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Betraying Betrayal
This book is carefully written. It is a classic on exposing the kiss of betrayal. No stone is left unturned as Matthew explores profound concepts and answers questions many are afraid to ask, forbidden questions as "Who is my betrayer? How does one identify a betrayer? Am I a betrayer? What are the heart-wrenching questions of betrayal? How should one cope with the sting of betrayal?" From the president to the pauper, from the pastor to the member, this book is related in a manner that we all can identify. Betraying Betrayal transcends the borders of hypocrisy, posturing, and speciousness. It brings to light the dark realities of being betrayed. Having felt the pangs of betrayal himself, Matthew offers hope on how to move from being a victim to becoming the victor who eventually betrays betrayal.
Fugitive Time
In Fugitive Time, Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black artforms from across the world. Through the lens of time, he charts the sensations and coursing thoughts that accompany desires for freedom as they appear in the work of artists as varied as Toni Morrison, Yvonne Vera, Aimé Césaire, and Issa Samb. “Fugitive time” names a distinct utopian desire directed at the anticipated moment when the body and mind have been unburdened of the violence that has consumed black life globally for centuries, bringing with it a new form of being. Omelsky shows how fugitive time is not about attaining this transcendent release but is instead about sustaining the idea of it as an ecstatic social gathering. From the desire for ethereal queer worlds in the Black Audio Film Collective’s Twilight City to Sun Ra’s transformation of nineteenth-century scientific racism into an insurgent fugitive aesthetic, Omelsky shows how fugitive time evolves and how it remains a dominant form of imagining freedom in global black cultural expression.
Culture Wars in British Literature
The past century's culture wars that Britain has been consumed by, but that few North Americans seem aware of, have resulted in revised notions of Britishness and British literature. Yet literary anthologies remain anchored to an archaic Anglo-English interpretation of British literature. Conflicts have been played out over specific national vs. British identity (some residents prefer to describe themselves as being from Scotland, England, Wales, or Northern Ireland instead of Britain), in debates over immigration, race, ethnicity, class, and gender, and in arguments over British literature. These debates are strikingly detailed in such chapters as: "The Difficulty Defining 'Black British'," "British Jewish Writers" and "Xenophobia and the Booker Prize." Connections are also drawn between civil rights movements in the U.S. and UK. This generalist cultural study is a lively read and a fascinating glimpse into Britain's changing identity as reflected in 20th and 21st century British literature.
Reframing Africa?
This book takes readers on a series of stimulating intellectual journeys from the late nineteenth century to the contemporary era to explore notions of modernity in the production and reception of the African moving image and of African archival practices. Ideas are presented from multiple historical and contemporary perspectives, while inviting new voices to participate in discussions about the future of the African moving image. Reframing Africa? makes a plea for the recognition, preservation and repatriation of the African moving image archive, advancing ideas about how it speaks to contemporary Africans, possessed of the power to elucidate their lived experiences and to reorientate perceptions of the past, present and future. On the basis of this wide-ranging appreciation of the archive, the book charts a way forward for African-inflected film studies as well as other programmes in the humanities and social sciences. Reframing Africa? will appeal to scholars, academics and practitioners across the continent and beyond
A Journey Through Ruins
A unique evocation of Britain at the height of Margaret Thatcher's rule, A Journey Through Ruins views the transformation of the country through the unexpected prism of every day life in East London. Written at a time when the looming but still unfinished tower of Canary Wharf was still wrapped in protective blue plastic, its cast of characters includes council tenants trapped in disintegrating tower blocks, depressed gentrifiers worrying about negative equity, metal detectorists, sharp-eyed estate agents and management consultants, and even Prince Charles. Cutting through the teeming surface of London, it investigates a number of wider themes: the rise and dramatic fall of council housing, the coming of privatization, the changing memory of the Second World War, once used to justify post-war urban development and reform but now seen as a sacrifice betrayed. Written half a century after the blitz, the book reviews the rise and fall of the London of the post-war settlement. It remains one of the very best accounts of what it was like to live through the Thatcher years.
Multicultural States
First book to address the multicultural debates across a range of countries eg. USA, Canada, Australia, New Zealand, Ireland Very strong contributor list including Ien Ang, Terry Eagleton, Homi K. Bhabha, Henry A. Giroux and Meaghan Morris
The Ghosts of Songs
This eagerly awaited book is the first to assess the oeuvre of the Black Audio Film Collective (BAFC), one of Britain's most influential artistic groups. It reconsiders the entire corpus of the seven-person London-based group from inception in 1982 to its disbandment in 1998.
Law and Anthropology: International Yearbook for Legal Anthropology
Volume 7 of "Law and Anthropology" brings together a collection of studies that discuss legal problems raised by cultural differences between people and the law to which they are subject. This volume developed from the idea that it can be useful to consider current discussions in various legal systems facing issues of cultural difference that cannot be regarded as legal problems related to indigenous societies alone. The book focuses on contradiction between national law and complex and diverse kinship structures, which are essential for the cultural identity of both indigenous groups and cultural minorities. The social construction of gender relations and gender conflicts is an important th...
Rain on a Tin Roof
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More Brilliant than the Sun
The classic work on the music of Afrofuturism, from jazz to jungle More Brilliant than the Sun: Adventures in Sonic Fiction is one of the most extraordinary books on music ever written. Part manifesto for a militant posthumanism, part journey through the unacknowledged traditions of diasporic science fiction, this book finds the future shock in Afrofuturist sounds from jazz, dub and techno to funk, hip hop and jungle. By exploring the music of such musical luminaries as Sun Ra, Alice Coltrane, Lee Perry, Dr Octagon, Parliament and Underground Resistance, theorist and artist Kodwo Eshun mobilises their concepts in order to open the possibilities of sonic fiction: the hitherto unexplored intersections between science fiction and organised sound. Situated between electronic music history, media theory, science fiction and Afrodiasporic studies, More Brilliant than the Sun is one of the key works to stake a claim for the generative possibilities of Afrofuturism. Much referenced since its original publication in 1998, but long unavailable, this new edition includes an introduction by Kodwo Eshun as well as texts by filmmaker John Akomfrah and producer Steve Goodman aka kode9.
