and mythology. "I find it difficult to overpraise the ease of this writing, which in one act combines succinct physical presentation and explanation of it. . . . It is perhaps here that Jim Powell, not yet forty, most shows his superiority to many of his contemporaries and seniors. He not only understands the way in which opposites are necessary to one another, he achieves his knowledge in the poem, and so we grasp ...
The contributors of this volume examine beauty and aesthetic theory in nature and human society, in the humanities and science.
The death of a mother alters forever a family’s story of itself. Indeed, it taxes the ability of a family to tell that story at all. The Accounts narrates the struggle to speak with any clear understanding in the wake of that loss. The title poem attempts three explanations of the departure of a life from the earth—a physical account, a psychological account, and a spiritual account. It is embedded in a long narrative sequence that tries to state plainly the facts of the last days of the mother’s life, in a room that formerly housed a television, next to a California backyard. The visual focus of that sequence, a robin’s nest, poised above the family home, sings in a kind of lament, ...
'Wry, sharp-eyed and uncompromising, The Caiplie Caves is the most ambitious collection yet from an essential poet.' The Telegraph ‘Karen Solie should be read wherever English is spoken’. – Michael Hofmann, LRB The Canadian Karen Solie is rapidly establishing a reputation as one of the most important poets at work today. Her fifth book of poetry, The Caiplie Caves, is a profound and timely consideration of the nature of crisis: at its heart is the figure of St Ethernan, a seventh-century Irish missionary to Scotland who retreated to the caves of the Fife coast in order to decide whether to establish a priory on May Island or pursue a life of solitude. His decision would have been infor...