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Painting with Fire
  • Language: en
  • Pages: 298

Painting with Fire

Painting with Fire shows how experiments with chemicals known to change visibly over the course of time transformed British pictorial arts of the long eighteenth century—and how they can alter our conceptions of photography today. As early as the 1670s, experimental philosophers at the Royal Society of London had studied the visual effects of dynamic combustibles. By the 1770s, chemical volatility became central to the ambitious paintings of Sir Joshua Reynolds, premier portraitist and first president of Britain’s Royal Academy of Arts. Valued by some critics for changing in time (and thus, for prompting intellectual reflection on the nature of time), Reynolds’s unstable chemistry also...

Wicked Intelligence
  • Language: en
  • Pages: 359

Wicked Intelligence

  • Categories: Art

In late seventeenth-century London, the most provocative images were produced not by artists, but by scientists. Magnified fly-eyes drawn with the aid of microscopes, apparitions cast on laboratory walls by projection machines, cut-paper figures revealing the “exact proportions” of sea monsters—all were created by members of the Royal Society of London, the leading institutional platform of the early Scientific Revolution. Wicked Intelligence reveals that these natural philosophers shaped Restoration London’s emergent artistic cultures by forging collaborations with court painters, penning art theory, and designing triumphs of baroque architecture such as St Paul’s Cathedral. Matth...

To Scale
  • Language: en
  • Pages: 168

To Scale

  • Categories: Art

This innovative new volume offers an in-depth exploration of scale, one of the most crucial elements in the creation and reception of art. Illustrates how scale has compelled audiences to rethink the significance and importance of specific works of art Takes a comparative art historical approach exploring issues of scale in an array of forms, from Islamic architecture to contemporary photography A global consideration of scale, with examples of work from ancient Egypt, eighteenth-century Korea, and contemporary Europe The newest addition to the Art History Special Issue Book Series

Aesthetic Science
  • Language: en
  • Pages: 250

Aesthetic Science

The scientists affiliated with the early Royal Society of London have long been regarded as forerunners of modern empiricism, rejecting the symbolic and moral goals of Renaissance natural history in favor of plainly representing the world as it really was. In Aesthetic Science, Alexander Wragge-Morley challenges this interpretation by arguing that key figures such as John Ray, Robert Boyle, Nehemiah Grew, Robert Hooke, and Thomas Willis saw the study of nature as an aesthetic project. To show how early modern naturalists conceived of the interplay between sensory experience and the production of knowledge, Aesthetic Science explores natural-historical and anatomical works of the Royal Society through the lens of the aesthetic. By underscoring the importance of subjective experience to the communication of knowledge about nature, Wragge-Morley offers a groundbreaking reconsideration of scientific representation in the early modern period and brings to light the hitherto overlooked role of aesthetic experience in the history of the empirical sciences.

The Mind Is a Collection
  • Language: en
  • Pages: 381

The Mind Is a Collection

John Locke described the mind as a cabinet; Robert Hooke called it a repository; Joseph Addison imagined a drawer of medals. Each of these philosophers was an avid collector and curator of books, coins, and cultural artifacts. It is therefore no coincidence that when they wrote about the mental work of reason and imagination, they modeled their powers of intellect in terms of collecting, cataloging, and classification. The Mind Is a Collection approaches seventeenth- and eighteenth-century metaphors of the mind from a material point of view. Each of the book's six chapters is organized as a series of linked exhibits that speak to a single aspect of Enlightenment philosophies of mind. From hi...

Matt Archer: Monster Hunter
  • Language: en
  • Pages: 229

Matt Archer: Monster Hunter

Book 1 in the Matt Archer Series Fourteen-year-old Matt Archer spends his days studying Algebra, hanging out with his best friend and crushing on the Goddess of Greenhill High, Ella Mitchell. To be honest, he thinks his life is pretty lame until he discovers something terrifying on a weekend camping trip at the local state park. Monsters are real. And living in his backyard. But that's not the half of it. After Matt is forced to kill a strange creature to save his uncle, he finds out that the weird knife he took from his uncle's bag has a secret, one that will change Matt's life. The knife was designed with one purpose: to hunt monsters. And it's chosen Matt as its wielder. Now Matt's part of a world he didn't know existed, working with a covert military unit dedicated to eliminating walking nightmares. Faced with a prophecy about a looming dark war, Matt soon realizes his upcoming Algebra test is the least of his worries. His new double life leaves Matt wondering which is tougher: hunting monsters or asking Ella Mitchell for a date?

The Materiality of Color
  • Language: en
  • Pages: 394

The Materiality of Color

  • Categories: Art

The purpose of this essay collection is to recover color's complex and sometimes morally troubling past. By emphasising color's materiality, and how it was produced, exchanged and used, contributors draw attention to the disjuncture between the beauty of color and the blood, sweat, and tears that went into its production, circulation and application as well as to the complicated and varied social meanings attached to color within specific historical and social contexts.

The Image of Restoration Science
  • Language: en
  • Pages: 167

The Image of Restoration Science

This book is about a single image - the frontispiece to Thomas Sprat’s History of the Royal-Society of London (1667). Designed by John Evelyn, and etched by Wenceslaus Hollar, it is arguably the best-known representation of seventeenth-century English science. The use of such plates to celebrate and legitimise the ‘new’ science of the period falls into a tradition that was well-established both in Britain and in Europe more generally, and which has increasingly attract attention from historians. Nevertheless, there are many questions to be asked about it and how it came into being. Was it an original composition by Evelyn, or is it based on earlier exemplars? Can all the scientific ins...

Aeffect
  • Language: en
  • Pages: 263

Aeffect

  • Categories: Art

The first book to seriously identify how artistic activism works and how to make it work better The past decade has seen an explosion in the hybrid practice of “artistic activism,” as artists have turned toward activism to make their work more socially impactful and activists have adopted techniques and perspectives from the arts to make their interventions more creative. Yet questions haunt the practice: Does artistic activism work aesthetically? Does it work politically? And what does “working” even mean when one combines art and activism? In Æffect, author Stephen Duncombe sets out to address these questions at the heart of the field of artistic activism. Written by the co-founde...

TID.
  • Language: en
  • Pages: 908

TID.

  • Type: Book
  • -
  • Published: 1966
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  • Publisher: Unknown

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