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"This index contains a comprehensive listing of more than 20,000 Japanese swordsmiths, from the early days right down to modern times, i.e. from kotô to shinsakutô. It is not simply a list of names, it also provides biographical information according to the extent of a smith's fame. Aim is to give the reader a coherent picture of a certain smith, that means his civilian name, how did he sign, in which style did he work, and who was his master or his school environment. Thereby, the most common theories on a smith are included and discrepancies in the transmissions are pointed out. This work is a revised and completely new recorded list of smiths by incorporating all relevant Japanese and non-Japanese sources. Incorrect entries and double listings were deleted and readings corrected. The smiths are listed in alphabetical order and sorted according to their used characters. A list of all characters used in the names of the smiths in this index is available, sorted by stroke order, so that the search of a smith with an unknown reading is also possible."--Back cover.
In Painting Nature for the Nation: Taki Katei and the Challenges to Sinophile Culture in Meiji Japan, Rosina Buckland offers an account of the career of the painter Taki Katei (1830–1901). Drawing on a large body of previously unpublished paintings, collaborative works and book illustrations by this highly successful, yet neglected, figure, Buckland traces how Katei transformed his art and practice based in modes derived from China in order to fulfil the needs of the modern nation-state at large-scale exhibitions and at the imperial court. She provides a rare examination of the vibrant world of Chinese-inspired culture during the 1880s, and the hostility which it faced in the following decade.
This graduate textbook provides a self-contained introduction to modern mathematical theory on fractional differential equations. It addresses both ordinary and partial differential equations with a focus on detailed solution theory, especially regularity theory under realistic assumptions on the problem data. The text includes an extensive bibliography, application-driven modeling, extensive exercises, and graphic illustrations throughout to complement its comprehensive presentation of the field. It is recommended for graduate students and researchers in applied and computational mathematics, particularly applied analysis, numerical analysis and inverse problems.
An unavoidable difficulty with books that deal with Japanese swords in general is that the workmanship of a smith has to be reduced to its most important characteristics which can be seen on the majority of his works. It is here that this work comes into play, with the motive to provide more concretely described reference examples. Unique is that - depending on the blade - former participant's kantei bids are also addressed. This means that one's own approach and attempt at attributing a blade may also be comprehended. With the 169 introduced shinto and shinshinto blades from altogether 13 provinces, this volume constitutes an extensive reference work. The order starts for shinto with Kyoto, Edo and Settsu, and for shinshinto with Edo.
As the title of the book indicates, this is primarily a book on partial differential equations (PDEs) with two definite slants: toward inverse problems and to the inclusion of fractional derivatives. The standard paradigm, or direct problem, is to take a PDE, including all coefficients and initial/boundary conditions, and to determine the solution. The inverse problem reverses this approach asking what information about coefficients of the model can be obtained from partial information on the solution. Answering this question requires knowledge of the underlying physical model, including the exact dependence on material parameters. The last feature of the approach taken by the authors is the...
At their peak, architectural marvels such as the Sagrada Família, the Tower of London, the Mosque–Cathedral of Córdoba, and the Eiffel tower, had a combined annual visit of almost 16.4 million people. The animated icebound castle in Disney’s (2019) Frozen had 116.4 million views, from one single YouTube trailer, in less than 24 hours. The spaces of such massively consumed animation have for generations informed the architectural imagination of people across the globe and from very early in their lives. Yet, not only have the architectural disciplines remained rather absent in the design of these massively consumed spaces, architectural theory has likewise failed to articulate a framewo...