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The Complete Thesaurus of Musical Scales
Surprisingly, few studies have been made that address the possibilities of musical scales. This book is, to the best of my knowledge, the first of its kind to establish and examine a complete system of all conceivable scales. My intention is that this book be used as a reference tool for all musicians, as it provides a complete dictionary of all possible scale configurations.
Color Harmony Compendium in Music
Advanced Level. Many people have asked me to apply the concept of The Complete Thesaurus of Musical Scales to harmonic principles. The purpose of this book is *not* to teach the traditional theory of harmony, but to free you from the limitations of traditional theory. This innovative guidebook can be used as a practical reference for precise and positive design with color harmony.
Chromaticism in Jazz: Applying Techniques and Concepts
he purpose of this book is to share my thoughts with all melodic instrumentalists, to suggest an avenue into chromatic jazz improvisation. The title Chromaticism in Jazz implies the coloristic, intervallic, non-diatonic, paratonal, and superimposition styles of jazz improvisation that may be represented by the mid-60 s Miles Davis Quintet and the 60 s John Coltrane Quartet (and later Coltrane groups). It must also be noted that the application of chromatic lines in improvisation should not overshadow the natural flow of ideas, but should be explored thoughtfully to create contrast and more lyrical, melodic playing. As the subject of dissonance versus consonance has shifted and evolved throug...
All Fourths: A Method For EADGCF Tuning On Guitar
New Guitar Method utilizing all fourths tuning (E, A, D, G, C, F - low to high). If I was starting to learn to play the guitar today, and somebody gave me a guitar today, I'd tune it in straight fourths without a doubt. Just like the six-string bass, 'cause to find that B string is a pain, and it's unnecessary, 'cause you play ... you know ... there's only a few of us that go around bashing out power chords anymore, so you don't need that anyway, so if I was to learn again, it's just that it's been so many years trying to beat the B string that I can't go and un-beat it. --Allan Holdsworth
Synthetic Scales for Jazz Improvisation: Two-Octave and Multi-Octave Scales
The principle of this book is not passing theoretical interest, but an effective guide to musical life and how non-diatonic synthetic scale formations can be expanded to the fullest extent. Over the years, I had been asked to write my two-octave and multi-octave synthetic scales book in conjunction with my "The Complete Thesaurus of Musical Scales." This work will lay out the structural guidelines of the synthetic scales and give some examples of how the derived lines can be used in a jazz context. This book is sending out my strong message that seemingly useless scales, listed in "The Complete Thesaurus of Musical Scales," can be injected readily into regular scale usages by building them with octave displacement of synthetic formations. Explore synthetic scale formations by finding your own formulae. Good luck!
Contemporary Guitar Harmony: For Advanced Guitarists Only
Advanced Level. The motivation for this book was to develop my The Complete Thesaurus of Musical Scales and delve into my findings about music education. This book is also intended to answer guitar players demands for my harmony lessons (this textbook price is more reasonable than a one-time private lesson fee). This book offers guitarists an effective and novel approach to contemporary guitar harmony. I have presented all possible (forty-three) four-note groupings (i.e. subsets), which may be used for tonal or meta-tonal harmonic progressions currently acceptable on the contemporary music scene. The principles in this book are not of passing theoretical interest, but an effective guide to musical life and how guitar harmony can be expanded to the fullest extent. Knowing possibilities in four-note groups and voicings systems will begin to unlock possibilities for music in the 21st century. Further possibilities live in each one of our guitars, waiting to be discovered. I would like to dedicate this book to all guitarists from the four corners of the earth, who wish to expand their expressive palette in Contemporary Guitar Harmony.
Symmetrical Scales for Jazz Improvisation
Much ink has been spilled on the study of symmetrical scales, producing many method books which at best offer a superficial examination of this broad subject. Regrettably, the few studies that do exist focus on the more familiar symmetrical scales such as the diminished and whole-tone scales. Olivier Messiaen, a distinguished French composer, penned The Technique of My Musical Language, which outlined his own system of symmetrical scale organization as it related to his compositional approach, and thus this system is limited in its usage for more general application. My book is the first of its kind, to my knowledge, to institute a complete system whereby one can examine all the possible sym...
Lexicon of Geometric Patterns for Jazz Improvisation
The book is divided into two hierarchically organized parts. In Part I, the various Melodic Shapes for creative writing and improvisation serve as the important aesthetic substance. In Part II, materials quoted from John Coltrane and others are integrated in a fashion convenient to improvisers who seek the technical proficiency of an instrumentalist. Admittedly, the beginning of Lexicon of Geometric Patterns for Jazz Improvisation was already revealed in Chapter IV of my other book Symmetrical Scales for Jazz Improvisation (Masaya Music, 2006). Over the course of a decade, however, I have developed my ideas into the more intelligible format shown in this book, so that even musicians who have difficulty conceiving of dissonant melodies may learn to create their own patterns to be used in improvisation. Dedicated to David Liebman and Dr. Lewis Porter, who have improved the quality of jazz education remarkably.
YAMAGUCHI Improvisation Method
The motivation for the YAMAGUCHI improvisation method was to develop my The Complete Thesaurus of Musical Scales and delve into my findings about music education. I do not have any aspiration to write the best-selling how to improvise textbook, but I did have the perspiration required to complete the best content improvisation method book available to any instrumentalist. My main priorities are to boost teaching quality as well as general academic standards in music pedagogy. The YAMAGUCHI improvisation method is also intended to answer musicians demands for my lessons (This textbook price is more reasonable than one-time private lesson fee). With my original method revealed in this book, yo...
YAMAGUCHI Guitar Method
This book is intended to answer guitarists demands for my lessons. Ultimately, it depends on who will learn it and how they utilize my method. Over the years, I had been asked to compile my guitar method book, but I was very reluctant to do so until I completed my improvisation book Yamaguchi Improvisation Method (New York: Masaya Music, 2012). Because after all, my priority is to teach music, especially improvised music --- not how to play the guitar. Though this book required a huge amount of work to complete, I finished it for all my fellow guitar players, who regularly use my The Complete Thesaurus of Musical Scales. The YAMAGUCHI Guitar method in this book is highly original and much different from most books in today s jazz pedagogy. This is a new kind of guitar method book that will leave no student behind if you interpret my words correctly. I hope the YAMAGUCHI Guitar method will guide you to unlock melodic possibilities and broaden your musical vocabulary. GOOD LUCK!
