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Realistic Oil Painting
A quality, realistic work of art is a comprehensive visual synthesis of a lot of, knowledge and observation. The artist perceives the world around him with different eyes than people in everyday life. He is interested in the essence of the things he wants to paint and penetrates into the natural laws that determine the appearance of things.The book Realistic Oil Painting will teach you the necessary basics to realistically depict any subject you choose. In the first part of this book, you will learn how light and shadow affect the color and appearance of things around us, how to mix the right color you need, exactly what types of underpaintings and what colors are most suitable for underpainting, and especially how to put this theoretical knowledge into practice. Therefore, the second part of the book is devoted to practical examples of painting individual subjects using various painting techniques. This book aims to acquaint the reader with the basic issues of layered and direct painting and thus becomes a practical guide for every artist.
Art-Union
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The Art of Understanding Your Mate
This reissue of a bestseller takes a realistic approach to marriage that deals candidly with incompatibility. It includes ten commandments for husbands and wives.
Art as Communication
Is art a form of communication? If so, what does art express or represent? How should we interpret the meaning of works created by more than one artist? Is art an adaptation, via natural selection? In what ways is art similar to—and different from—language? Art as Communication: Aesthetics, Evolution, and Signaling employs information theory, the theory of evolution, and the newly developed sender-receiver model of communication to reason about art, aesthetic behavior, and its communicative nature. Shawn Simpson considers whether art, from a biological point of view, is the province of only humans or whether animals might reasonably be said to create art. Examining the work of evolutionary biologists, art theorists, linguists, and philosophers—including Charles Darwin, Stephen Davies, H. Paul Grice, and others—he addresses how well different theories of communication explain meaning and expression in art and argues that art is much more continuous with other forms of communication than previously thought.
The ERASL.
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The Qur'ān
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The Art Journal
Vol. for 1867 includes Illustrated catalogue of the Paris Universal Exhibition.
The Builder
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The Musical Scale
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