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The Representation of Genocide in Graphic Novels
This book mobilises the concept of kitsch to investigate the tensions around the representation of genocide in international graphic novels that focus on the Holocaust and the genocides in Armenia, Rwanda, and Bosnia. In response to the predominantly negative readings of kitsch as meaningless or inappropriate, this book offers a fresh approach that considers how some of the kitsch strategies employed in these works facilitate an affective interaction with the genocide narrative. These productive strategies include the use of the visual metaphors of the animal and the doll figure and the explicit and excessive depictions of mass violence. The book also analyses where kitsch still produces problems as it critically examines depictions of perpetrators and the visual and verbal representations of sexual violence. Furthermore, it explores how graphic novels employ anti-kitsch strategies to avoid the dangers of excess in dealing with genocide. The Representation of Genocide in Graphic Novels will appeal to those working in comics-graphic novel studies, popular culture studies, and Holocaust and genocide studies.
The Blacker the Ink
When many think of comic books the first thing that comes to mind are caped crusaders and spandex-wearing super-heroes. Perhaps, inevitably, these images are of white men (and more rarely, women). It was not until the 1970s that African American superheroes such as Luke Cage, Blade, and others emerged. But as this exciting new collection reveals, these superhero comics are only one small component in a wealth of representations of black characters within comic strips, comic books, and graphic novels over the past century. The Blacker the Ink is the first book to explore not only the diverse range of black characters in comics, but also the multitude of ways that black artists, writers, and p...
Writing and Filming the Genocide of the Tutsis in Rwanda
Writing and Filming the Genocide of the Tutsis in Rwanda: Dismembering and Remembering Traumatic History is an innovative work in Francophone and African studies that examines a wide range of responses to the 1994 genocide of the Tutsis in Rwanda. From survivor testimonies, to novels by African authors, to films such as Hotel Rwanda and Sometimes in April, the arts of witnessing are varied, comprehensive, and compelling. Alexandre Dauge-Roth compares the specific potential and the limits of each medium to craft unique responses to the genocide and instill in us its haunting legacy. In the wake of genocide, urgent questions arise: How do survivors both claim their shared humanity and speak the radically personal and violent experience of their past? How do authors and filmmakers make inconceivable trauma accessible to a society that will always remain foreign to their experience? How are we transformed by the genocide through these various modes of listening, viewing, and reading?
Narratives Crossing Boundaries
As the dominant narrative forms in the age of media convergence, films and games call for a transmedial perspective in narratology. Games allow a participatory reception of the story, bringing the transgression of the ontological boundary between the narrated world and the world of the recipient into focus. These diverse transgressions - medial and ontological - are the subject of this transdisciplinary compendium, which covers the subject in an interdisciplinary way from various perspectives: game studies and media studies, but also sociology and psychology, to take into account the great influence of storytelling on social discourses and human behavior.
The Courier
"European Community-African-Caribbean-Pacific" (varies).
The Women Soldiers of Dahomey
Elite troops of women soldiers contributed to the military power of the Kingdom of Dahomey in the eighteenth and nineteenth centuries. Admired in their country and feared by their adversaries, these formidable warriors never fled from danger. The troops were dissolved after the fall of Behanzin (Gbehanzin), the last King of Dahomey, during French colonial expansion at the end of the nineteenth century.
THE GENIUS OF JANUS
The book is a representation of the Pescopaganese community in the United States of North America. It represents the research commitment of decades by Prof. Giovanni Pinto who has been a driving force and a leader in this community for half a century. Besides an Introduction, Pinto’s book includes four sections: Part One – Our Italian roots and heritage: The territory, the history, the urban setting; Part Two: The causes of emigration, the passage, the communities, the progress; Part Three: A to Z: Genealogies, Profiles and Remembrances of deserving Families, Individuals and Businesses; and Part Four: Corollary documents. Prof. Pinto’s book is of great relevance to the history of America, of Italian Americans, and in particular of Pescopaganesi. This book would be a valuable gem in libraries of any Institution or Individual.
Empowered & Sistah Spooky's High School Hell #1
Art by Carla Speed McNeil! Empowered's "frenemy" Sistah Spooky was once a schoolgirl who sold her soul for hotness, but was granted even more magic than beauty. Now, both superheroines find themselves trapped in a high-school hellscape by Spooky's Infernal Service ProviderÑwith her blonde ex-classmates plotting ritual murder to claim her magic for themselves! Empowered creator Adam Warren teams with Carla Speed McNeil, the award-winning creator of Finder and artist of No Mercy, Queen and Country, and many more.
Mata Hari
This book explores the life of the controversial and historical figure, Mata Hari -- the exotic dancer, convicted double agent, and original femme fatale--told from her own perspective. It collects the five-issue series and includes additional historical material and an artist's sketchbook. Dancer. Courtesan. Spy. Executed by a French firing squad in 1917. One hundred years on from her death, questions are still raised about her conviction. Now, the lesser-known, often tragic story of the woman who claimed she was born a princess, and died a figure of public hatred, with no one to claim her body is told by break-out talent writer Emma Beeby (Judge Dredd), artist Ariela Kristantina (Insexts),...
