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Originally published in New York in 1858, EL LAUD collects the writings of Cuban poets who lived in exile in the United States and supported Cuba's independence from Spain: JosA[aÂA Maria Heredia, Miguel Teurbe Tolon, JosA[aÂA Agustin Quintero, Pedro Santacilia, Pedro Angel Castellon, Juan Clemente Zenea, and Leopoldo Turla. Edited by Matias Montes-Huidobro.
Little Havana Blues is a medley of voicesÑnarrators, essayists and poetsÑthat have come to forge a literary identity within the United States since their parents left Cuba to go into exile. However, this first comprehensive anthology of Cuban-American literature is not a symphony of the exile or immigrant generation and its letters. Instead, these writers are staking their claim on part of the American mosaic, with Pulitzer Prices and other awards in hand. But in their Americanization they are not rejecting their heritage or their Hispanic culture; rather they are Cubanizing, tropicalizing, expanding the realm of American culture and letters. Their vision is inclusive; their sources go dee...
Herencia (meaning "inheritance" or "heritage") is the first anthology to bring together literature spanning the entire history of Hispanic writing in the United States, from the age of exploration to the present. The product of a ten-year project involving hundreds of scholars nationwide, Herencia is the most comprehensive literary collection available, covering over three centuries and including writers from all the major Hispanic ethnic communities as well as a broad sample of writing from diverse genres. Here is the voice of the conqueror and the conquered, the revolutionary and the reactionary, the native and the uprooted or landless. Of course, readers will find pieces by such leading w...
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A story of exile and banishment follows the narrator and his wife through all of the problems they confront in a foreign land, from differences in language and dress to nervous collapse.
A cumulative index to biographical material in books and magazines.
US-karibische Diasporaliteraturen der 2000er-Jahre konstituieren soziale Räume als Diasporaräume. An den literarischen Raumproduktionen in Werken von Ernesto Quiñónez, Achy Obejas, Edwidge Danticat und Junot Díaz lässt sich erkennen, so eine zentrale These, wie diese Literaturen im Spagat sich selbst, ihre Verfasserinnen und Verfasser sowie ihre ethnischen Gemeinschaften zwischen den USA und der Karibik verorten. Texte wie Bodega Dreams, Days of Awe, The Dew Breaker und The Brief Wondrous Life of Oscar Wao positionieren sich über ihre Erzählräume und erzählten Räume, ihre Raumsemantik und ihre Intertextualität im Spannungsfeld von De- und Reterritorialisierung. Sie setzen sich mi...