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The great diversity of contexts in which the term Postmodernism is currently encountered reflects the remarkable success of a coinage that has been in circulation for only about forty years. It has been used by philosophers, sociologists, art critics and literary historians to become, finally, a household word in the language of advertising and politics. Before letting it fade to a derelict cliché, an attempt is made in this volume of essays to use its potential as a cultural concept for the analysis and understanding of contemporary literature and thought.
Panorama Irinei Petraș organizează, în ordinea alfabetică a numelui autorilor, comentarii și interpretări pe textele a peste 500 de scriitori români contemporani acoperind ultima jumătate de secol din istoria literaturii române. „Dicționarul” este precedat de un capitol introductiv intitulat Repere sau fragmente (aproape) polemice, în care autoarea încearcă o descriere sintetică a epocii din perspectiva marilor teme de pagina întâi ale ultimelor două decenii. Volumul „Literatura româna contemporană” nu este exhaustiv, însă este fără îndoială larg cuprinzător. El cochetează dezinvolt cu ideea de dicționar sau de istorie literară, și propune decis o panoramă.
Twentieth-century Spanish poetry has received comparatively little attention from critics writing in English. Andrew Debicki now presents the first English-language history published in the United States to examine the sweep of modern Spanish verse. More important, he is the first to situate Spanish poetry in the context of European modernity, to trace its trajectory from the symbolists to the postmodernists. Avoiding the rigid generational schemes and catalogs of names found in traditional Hispanic literary histories, Debicki offers detailed discussions of salient books and texts to construct an original and compelling view of his subject. He demonstrates that contemporary Spanish verse is ...
Eugenics movements gained momentum throughout Eastern Europe between World Wars I and II. Maria Bucur demonstrates that the importance of the eugenics movement in Romania rests not so much in the contributions made to the study of science as in the realm of nationalist ideology and social policy making.The notion that the quality and quantity of the human species could and should be controlled manifested itself through social engineering projects ranging from reshaping gender roles and isolating ethnic undesirables to introducing broad public health measures and educational reform. Romanian eugenicists sought to control such modernization processes as urbanization and industrialization without curbing them, yet they also embraced attitudes more typically identified with anti-modernists in Romanian politics and culture. Bucur is the first historian to explore the role of eugenics as a response to the challenges of nation- and state-building in Eastern Europe. She presents a balanced assessment of the interwar eugenics movement's success and failures and identifies connections and discontinuities between the movement and the post-war communist regime.
Five Faces of Modernity is a series of semantic and cultural biographies of words that have taken on special significance in the last century and a half or so: modernity, avant-garde, decadence, kitsch, and postmodernism. The concept of modernity--the notion that we, the living, are different and somehow superior to our predecessors and that our civilization is likely to be succeeded by one even superior to ours--is a relatively recent Western invention and one whose time may already have passed, if we believe its postmodern challengers. Calinescu documents the rise of cultural modernity and, in tracing the shifting senses of the five terms under scrutiny, illustrates the intricate value jud...
This book explores the emergence of literary history and criticism in the Americas during the 18th century, focusing on natural history as a matrix for literary history and criticism, the geopolitical functions of literary criticism in the periodical press, and the recovery of manuscripts as a residual product of modernity. The study questions the epistemological conflicts provoked by the manuscript status of a considerable part of 18th-century scholarship, in which the projects of an American modernity appear subjugated by and yet resilient to the power of the European printing press.
"A sumptuously documented book, one that makes innovative use of the principle of montage to generate informative historical readings of Japan's myriad mass cultural phenomena in the early twentieth century. Both in terms of its scholarship and its methodology, this is a truly admirable work."—Rey Chow, Andrew W. Mellon Professor of the Humanities, Brown University "As Miriam Silverberg has brilliantly shown here, the modern times of 1920s and ‘30s Japan were rendered in a cacophony of cultural mixing: a period of consumerist desires and Hollywood fantasy-making but also the rise of nationalist empire-building. Excavating its kaleidoscope of everyday culture Silverberg astutely offers a ...