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Gothic Architecture and Sexuality in the Circle of Horace Walpole
Gothic Architecture and Sexuality in the Circle of Horace Walpole shows that the Gothic style in architecture and the decorative arts and the tradition of medievalist research associated with Horace Walpole (1717–1797) and his circle cannot be understood independently of their own homoerotic culture. Centered around Walpole’s Gothic villa at Strawberry Hill in Twickenham, Walpole and his “Strawberry Committee” of male friends, designers, and dilettantes invigorated an extraordinary new mode of Gothic design and disseminated it in their own commissions at Old Windsor and Donnington Grove in Berkshire, Lee Priory in Kent, the Vyne in Hampshire, and other sites. Matthew M. Reeve argues ...
Gothic Architecture and Sexuality in the Circle of Horace Walpole
Addresses the question of how and why Horace Walpole and the men of his circle promoted the Gothic style in art, architecture, and literature in the latter half of the eighteenth century.
Reading Gothic Architecture
The question of how architecture was read by those viewing it has, in recent years come to the forefront of research, encompassing a range of interpretive strategies. Here contributors look at Gothic architecture, aiming to widen the field of study as well as examine the ways in which the architecture was read.
Thirteenth-century Wall Painting of Salisbury Cathedral
Revisionist study of the wall-paintings of Salisbury Cathedral, setting them in the context of thirteenth-century religious reform.
Clefts and Their Relatives
Cleft constructions have long presented an analytical challenge for syntactic theory. This monograph argues that clefts and related constructions cannot be analysed in a straightforwardly compositional manner. Instead, it proposes that the locality conditions on modification (for example by a restrictive relative clause) must be reformulated such that they account for the apparent compositionality of DP-internal modification whilst also permitting 'discontinuous' modification of the type which is independently needed for constructions such as relative clause extraposition. The empirical focus of the book is on clefts in English and Russian, which have a similar interpretation but considerably divergent syntactic structures. The author argues that, despite these syntactic differences, both types of cleft are mapped to their semantic interpretations in the same manner. This monograph will be essential reading for those working on cleft constructions and copular sentences more generally, and will be of interest to those working on the syntax-semantics interface.
New Approaches to Medieval Architecture
This collection of essays presents the exciting and innovative work being done in the field of medieval architectural history by scholars affiliated with AVISTA, one of the most active sponsors of such research in the Anglo-American scholarly community. These studies constitute a snapshot of the range of new interpretive strategies being deployed by researchers in the reassessment of previous scholarship and identification of new modes of inquiry. In recent years, the study of medieval architecture has been transformed by the emergence of new critical perspectives and new technologies. The contributors to this book are among those at the forefront of these developments. Several of the essays...
Larklight
Arthur (Art) Mumby and his irritating sister Myrtle live with their father in the huge and rambling house, Larklight, travelling through space on a remote orbit far beyond the Moon. One ordinary sort of morning they receive a correspondence informing them that a gentleman is on his way to visit, a Mr Webster. Visitors to Larklight are rare if not unique, and a frenzy of preparation ensues. But it is entirely the wrong sort of preparation, as they discover when their guest arrives, and a Dreadful and Terrifying (and Marvellous) adventure begins. It takes them to the furthest reaches of Known Space, where they must battle the evil First Ones in a desperate attempt to save each other - and the Universe. Recounted through the eyes of Art himself, Larklight is sumptuously designed and illustrated throughout.
Lateness and Modernity in Medieval Architecture
This volume engages with notions of lateness and modernity in medieval architecture, broadly conceived geographically, temporally, methodologically, and theoretically. It aims to (re)situate secular and religious buildings from the 14th through the 16th centuries that are indebted to medieval building practices and designs, within the more established narratives of art and architectural history.
Tributes to Pierre Du Prey
Table of contents: Matthew M Reeve, Introduction, Mark Wilson Jones, The Origins of the Orders: Unity in Multiplicity, Guy Metraux, York University, Some Other Literary Villas of Roman Antiquity besides Pliny's, Judson Emerick, John Soane's Mistake: rereading the Tempietto del Clitunno, John Osborne, The Church of San Zeno at Bardolino, the "Carolingian Renaissance," and the Sources for Simulated Architecture in ‘Court School' Manuscripts, Eric Fernie, Romanesque Historiography and the Classical Tradition, John Beldon Scott, Uses of the Past: Charles V's Roman Triumph and Its Legacy, Gauvin Alexander Bailey, Queen's University, Classicism in a Rococo World: Steadfastness and Compromise in ...
