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Maude Schuyler Clay started her color portrait series Mississippi History in 1975 when she acquired her first Rolleiflex Twin Lens Reflex camera. At the time, she was living and working in New York and paying frequent visits to her native Mississippi Delta, whose landscape and people continued to inspire her. Over the next 25 years, the project, which began as The Mississippians, evolved in part as an homage to Julia Margaret Cameron, a definitive pioneer of the art of photography. Cameron lived in Victorian England and began her photographic experiments in 1863. Clay's expressive, allegorical portraits of her friends, family and other Mississippians, as well as her artful approach to capturing the essence of light, are the driving forces behind her recollection of moments of family life in Mississippi in the 1980s and 90s.
A haunting photo project and prose involving recording and preservation of Mississippi Delta landscapes features its rapidly disappearing indigenous structures: mule barns, field churches, cotton gins, tenant houses, and railroad stations. 75 illustrations.
New photographs from the beloved creator of Delta Land
From 1974 to 1976, Langdon Clay (born 1949) photographed the cars he encountered while wandering the streets of New York City and nearby Hoboken, New Jersey, at night. Shot in Kodachrome with a Leica and deftly lit with then-new sodium vapor lights, the pictures feature a distinct array of makes and models set against the gritty details of their surrounding urban and architectural environments, and occasionally the ghostly presence of people. "I experienced a conversion of sorts in making a switch from the 'decisive moment' of black and white to the marvel of color, a world I was waking up to every day," Clay writes of this work. "At the time it seemed like an obvious and natural transition....
The stunning photographs in this collection capture the land, people, and ever-present spirits of those who live along the Mississippi Delta.
"The first extensive photo monograph of the 1970s cult band, Big Star. This authorized limited edition book showcases images from photographers who chronicled both Big Stars beginnings during the burgeoning 1970s Memphis music scene and later solo projects of songwriters Alex Chilton and Chris Bell in both New York and Europe. In Big Star--Isolated In The Light, they share their unique visual perspective long with memories of a band that went on to influence several generations of musicians. The book also features new interviews and the bands original and written letters and lyrics. The publication coincides with the 50th Anniversary of Ardent Studios, the Memphis independent label and recor...
Contributions by Megan Abbott, Michael Almereyda, Kris Belden-Adams, Maude Schuyler Clay, William Dunlap, W. Ralph Eubanks, William Ferris, Marti A. Funke, Lisa Howorth, Amanda Malloy, Richard McCabe, Emily Ballew Neff, Robert Saarnio, and Anne Wilkes Tucker The Beautiful Mysterious: The Extraordinary Gaze of William Eggleston is an examination of the life and work of the artist widely considered to be the father of color photography. William Eggleston was born in 1939 and grew up in the Mississippi Delta town of Sumner. His innovative 1976 exhibition at the Museum of Modern Art in New York helped establish color photography as an artistic medium and has inspired photographers and artists ar...
There is nothing Maude Schuyler Clay likes more than driving around her native Mississippi Delta, especially in the late afternoon light, looking for photographs. This book contains a selection of the serendipitous scenes of town and country Clay recorded on her travels, among still lifes and portraits--the three genres she recalls being taught at art school as "acceptable" to pursue. After photographing with a medium-format camera for 35 years, Clay shifted to digital in 2008, giving her a flexibility to focus less on individual motifs and more on the stories that sequences of them tell. Regardless of her subject, Clay's focus is the slow, constant processes of change rolling forward in her community and landscape. At times humorous and poignant, realist and allegorical, her work admits disparity and darkness yet chooses hope: this world is, despite all, beautiful.
From the author of Crooked Letter, Crooked Letter - winner of the CWA Gold Dagger Award for Best Crime Novel of the Year April 1927. After months of rain, the Mississippi River has reached dangerous levels and the little town of Hobnob is at threat. Residents fear the levee will either explode under the pressure of the water or be blown by saboteurs from New Orleans, who wish to save their own city. But when an orphaned baby is found the lives of Ingersoll, a blues-playing prohibition agent, and Dixie Clay, a bootlegger who is guarding a terrible secret, collide. They can little imagine how events are about to change them - and the great South - forever. For in the dead of night, after thick, illusory fog, the levee will break . . .