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Hieronymus Bosch
An accessible survey on a genius artist, published to accompany the 500th anniversary of Bosch's death Hieronymus Bosch (c. 1450-1516) lived and worked in 's-Hertogenbosch, the Netherlands, where he created enigmatic paintings and drawings full of bizarre creatures, phantasmagoric monsters, and terrifying nightmares. He also depicted detailed landscapes and found inspiration in fundamental moral concepts: seduction, sin, and judgment. This beautiful book accompanies a major exhibition on Bosch's work in his native city, and will feature important new research on his 25 known paintings and 20 drawings. The book, divided into six sections, covers the entirety of the artist's career. It discusses in detail Bosch's Pilgrimage of Life, Bosch and the Life of Christ, his role as a draughtsman, his depictions of saints, and his visualization of Judgment Day and the hereafter, among other topics, and is handsomely illustrated by new photography undertaken by the Bosch Research and Conservation Project Team.
Hieronymus Bosch, Painter and Draughtsman
Compiled by members of the Bosch Research and Conservation Project and published on the 500th anniversary of Hieronymus Bosch's death, this is the definitivenew catalogue of all of Bosch's extant paintings and drawings. His mastery and genius have been redefined as a result of six years of research on the iconography, techniques, pedigree, and conservation history of his paintings and on his life. This stunning volume includes all new photography, as well as up-to-date research on the individual works. For the first time, the incredible creativity of this late medieval artist, expressed in countless details, is reproduced and discussed in this book. Special attention is being paid to Bosch as an image maker, a skilled draughtsman, and a brutal painter, changing the game of painting around 1500 by his innovative way of working."
Hieronymus Bosch, Painter and Draughtsman
Scholars have traditionally focused on the subjects and meanings of Hieronymus Bosch's works, whereas issues of painting technique, workshop participation, and condition of extant pictures have received considerably less attention. Since 2010, the Bosch Research and Conservation Project has been studying these works using modern methods. The team has documented Bosch's extant paintings with infrared reflectography and ultra high-resolution digital macro photography, both in infrared and visible light. Together with microscopic study of the paintings, this has enabled the team to write extensive and critical research reports describing the techniques and condition of the works, published in this extraordinary volume for the first time. Distributed for Mercatorfonds
From Bosch's Stable
In Christian tradition, Epiphany is celebrated on 6 January to mark the revelation of the divine nature of Jesus to the three kings from the East. This feast was an extremely popular theme in fine art around the year 1500. It has left us with a large number or festive portrayal, in which the artists excel themselves in their efforts to depict exotic figures and their clothing and attributes. Hieronymus Bosch portrayed the theme a number of times. Two of his own paintings have survived. One of them is in the collection of the Metropolitan Museum of Art (New York) and the other is in the Museo del Prado (Madrid). Both paintings were copied and imitated from early on, so we know that they were ...
Pieter Bruegel the Elder and Religion
New insight into the religious dimension of Bruegel’s art. With a number of highly original case studies, the volume illuminates Bruegel’s multifaceted engagement with the contemporary religious concepts and practices of his era.
Making Copies in European Art 1400-1600
A team of 16 experts underline the binds and exchanges between different contexts and artistic techniques that copies established in the Renaissance, and how the history of taste is sophisticated and complex.
Bosch en Bruegel als Bosch
Kunsthistorische studie over de invloeden die de kunstschilder Pieter Bruegel (c. 1528-1569) heeft ondergaan van zijn voorganger Jheronimus Bosch (c. 1450-1516).
Bosch and Bruegel
A bold new interpretation of two northern Renaissance masters In this visually stunning and much anticipated book, acclaimed art historian Joseph Koerner casts the paintings of Hieronymus Bosch and Pieter Bruegel in a completely new light, revealing how the painting of everyday life was born from what seems its polar opposite: the depiction of an enemy hell-bent on destroying us. Supreme virtuoso of the bizarre, diabolic, and outlandish, Bosch embodies the phantasmagorical force of painting, while Bruegel, through his true-to-life landscapes and frank depictions of peasants, is the artistic avatar of the familiar and ordinary. But despite their differences, the works of these two artists are...
Put Out Into The Deep
God is Love. To believe in this God of unconditional Love is a lived experience in each person and in each generation everywhere on the globe and all different cultures and historical periods. In the beginning of the nineteenth century we notice in the south of the Netherlands a strong movement to renew and to actualise the Catholic faith in the concrete circumstances of poverty and political neglect. In this way the Congregation of the Sisters of Charity Daughters of Mary and Joseph was founded on 7 July 1820 in ’s Hertogenbosch. Similar to several other congregations in the same period St Vincent de Paul was their principal source of inspiration, determined their charism and remained at ...
