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Artistic Research
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Archizines
Elias Redstone's compact introduction to the world of independent architectural publishing is an indispensable guide for any architecture enthusiast or bibliophile, or indeed anyone interested in the survival of independent print publishing. As well as an entry on each of the magazines collected as part of Redstone's Archizines project (which started with an online archive, expanding to an exhibition, this book and soon to be completed the the donation of the entire collection of publications to the National Art Library at the V&A), Redstone and a selection of Archizines editors, such as Pedro Gedanho and Mimi Zeigar, give a range of insights into the world of architecture and publishing discourse through a series of short essays.
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This is a critical time in design. Concepts and practices of design are changing in response to historical developments in the modes of industrial design production and consumption. Indeed, the imperative of more sustainable development requires profound reconsideration of design today. Theoretical foundations and professional definitions are at stake, with consequences for institutions such as museums and universities as well as for future practitioners. This is "critical" on many levels, from the urgent need to address societal and environmental issues to the reflexivity required to think and do design differently.
Art and Destruction
Most talk of and writing on art is about its relationship to creation and creativity. This of course takes various forms, but ultimately the creative act in the making of art works is a key issue. What happens when we put together art and destruction? This has been referenced in some major areas, such as that of art and iconoclasm and auto-destructive art movements. Less evident are accounts of more intimate, smaller scale â ~destructiveâ (TM) interventions into the world of the made or exhibited art object, or more singular and particularised approaches to the representation of mass destruction. This volume addresses these lacunae by bringing together some distinct and very different area...
Matilda (Colour Edition)
Roald Dahl's much-loved Matilda, now with Quentin Blake's original illustrations in full colour. Matilda Wormwood's father thinks she's a little scab. Matilda's mother spends all afternoon playing bingo. And Matilda's headmistress Miss Trunchbull? Well, she's the worst of all. She is a big bully, who thinks all her pupils are rotten and locks them in the dreaded Chokey. As for Matilda, she's an extraordinary little girl with a magical mind - and now she's had enough. So all these grown-ups had better watch out, because Matilda is going to teach them a lesson they'll never forget. Matilda is also a phenomenally successful, award-winning London stage musical, adapted for the stage by Dennis Kelly with music by Tim Minchin. 'A true genius . . . Roald Dahl is my hero' - David Walliams Look out for new Roald Dahl apps in the App store and Google Play- including the disgusting TWIT OR MISS! inspired by the revolting Twits.
Matilda
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Matilda
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Matilda
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Matilda
"A true genius . . . Roald Dahl is my hero" David Walliams Matilda's parents have called her some terrible things, but the truth is she's a genius and they're the stupid ones. Underestimating Matilda proves to be a big mistake as they, along with her spiteful headmistress, Miss Trunchbull, soon find out when Matilda discovers she has a very special power.
Matilda
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