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In Code was born out of Maryann Corbett’s years of work for the Minnesota Legislature, with a nonpartisan office that mandated that she maintain a public silence about politics. In poems that go from elegiac to fiery to funny, she examines behind-the-scenes legislative labor and the people who do it, the tensions of working for government in a climate hostile to government, and the buildings and grounds that put a beautiful face on a history full of ambiguities. This well-honed collection, Corbett's fifth, reflects on doublespeak and public poses; on coworkers and commutes; on legalese, courts, and elections; on news and history; and at last on retirement—through poems masterfully deploy...
Maryann Corbett’s Street View is a panorama of views: suburban and urban avenues, shown in leaf and in snow; alleyways where misfits lurk in darkness, but also where “Adonis, charioteer of municipal waste collection, rides with the morning”; and boulevards of old buildings whose elegance remains undeniable, even when “prinked in the clown suit of commerce.” Street View also navigates the resiliency and failings of the human body, and the memories of family and pivotal acquaintances that shape viewpoints for good or ill. This is the work of a seasoned poet in command of her craft, and deservedly, a finalist for the 2016 Able Muse Book Award. PRAISE FOR STREET VIEW: Assaulted, as we ...
Maryann Corbett’s second full-length collection, Credo for the Checkout Line in Winter, draws on profound experience of deep winter in the lived environment, while keeping alive faith that the thaw will come and bring with it the bloom of “uncountable rows of petals.” The themes of this finalist for the 2011 Able Muse Book Award range from the quotidian to the metaphysical. Corbett’s keen eye brings to focus uncommon detail. Her masterful technical repertoire spans received forms, metrical inventiveness, and free verse. This is poetry that amply rewards the reader with its boundless imagination, insight and visionary delight. PRAISE FOR CREDO FOR THE CHECKOUT LINE IN WINTER: The craf...
"This collection of poems by Maryann Corbett explores the heavenly aspects of the ordinary world: its beauty, pain, squalor, and glory. Both visionary and earthy, these pieces clash as the poet examines the world around her and finds connections to the divine. Deeply Catholic, Corbett is both animated and troubled by her faith, penning these poems to share with readers the never-ending quest to find answers to the mystery of our origins and our being"--
"In Breath Control, Maryann Corbett explores the intimacy of touch and the expansive world that opens up beyond that touch."--Page 4 of cover.
" Fiona Sampson provides a ... map of living British poets, grouped according to the kind of poetry they write. From the ... the Plain Dealers (Ruth Fainlight and Alan Brownjohn) to the baroque sensibilities of Dandies (Glyn Maxwell, Hugo Williams), we are introduced to the Oxford Elegists (John Fuller, Andrew Motion and Mick Imlah) and the New Formalists (Don Paterson, Mimi Khalvati), the Anecdoctalists (Carol Ann Duffy, Simon Armitage) and Mythopoesis (Robin Robertson)."--Publisher description
A beautiful new collection from Mary Jo Salter brings us poems of puzzlement and acceptance in the face of life's surprises. "I'm still alive and now I'm in Bratislava," says the speaker of one of Salter's poems, as she travels with her unlikely late-in-life love, a military man. She never expected to be here, to know someone like him, to be parted from her previous life; how did it happen? Time is hurtling, but these poems try to slow it down to examine its curious by-products--the prints of Dürer, an Afghan carpet, photographs of people we've lost. The title poem, a crown of sonnets, takes up key moments in the poet's past, the quirky advent of poetic inspiration, and the seemingly sci-fi future of the universe. Throughout, in a tone of ironic wonderment, placing rich new love poems alongside some inevitable poems of leavetaking, Salter invites the reader to weigh and ponder the way things have turned out--for herself, for all of us--in this new century, and perhaps to conclude, as she does, "That's funny . . . "
Our contemporary culture is communicating ever-increasingly through the visual, through film, and through music. This makes it ever more urgent for theologians to explore the resources of art for enriching our understanding and experience of the Judeo-Christian tradition. Annunciations: Sacred Music for the twenty-First Century, edited by George Corbett, answers this need, evaluating the relationship between the sacred and the composition, performance, and appreciation of music. Through the theme of ‘annunciations’, this volume interrogates how, when, why, through and to whom God communicates in the Old and New Testaments. In doing so, it tackles the intimate relationship between Scriptu...
Lines of Flight is the first full-length collection from Catherine Chandler, an acclaimed American poet of quiet elegance whose simple style belies the range and depth of her poems. She is equally at ease with poems of nature as with those of people, relationships, landscapes and realms--the domestic, the foreign, even those scanning the vast unknown of space or the esoterica of science. These poems, carefully crafted with formal dexterity in contemporary idiom, are deployed with precision in a showcase of forms such as the villanelle, sapphic, ballad, pantoum, triolet, nonce, and the sonnet--Chandler's specialty, for which she won the Howard Nemerov Sonnet Award. PRAISE FOR LINES OF FLIGHT:...