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Why Poetry
An impassioned call for a return to reading poetry and an incisive argument for poetry’s accessibility to all readers, by critically acclaimed poet Matthew Zapruder In Why Poetry, award-winning poet Matthew Zapruder takes on what it is that poetry—and poetry alone—can do. Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with it. Zapruder explores what poems are, and how we can read them, so that we can, as Whitman wrote, “posse...
Come on All You Ghosts
"Charming, melancholy, hip."—Publishers Weekly, starred review "Zapruder's innovative style is provocative in its unusual juxtapositions of line, image and enjambments. . . . Highly recommended."—Library Journal Matthew Zapruder's third book mixes humor and invention with love and loss, as when the breath of a lover is compared to "a field of titanium gravestones / growing warmer in the sun." The title poem is an elegy for the heroes and mentors in the poet's life—from David Foster Wallace to the poet's father. Zapruder's poems are direct and surprising, and throughout the book he wrestles with the desire to do well, to make art, and to face the vast events of the day. Look out scienti...
Father's Day
"As seen in the The New York Times Book Review ""In characteristically short lines and pithy, slippery language like predictive text from a lucid dream, Zapruder’s fifth collection grapples with fatherhood as well as larger questions of influence and inheritance and obligation."" —The New York Times “[Zapruder] presents powerfully nuanced and vivid verse about the limitations of poetry to enact meaningful change in a world spiraling into callousness; yet despite poetry’s supposed constraints, Zapruder’s verse offers solace and an invaluable blueprint for empathy.” ―Publishers Weekly, starred review “Zapruder’s new book, Father’s Day, is firmly situated in its (and our) po...
Sun Bear
"Zapruder's poems don't merely attempt beauty; they attain it."—The Boston Review "Matthew Zapruder has a razor eye for the remnants and revenants of modern culture."—The New York Times "With dynamic, logically complex sentences, Zapruder posits a world that is both extraordinary and refreshingly ordinary."—BOMB Matthew Zapruder's poems begin in the faint inkling, in the bloom of thought, and then unfold into wide-reaching meditations on what it means to live in the contemporary moment, among plastic, statistics, and diet soda. Written in a direct, conversational style, the poems in Sun Bear display full-force why Zapruder is one of the most popular poets in America. From "I Drink Bron...
The Pajamaist
Founder of Verse Press, Zapruder is a leading younger poet whose work is risky, fabular, urbane.
American Linden
Poetry. It is rare to come across a first book that embraces the world--the way we see it, and the way it can be imagined--with such a wise and graceful mixture of humor, loss, intelligence, wit, self-deprecation and hope. AMERICAN LINDEN is such a first collection. The poems in this book are valuable, even necessary. They are, in the most important sense, love poems: to people, to ideas, to feelings, and to the mind itself, which--by means of language--move with honesty, wit, and distinction among the fleeting things of this world. "Matthew Zapruder is a dangerous poet; his poems implicate us in demonstrations of lift-off and escape velocity while also proving the calamity of gravity"--Dean Young.
Death Tractates
From the depths of sorrow following the sudden death of her closest female mentor, Brenda Hillman asks anguished questions in this book of poems about separation, spiritual transcendence, and the difference between life and death. Both personal and philosophical, her work can be read as a spirit-guide for those mourning the loss of a loved one and as a series of fundamental ponderings on the inevitability of death and separation. At first refusing to let go, desperate to feel the presence of her friend, the poet seeks solace in a belief in the spirit world. But life, not death, becomes the issue when she begins to see physical existence as "an interruption" that preoccupies us with shapes and borders. "Shape makes life too small," she realizes. Comfort at last comes in the idea of "reverse seeing": that even if she cannot see forward into the spirit world, her friend can see "backward into this world" and be with her. Death Tractates is the companion volume to a philosophical poetic work entitles Bright Existence, which Hillman was in the midst of writing when her friend died. Published by Wesleyan University Press in 1993, it shares many of the same Gnostic themes and sources.
The Lost Pilot
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The Lice
Fiftieth Anniversary edition of a revolutionary book that still stuns with its prophetic, political, and stylistic force
Story of a Poem
"Anyone who lives on earth must never be considered an outsider anywhere. Anyone who lives in the world belongs to the world." Matthew Zapruder had an idea: to write a poem as slowly and intentionally as possible, to preserve its drafts, and record the painstaking, elusively transcendent stuff of its construction. It would be the capstone to a new collection of poetry, and a means to process modern American life in a time of Covid, mega fires, and sobriety. What Zapruder didn't anticipate was that this literary project would trigger a deeply personal aspect as well: a way to resolve the unexplored pain and unexpected joys he was confronting in the wake of his son's diagnosis with autism. The...
