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The Cambridge Companion to Music and Romanticism
A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.
Musical Genre and Romantic Ideology
This volume charts the workings and legacies of Romantic artistic values such as originality and anti-commercialism in relation to musical genre. In case studies from across nineteenth-century Europe, author Matthew Gelbart explores the processes through which composers, performers, critics, and listeners gave sounds, and themselves, a sense of belonging.
The Accessibility of Music
Jochen Eisentraut's book provides a range of perspectives on why, and how, we engage with music.
Beethoven 1806
Beethoven 1806 examines a banner year in the creative life of Ludwig van Beethoven. Drawing on theories of mediation and a wealth of primary sources, it explores the specific contexts in which the music of this year was conceived, composed, and heard.
Sound and Sense in British Romanticism
A captivating exploration of the newly reimagined world of sound and sense in Britain in the decades around 1800.
Studies on Authorship in Historical Keyboard Music
Authorship is a pertinent issue for historical musicology and musicians more widely, and some controversies concerned with major figures have even reached wider consciousness. Scholars have clarified some of the issues at stake in recent decades, such as the places of borrowing and arranging in the creative process and the wider cultural significance of these practices. The discovery of new sources and methodologies has also opened up opportunities for reassessing specific authorship problems. Drawing upon this wider musicological literature as well as insights from other disciplines, such as intellectual history and book history, this book aims to build on what has already been achieved by focussing on keyboard music. The nine chapters cover case studies of authorship problems, the socioeconomic conditions of music publishing, the contributions of composers, arrangers, copyists and music publishers in creating notated keyboard compositions, the functions of attribution and ascription, and how the contexts in which notated pieces were used affected concepts of authorship at different times and places.
The Cambridge Companion to the Singer-Songwriter
Most often associated with modern artists such as Bob Dylan, Elton John, Don McLean, Neil Diamond, and Carole King, the singer-songwriter tradition in fact has a long and complex history dating back to the medieval troubadour and earlier. This Companion explains the historical contexts, musical analyses, and theoretical frameworks of the singer-songwriter tradition. Divided into five parts, the book explores the tradition in the context of issues including authenticity, gender, queer studies, musical analysis, and performance. The contributors reveal how the tradition has been expressed around the world and throughout its history to the present day. Essential reading for enthusiasts, practitioners, students, and scholars, this book features case studies of a wide range of both well and lesser-known singer-songwriters, from Thomas d'Urfey through to Carole King and Kanye West.
The Dream of the North
Northern Europe and North America have dominated the world stage for more than two centuries. Using a wide range of sources, this book provides the first coherent account from a multi-national perspective of the ideas and perceptions that, from the Renaissance onwards, fuelled the North’s rise to prominence, and enabled it to rival the traditional cultural and political hegemony of the South. This includes not only the fascinating conquest of the polar regions, but also the religious upheaval of the Reformation, the changing view of nature engendered by Romanticism, and, not least, the revival of ancient Nordic and Celtic culture. Finally, the book offers an indispensable historical background to current events in the Far North, where the past and the future meet in a complex web of dramatic environmental concerns, the exploitation of natural resources, and the strategies of politics and commerce.
Inca Music Reimagined
In Inca Music Reimagined, author Vera Wolkowicz argues that Peruvian, Ecuadorian, and Argentine composers in the early twentieth century consciously featured indigenous signifiers in their operas in order to produce a self-consciously Latin American art.
