You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
As a departure from previous practice, this volume of 'Opuscula' presents ten articles on a single theme: manuscript and print in late pre-modern Iceland, the period between the advent of print in the early sixteenth century to the establishment of the Icelandic State Broadcasting Service in the early twentieth. Throughout this period, manuscript transmission continued to exist side by side with print, the two media serving different, but overlapping, audiences and transmitting different, but overlapping, types of texts. The authors take their point of departure in recent developments within literary and cultural studies which focus on the artefactuality of texts and the social, historical and cultural contexts in which they are produced and consumed. The volumes title, 'Mirrors of virtue', refers not only to the popular late medieval and early modern genre of exemplary and/or admonitory mirror literature several examples of which are discussed but also to the idea that both manuscripts and printed books are reflections of virtue in a broader sense.
Care and Conservation of Manuscripts collects the best contemporary scholarship on the conservation, preservation, and use of historic manuscripts, often engaging issues surrounding the history of books and manuscripts as well. Volume 13 contains over thirty contributions by top scholars in the field. It covers an array of topics, including the conservation of two composite Anselm manuscripts from the twelfth century and the refurbishment of a group of medieval manuscripts in the library of Henry VIII. Richly illustrated, the journal sets a high standard for the study of manuscript preservation and management.
This volume presents the state of the art in digital scholarly editing. Drawing together the work of established and emerging researchers, it gives pause at a crucial moment in the history of technology in order to offer a sustained reflection on the practices involved in producing, editing and reading digital scholarly editions—and the theories that underpin them. The unrelenting progress of computer technology has changed the nature of textual scholarship at the most fundamental level: the way editors and scholars work, the tools they use to do such work and the research questions they attempt to answer have all been affected. Each of the essays in Digital Scholarly Editing approaches th...
Despite various poststructuralist rejections of the idea of a singular author-genius, the question of a textual archetype that can be assigned to a named author is still a common scholarly phantasm. The Romantic idea that an author created a text or even a work autonomously is transferred even to pre-modern literature today. This ignores the fact that the transmission of medieval and early modern literature creates variances that could not be justified by means of singular authorships. The present volume offers new theoretical approaches from English, German, and Scandinavian studies to provide a historically more adequate approach to the question of authorship in premodern literary cultures. Authorship is no longer equated with an extra-textual entity, but is instead considered a narratological, inner- and intertextual function that can be recognized in the retrospectively established beginnings of literature as well as in the medial transformation of texts during the early days of printing. The volume is aimed at interested scholars of all philologies, especially those dealing with the Middle Ages or Early Modern Period.
This book appears in commemoration of the 350th anniversary of the birth of the Icelandic scholar and antiquarian Arni Magnusson (1663-1730), who, in addition to his duties as secretary of the Royal Archives and, from 1702, professor of Danish Antiquities at the University of Copenhagen, spent much of his life building up what is by common consent the single most important collection of early Scandinavian manuscripts in existence. While consisting predominantly of Icelandic manuscripts, the Arnamagnaean collection also contains many important Norwegian, Danish and Swedish manuscripts, along with about one hundred of continental provenance. In this book are presented descriptions of 66 manusc...
Care and Conservation of Manuscripts is committed to the study of various aspects of manuscript conservation, preservation, and use, as well as to other related issues concerning the history of books and manuscripts. The series is based on seminars held at the University of Copenhagen.
The handbook is not tied to a particular methodology but keeps in principle to a pronounced methodological pluralism, encompassing all aspects of actual methodology. Moreover it combines diachronic with synchronic-systematic aspects, longitudinal sections with cross-sections (periods such as Old Norse, transition from Old Norse to Early Modern Nordic, Early Modern Nordic 1550-1800 and so on). The description of Nordic language history is built upon a comprehensive collection of linguistic data; it consists of more than 200 articles written by a multitude of authors from Scandinavian and German and English speaking countries. The organization of the book combines a central part on the detailed chronological developments and some chapters of a more general character: chapters on theory and methodology in the beginning and on overlapping spatio-temporal topics in the end.
As the global banking boom of the early twenty-first century expanded towards implosion, Icelandic media began calling the country's celebrity financiers útrásarvíkingar: “raiding vikings.” This new coinage encapsulated the macho, medievalist nationalism which underwrote Iceland's exponential financialisation. Yet within a few days in October 2008, Iceland saw all its main banks collapse beneath debts worth nearly ten times the country's GDP.Hall charts how Icelandic novelists and poets grappled with the Crash over the ensuing decade. As the first English-language monograph devoted to twenty-first-century Icelandic literature, it provides Anglophone readers with an introduction to one...
Scholarly editions contextualize our cultural heritage. Traditionally, methodologies from the field of scholarly editing are applied to works of literature, e.g. in order to trace their genesis or present their varied history of transmission. What do we make of the variance in other types of cultural heritage? How can we describe, record, and reproduce it systematically? From medieval to modern times, from image to audiovisual media, the book traces discourses across different disciplines in order to develop a conceptual model for scholarly editions on a broader scale. By doing so, it also delves into the theory and philosophy of the (digital) humanities as such.