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Poetry and Identity in Quattrocento Naples approaches poems as acts of cultural identity and investigates how a group of authors used poetry to develop a poetic style, while also displaying their position toward the culture of others. Starting from an analysis of Giovanni Pontano’s Parthenopeus and De amore coniugali, followed by a discussion of Jacopo Sannazaro’s Arcadia, Matteo Soranzo links the genesis and themes of these texts to the social, political and intellectual vicissitudes of Naples under the domination of Kings Alfonso and Ferrante. Delving further into Pontano’s literary and astrological production, Soranzo illustrates the consolidation and eventual dispersion of this author’s legacy by looking at the symbolic value attached to his masterpiece Urania, and at the genesis of Sannazaro’s De partu Virginis. Poetic works written in neo-Latin and the vernacular during the Aragonese domination, in this way, are examined not only as literary texts, but also as the building blocks of their authors’ careers.
The first in-depth study of the life and works of Augurello, Italian alchemist, poet and art connoisseur from the time of Giorgione.
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An account of the astrological controversies that arose in Renaissance Italy in the wake of Giovanni Pico della Mirandola’s Disputationes adversus astrologiam divinatricem, published in 1496.
Walking through Elysium traces Vergil's influence on literary representations of underworlds, souls, afterlives, prophecies, journeys, and spaces, from sacred and profane to wild and civilized.
In this book, conversion means abandoning a world view and starting over. Using this definition of conversion, the book examines four works: Augustine of Hippo’s Confessions, René Descartes’s Meditations on First Philosophy, Bernard Lonergan’s Insight: A Study of Human Understanding, and Peter Weir’s The Truman Show. The main argument of this book is that all four works contain and induce conversion. That is, all four works feature an individual who abandons a world view and starts over, and all four works exhort their engager to do the same. This book also explores the works’ requirement of cognitive imitation, wherein a person replicates the mental activities of the individual who has a conversion in the work, and of private engagement, wherein a person reads or views the work while alone. The book concludes with an argument for the educational value of the four works that appropriates Ernest Becker’s The Denial of Death.
The Encyclopedia of Italian Literary Studies is a two-volume reference book containing some 600 entries on all aspects of Italian literary culture. It includes analytical essays on authors and works, from the most important figures of Italian literature to little known authors and works that are influential to the field. The Encyclopedia is distinguished by substantial articles on critics, themes, genres, schools, historical surveys, and other topics related to the overall subject of Italian literary studies. The Encyclopedia also includes writers and subjects of contemporary interest, such as those relating to journalism, film, media, children's literature, food and vernacular literatures. Entries consist of an essay on the topic and a bibliographic portion listing works for further reading, and, in the case of entries on individuals, a brief biographical paragraph and list of works by the person. It will be useful to people without specialized knowledge of Italian literature as well as to scholars.
In 1484, humanist philosopher and theologian Marsilio Ficino published the first complete Latin translation of Plato's extant works. Plato's Persona is the first book to undertake a synthetic study of Ficino's interpretation of the Platonic corpus.
The articles in this volume focus upon Boethius's extant works: his De arithmetica and a fragmentary De musica, his translations and commentaries on logic, his five theological texts, and, of course, his Consolation of Philosophy. They examine the effects that Boethian thought has exercised upon the learning of later generations of scholars.
Explores the vital links between social order and cosmology by examining the concept of foedus in Roman religion and literature.