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This smart and gripping tale follows a chic Upper East Side kleptomaniac who gets seduced into the dark, erotic underworld of a South American high fashion shoplifting ring.
Richard Grayson has been keeping a daily diary compulsively since the summer of 1969, when he was an 18-year-old agoraphobic about to venture out into the world - or at least the world around him in Brooklyn. His diary, approximately 600 words a day without missing a day since August 1, 1969, now totals over 9 million words, rivaling the longest diaries ever written. But Grayson is not merely an eccentric with graphomania. His books of short stories have been praised in reviews by ROLLING STONE, THE LOS ANGELES TIMES, THE NEW YORK TIMES BOOK REVIEW, THE PHILADELPHIA INQUIRER, PUBLISHERS WEEKLY, LIBRARY JOURNAL and BEST SELLERS. Grayson's nineteenth compilation of diary entries, WANDERYEAR, takes place between mid-1997 and mid-1998, when he quits his job as a staff attorney in social policy at a University of Florida law school think tank to move from place to place - South Florida, Brooklyn, Silicon Valley, Wyoming, Long Island, New Orleans, and suburban Phoenix, Los Angeles, Chicago and Philadelphia.
The James Duval Phelan and Joseph Henry Jackson awards, given to California writers between twenty and thirty-five years old, signal the emergence of remarkable new voices. Writing Home delivers some of the most vivid, playful, and provocative writings by previous award winners. Fenton Johnson, James Houston, Ernest Gaines, Wendy Lesser, Frank Chin, James Broughton, Leonard Gardner, Philip Levine, and others add their own unique voices and perspectives.
Prageeta Sharma's poems offer the modern reader an unusually modern take on modernity: "A flaw is modern for flawless." Her effective program of whimsy, identity, and loneliness--a singularly modern loneliness, replete with the anxiety of community and the despair of belonging--transforms simple declarations and observations into the stuff of myth. "Sweet, Sweet, if human we are not quite." These poems splice western Massachusetts with the Veda and European argyle underpants with unguarded, important sentences. Of Bliss to Fill, Sharma's first book, critic Christine Hume had this to say: "The book is as much a meditation on the inevitability of imitation and duplication as a demonstration of delight in its small variations. Sharma rhymes and chimes her way through as if each word were a homophonic translation for the next. An ebullient cadence and devilish diction, teetering on the verge of apprehension, pinball through Bliss. Each word feels its way to the next with a fierce fidelity to the sound and sense of language, and in doing so, poem after poem create strange, searching linguistic landscapes."
Exploring the vagaries of life, human connection, and desire, the twelve stories of Safe Places navigate the fault lines of existence. Shifting from New York and Chicago to the American West and the Australian outback, Kerry Dolan’s characters move through an uncertain and unpredictable world, confronting situations that are alternately menacing, tragic, and funny. An aspiring anthropologist falls under the sway of her fortuneteller. An American tourist catches opal fever in an Australian mining town and binds herself to a man she despises. Two hitchhiking teens take a ride with a mysterious stranger, while an unstable graduate student stalks the object of his affections across Berkeley. Assured and distinctive, the voice-driven stories of this debut collection capture the restless heart of characters in a state of flux, as they try—and frequently fail—to move beyond chance and circumstance.
Join George the Gay Lion on a charismatic exploration of the African plain, where he will find new friends and gain acceptance from his family.
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A winning combination for poets who what to break into print. -- American Reference Book Annual