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The Reception of Northrup Frye takes a thorough accounting of the presence of Frye in existing works and argues against Frye's diminishing status as an important critical voice.
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This book explores the representation of music in early modern Spanish literature and reveals how music was understood within the framework of the Harmony of the Spheres, emanating from cosmic harmony as directed by the creator. The Harmony of Spheres was not ideologically neutral but rather tied to the earthly power structures of the Church, Crown, and nobility. Music could be "true," taking the listener closer to the divine, or "false," leading the listener astray. As such, music was increasingly seen as a potent weapon to be wielded in service of earthly centers of power, which can be observed in works such as vihuela songbooks, the colonial chronicle of the Inca Garcilaso de la Vega, and...
Este libro está escrito al amparo de tres grandes disciplinas: Semiótica, Teoría de la Literatura y Musicología. La elección de este triángulo epistemológico sitúa al lector ante el objetivo principal del estudio: el análisis de los textos de cuatro comedias de Calderón de la Barca insertas en el marco de la Fiesta Teatral barroca (Celos aun del aire matan, La púrpura de la rosa, El laurel de Apolo, y el golfo de las sirenas). Todas ellas son manifestaciones del primer teatro musical hispano, de calidad incontestable debido al quehacer conjunto de Juan Hidalgo y Calderón. Todas ellas son manifestaciones del primer teatro musical hispano, de calidad incontestable debido al quehacer conjunto de Juan Hidalgo y Calderón
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El volumen analiza las vinculaciones, intelectuales, y personales, del ilustrado lorquino José Musso Valiente con la ópera. La publicación de parte de su Diario personal nos permite conocer, las costumbres y personalidades del ambiente musical madrileño durante 1836-1837. Con este material los autores reconstruyen la carrera operística Manuela Oreira de Lema, cantante de éxito educada en el Real Conservatorio, y amiga personal de Musso. También se publica su tratado De la ópera, precedido de un análisis, y el estudio sobre el estado de este género y de la cuestiones estéticas del momento.
La credenza popolare legata al morso della tarantola ha avuto un’ampia circolazione ben oltre l’area salentina, terra endemica della taranta, tanto che oggi ne ritroviamo le tracce anche nel territorio spagnolo. La letteratura del Siglo de Oro è ricca di testimonianze, ancorché frammentarie, sul tarantismo. Gli entremeses di don Pedro Calderón de la Barca e Luis Vélez de Guevara, nonché la celebre Fabula de Aracne di Velázquez, meglio nota come Las Hilanderas, rivelano nei drammaturghi e nel genio del Seicento pittorico una remota e diffusa compenetrazione del tarantismo e del suo misterioso retroterra culturale. Le prime testimonianze in terra di Spagna relative a tale rituale ero...
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The Continuity of Linguistic Change presents a collection of selected papers in honour of Professor Juan Andrés Villena-Ponsoda. The essays revolve around the study of linguistic variation and the mechanisms and processes associated with linguistic change, a field to which Villena-Ponsoda has dedicated so many years of research. The authors are researchers of renowned international prestige who have made significant contributions in this field. The chapters cover a range of related topics and provide modern theoretical and methodological perspectives, addressing the structural, cognitive, historical and social factors that underlie and promote linguistic change in varieties of Dutch, German, Greek, Italian, Spanish and Swedish. The reader will find contributions that explore topics such as phonology, acoustic phonetics and processes deriving from the contact between languages or linguistic varieties, specifically levelling, koineisation, standardisation and the emergence of ethnolects.