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Outlaws Inc.
In the world's most dangerous trouble spots, a small band of men risk their lives to fly in desperately needed aid. But they are not heroes. Their giant ex-Soviet cargo planes are also riddled with secret compartments, which they fill with drugs, guns, money or people. They deliver anywhere, and they rtake their cut. But they pay a heavy price, many losing their lives to gun-toting pirates, terrorists, hostile state forces, jealous competitors and alcohol. In Outlaws Inc. Matt Potter follows their incredible story around the world. He discovers a secret society of mercenaries, dictators, agents, gangsters, businessmen and real-life Bond villains. Updated for the paperback edition, this story is the stuff of spy thrillers and action movies, but all the more terrifying for being true. 'Outlaws Inc. is an explosive read, full of heart-thumping excitement and brilliant detective work which shines a light into the darkest corners of the world' Sean Rayment, author of Bomb Hunters
Harry Potter: A Pop-Up Guide to Hogwarts
A 3-D masterpiece celebrating Harry Potter’s Hogwarts School of Witchcraft and Wizardry from New York Times best-selling pop-up engineer Matthew Reinhart. Harry Potter: A Pop-Up Guide to Hogwarts is an exhilarating, interactive guide to the iconic school of witchcraft and wizardry. This book features spectacular pop-up re-creations of key locations inside and outside Hogwarts castle, and it opens flat to form a pop-up map of the castle and its grounds—including the Quidditch pitch, the Forbidden Forest, and beyond. In addition to large pops on each spread, numerous mini-pops bring to life beloved elements from the Harry Potter films, such as the Marauder's Map and the Flying Ford Anglia. Each pop includes insightful text about Hogwarts as seen in the films, making for a must-have collectible for fans of the wizarding world. NOTE: Before unfolding the Hogwarts map, unhook the two manila tabs on each spread by gently pushing them out from underneath. There are eight tabs in total to release.
F**k You And Goodbye
History is written by the winners. It's the faithful servants, the insiders, the ones who stick around, who can adapt to almost any condition that get to write the official histories. They publish the memoirs, park in the directors' spots, erect the statues, form the new governments, wipe out the pockets of resistance, recruit the new starters, set the agendas, talk on the documentaries and retrospectives. Yet theirs - the official version - is never the whole story. The quitter's tale offers a far more compelling, and often a more honest version of history. The Last Goodbye, Matt Potter collects the pithiest, angriest, most hilarious messages of resignation throughout history, including those whose exits were a springboard to eventual success, such as Steve Jobs, George Orwell and Charlie Sheen.It's full of self-deception, bloody knives, betrayal, honour, disgrace, disgust, thwarted ambition and shattered hopes, and sometimes a wicked sting in the tail . . .
British Art for Australia, 1860-1953
Traditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Ga...
Representing the Past in the Art of the Long Nineteenth Century
This edited collection explores the intersection of historical studies and the artistic representation of the past in the long nineteenth century. The case studies provide not just an account of the pursuit of history in art within Western Europe but also examples from beyond that sphere. These cover canonical and conventional examples of history painting as well as more inclusive, ‘popular’ and vernacular visual cultural phenomena. General themes explored include the problematics internal to the theory and practice of academic history painting and historical genre painting, including compositional devices and the authenticity of artefacts depicted; relationships of power and purpose in historical art; the use of historical art for alternative Liberal and authoritarian ideals; the international cross-fertilisation of ideas about historical art; and exploration of the diverse influences of socioeconomic and geopolitical factors. This book will be of particular interest to scholars of the histories of nineteenth-century art and culture.
The Concept of the 'master' in Art Education in Britain and Ireland, 1770 to the Present
This collection explores the student-master relationship in case studies ranging chronologically from 1770 to 2013, and geographically over the national art schools of England, Ireland, Scotland and Wales. Essays explore the manner in which the Old Masters were deployed in education; fuelled the individual genius of art teachers and students; were used as a rhetorical tool for promoting cultural projects in the core and periphery of the British Isles; and united as well as divided opinions in response to changing expectations in discourse on art and education. Case studies examined in this book include the sophisticated tradition of 'academic' inquiry of establishment figures, like Joshua Reynolds and Frederic Leighton, as well as examples of radical reform undertaken by key individuals in the history of art education, such as Edward Poynter and William Coldstream.
War and Democratic Constraint
Why do some democracies reflect their citizens' foreign policy preferences better than others? What roles do the media, political parties, and the electoral system play in a democracy's decision to join or avoid a war? War and Democratic Constraint shows that the key to how a government determines foreign policy rests on the transmission and availability of information. Citizens successfully hold their democratic governments accountable and a distinctive foreign policy emerges when two vital institutions—a diverse and independent political opposition and a robust media—are present to make timely information accessible. Matthew Baum and Philip Potter demonstrate that there must first be a...
William Monsell of Tervoe 1812-1894
William Monsell, first Baron Emly of Tervoe (1812-94) is one of the most significant yet also one of the most overlooked political figures of nineteenth century Ireland. His political career spanned sixty years, starting in the 1830s when Daniel O'Connell was at the height of his powers, until the 1890s, when Eamon de Valera was a boy. Monsell's extraordinary life saw him move from being an Anglican Tory to a Catholic Liberal and his dual conversion was greatly influenced by the terrible events of the Great Famine. His long period in the House of Commons (1847-74) was marked by service in a number of administrations under four Prime Ministers. He was the most prominent lay Catholic in Irelan...
From Homer to Harry Potter
"Drawing from a viewpoint informed by C.S. Lewis and J.R.R. Tolkien, Matthew Dickerson and David O'Hara explore the influence and importance of ancient biblical narrative, Greek mythology, Arthurian legend, and other works of "Faerie" on our literary culture. They discuss how myth and fantasy offer profound insights into truth and provide sound assessment of modern authors such as Philip Pullman, Walter Wangerin, and J.K. Rowling."--BOOK JACKET.
