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Art and its Market
The new look on the history of art and its blind spots, the far-reaching digitization of structures and content, the changing role of museums and art criticism, new forces from influencers to NFTs: Hardly any market system has evolved as profoundly in the last decade as the distribution of art. With 25 years of experience in the art industry, Dirk Boll acts as a continuous chronicler and seasonal commentator of these pervasive developments. His handbook Art and its Market is a reliable source of in-depth knowledge about the inner workings of global art market systems. How do auctions, the network of galleries, and fairs work? How are prices being made, and how do trends both in the production of art as well as its collection emerge? What is more, this edition provides comprehensive information on the practical issues of art acquisition: What are the customs and pitfalls, the economic interdependencies between the artists, buyers and other market players, and the legal regulations governing the trade with art?
Die Kunst und ihr Markt
Der neue Blick auf die »andere Kunstgeschichte«, die weitreichende Digitalisierung von Strukturen und Inhalten, die veränderte Rolle von Museen und Kunstkritik, neue Kräfte von Influencern bis NFT: Kaum ein Marktsystem hat sich in der letzten Dekade so tiefgreifend weiterentwickelt wie die Distribution der Kunst. Mit 25-jähriger Erfahrung in der Kunstindustrie fungiert Dirk Boll als stetiger Chronist und saisonaktueller Kommentator dieser Entwicklungen. Sein Handbuch Kunst ist käuflich ist eine verlässliche Quelle für ein tiefgreifendes Grundlagenwissen über die Funktionsweisen der globalen Marktsysteme. Wie funktionieren Auktion, Galeriesystem, Messen? Wie entstehen Preise, Produkt...
Exposing Tears
Lighting the Archive, which went online in 2020, is an open-ended series of conversations with artists like Annette Kelm, Elfie Semotan, Wolfgang Tillmans, and Ulrich Wüst about photographic techniques, structures of order, and materialities. The conversations are invariably framed by questions about where the photographers see their life's works and legacies over the long term--what, in other words, is to become of their oeuvres one day. In Exposing Tears, Lighting the Archive engage the writer and curator Mike Sperlinger in dialogue. Sperlinger studied the careers of the photographers Marianne Wex and Chauncey Hare through the lens of the art market's economy of attention and interwove biographical facts with external circumstances shaping their paths, including their withdrawals from the art system and their eventual rediscovery as "forgotten artists." An essay by Mike Sperlinger relates how the latter was possible; Lighting the Archive's Maren Lübbke-Tidow and Rebecca Wilton spoke to the author to discuss the central role that the question of the archive played in his efforts.
Tulips
In Tulips, artist duo Hannah Quinlan & Rosie Hastings, alongside writings by theorists and philosophers, map a terrain where they explore gestures of authority and obedience in the public space within the urban context of austerity, gentrification and policing. The work of Hannah Quinlan & Rosie Hastings (b. 1991 in Newcastle and 1991 in London, live and working in London) deals with the socio-cultural and political structures that reinforce conservatism and discriminatory practices within and around the LGBTQIA+ community. In their works the artist duo explores how the queer community's "safe spaces" have been displaced by political strategies and how a history of femininity and the colonized body in the transition to capitalism is shaped by rationalization of social reproduction and ownership of the self.
The Herero Genocide
Drawing on previously inaccessible and overlooked archival sources, The Herero Genocide undertakes a groundbreaking investigation into the war between colonizer and colonized in what was formerly German South-West Africa and is today the nation of Namibia. In addition to its eye-opening depictions of the starvation, disease, mass captivity, and other atrocities suffered by the Herero, it reaches surprising conclusions about the nature of imperial dominion, showing how the colonial state’s genocidal posture arose from its own inherent weakness and military failures. The result is an indispensable account of a genocide that has been neglected for too long.
Placebo - Landscape
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Still Here
What has been on artists' and creatives' minds during the Covid-19 pandemic and the waves of quarantine orders that have washed over the planet? That has been the question animating the initiative STILL HERE: Moments in Isolation. Since March 2020, co-curators Roya Sachs and Mafalda Millies, alongside producer Lizzie Edelman, have invited prominent denizens in the worlds of art and culture to submit a still life image with an accompanying text, or thought, sharing their experience. Originally conceived as a digital campaign the project in collaboration with DISTANZ is now spanning across six continents. STILL HERE is rooted in the still life, with its iconic depictions of inanimate objects, ...
ROAD RUNNER
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