You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
In this award-winning book, Sato explores the rise and fall of Honda, an international brand name that was created by two very different men.
Shinichi Suzuki, of the eponymous Suzuki Method, debunked Western stereotypes about “authentic” classical performance while transforming music education globally. Yet as Eri Hotta shows, his movement was about much more than developing music skills. A committed humanist, he aspired to nurture the potential, musical or otherwise, in every child.
This popular text has been updated to ensure that it continues to provide a current and comprehensive overview of the main Christian theologies of the twentieth and twenty-first centuries. Each chapter is written by a leading theologian and gives a clear picture of a particular movement, topic or individual. New and updated treatments of topics covered in earlier editions, with over half the chapters new to this edition or revised by new authors. New section singling out six classic theologians of the twentieth century. Expanded treatment of the natural sciences, gender, Roman Catholic theology since Vatican II, and African, Asian and Evangelical theologies. Completely new chapters on spirituality, pastoral theology, philosophical theology, postcolonial biblical interpretation, Pentecostal theology, Islam and Christian theology, Buddhism and Christian theology, and theology and film. As in previous editions, the text opens with a full introduction to modern theology. Epilogue discussing the present situation and prospects of Christian theology in the twenty-first century.
While process philosophers and theologians have written numerous essays on Buddhist-Christian dialogue, few have sought to expand the current Buddhist-Christian dialogue into a "trilogue" by bringing the natural sciences into the discussion as a third partner. This was the topic of Paul O. Ingram's previous book, Buddhist-Christian Dialogue in an Age of Science. The thesis of the present work is that Buddhist-Christian dialogue in all three of its forms--conceptual, social engagement, and interior--are interdependent processes of creative transformation. Ingram appropriates the categories of Whitehead's process metaphysics as a means of clarifying how dialogue is now mutually and creatively transforming both Buddhism and Christianity.
The charming recorder repertoire in the Suzuki Recorder School has been carefully selected by Katherine White, in accordance with the principles and guidelines of Dr. Suzuki's philosophy. Titles: * Siciliana from Sonata in F Major (Alto key) (III) (G.F. Handel) * Bourrée from Fireworks Suite (G.F. Handel) * Passapied from Melpomene Suite (K. Fischer) * Adagio from Sonata in A Minor (Alto key) (III) (G.F. Handel) * Presto from Sonata in G Minor (Alto key) (IV) (G.F. Handel) * Larghetto from Sonata in G Minor (Alto key) (I) (G.F. Handel) * Allegro from Sonata No. 1 (IV) (R. Valentini) * Giga/Allegro from Sonata in F Major (Alto key) (IV) (G.F. Handel) * Minuet (E.C. Jacquet de La Guerre) * Rondeau (E.C. Jacquet de La Guerre)
Japanese folk performing arts incorporate a body of entertainments that range from the ritual to the secular. They may be the ritual dances at Shinto shrines performed to summon and entertain deities; group dances to drive away disease-bearing spirits; or theatrical mime to portray the tenets of Buddhist teachings. Terence Lancashire provides a valuable introductory guide to the major performance types as understood by Japanese scholars.
Dr. Garson has given us an intimate look into his time spent with Dr. Suzuki. A fascinating look, through anecdotes and photos, at an extraordinary man. A great addition to any Suzuki library!