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As a pioneer of the French New Wave, Jacques Rivette was one of a group of directors who permanently altered the world's perception of cinema by taking the camera out of the studios and into the streets. His films, including Paris nous appartient, Out 1: Noli me tangere, Céline et Julie vont en bateau--Phantom Ladies Over Paris, La belle noiseuse, Secret défense, and Va savoir are extraordinary combinations of intellectual depth, playfulness, and sensuous beauty. In this study of Rivette, Mary M. Wiles provides a thorough account of the director's career from the burgeoning French New Wave to the present day, focusing on the theatricality of Rivette's films and his explorations of the relationship between cinema and fine arts such as painting, literature, music, and dance. Wiles also explores the intellectual interests that shaped Rivette's approach to film, including Sartre's existentialism, Barthes's structuralism, and the radical theater of the 1960s. The volume concludes with Wiles's insightful interview with Rivette.
As a pioneer of the French New Wave, Jacques Rivette was one of a group of directors who permanently altered the world's perception of cinema by taking the camera out of the studios and into the streets. His films, including Paris nous appartient, Out 1: Noli me tangere, Céline et Julie vont en bateau--Phantom Ladies Over Paris, La belle noiseuse, Secret défense, and Va savoir are extraordinary combinations of intellectual depth, playfulness, and sensuous beauty. In this study of Rivette, Mary M. Wiles provides a thorough account of the director's career from the burgeoning French New Wave to the present day, focusing on the theatricality of Rivette's films and his explorations of the relationship between cinema and fine arts such as painting, literature, music, and dance. Wiles also explores the intellectual interests that shaped Rivette's approach to film, including Sartre's existentialism, Barthes's structuralism, and the radical theater of the 1960s. The volume concludes with Wiles's insightful interview with Rivette.
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Simon Willard (1604-1676), the elder son of Richard Willard, was baptized April 1605 in Horsmonden, Kent County, England. Simon immigrated in 1634 from England to Cambridge, and in 1635 moved to Concord, Massachusetts. He married three times (once in England) and was father of nine sons. Descendants and related families lived in New England, New York, New Jersey, Pennsylvania, Kentucky, Ohio, Michigan, Illinois, and elsewhere in the United States. Others moved to Quebec, Nova Scotia, and elsewhere in Canada.
This edition of Gateway to the West has been excerpted from the original numbers, consolidated, and reprinted in two volumes, with added Publisher's Note, Tables of Contents, and indexes, by Genealogical Publishing Co., SInc., Baltimore, MD.
本书主要研究19世纪西方现实主义文学经典的生成与传播,尤其重视巴尔扎克、司汤达、托尔斯泰、陀思妥耶夫斯基、狄更斯、哈代等世界经典作家重要作品在源语国的生成以及在欧美和中国传播过程中的再生成,并且特别关注报刊、图书出版与流通对经典生成的催发作用,以及影视等媒介在经典传播与再生成中的桥梁纽带作用。