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Taman Nasional Bromo-Tengger-Semeru adalah destinasi wisata yang mendunia karena eksotika lanskap alamnya. Deretan pe-gunungan yang menawan, kaldera Gunung Bromo yang menantang, dan hamparan lautan pasir maha luas yang memesona menjadi satu kemasan wisata yang lengkap dan menarik. Tidak hanya pemandangan alamnya, di dalam wilayah Taman Nasional Bromo-Tengger-Semeru juga dapat ditemukan komunitas masya-rakat indigenous yang hidup damai dan bersahaja. Komunitas yang dimaksudkan adalah Wong Tengger. Wong Tengger adalah petani tradisional yang bertempat tinggal di dataran tinggi Teng-ger yang setia menjalankan tradisi warisan nenek moyang mereka. Lanskap kultural yang dibentangkan masyarakat ten...
Komposisi buku sajak ini dipayungi secara tematik oleh sekuel-sekuel yang ditajuki Tentang Gerimis, Tentang Cinta, Tentang Puja, Tentang Renung, Tentang Malam, dan Tentang Duka. Sekuel Tentang Gerimis terinspirasi oleh gerimis dan segala simbolisasinya. Senafas pepatah Minang “Alam Berkembang Menjadi Guru”, gerimis, sebagai salah satu unsur alam, juga banyak memberikan pelajaran penting bagi kemanusiaan. Sekuel Tentang Cinta berbicara tentang pengalaman cinta secara ekstensif maupun intensif, aspek-aspek agung, sakral, filosofis, sekaligus profan dan naif. Sekuel Tentang Puja bertutur tentang kekaguman dan ketakjuban, sekaligus pula kekerdilan dan ketidakberdayaan. Akhirnya, “Romansa Sepotong Malam” adalah senandika (solilokui) wacana diri, berkata tentang diri, mengungkap hasrat, melukis citra, mengudar gelisah, merawat luka, memeram rasa, dan segala wajah serta jenisnya.
Interaksi yang komunikatif tidak hanya melibatkan unsur- unsur intern bahasa tetapi juga unsur-unsur eksternal bahasa. Komunikasi dapat dilakukan secara efektif dengan mempertimbangkan berbagai faktor yang mendukung. Penguasaan kata, kalimat, dan bahkan bentuk-bentuk metafor dapat mendukung konten komunikasi, sementara keilmuan terkait pragmatik dapat menujang keharmonisan komunikasi. Buku ini mencoba menyajikan sarana untuk membekali para penutur dan mitra tutur agar dapat bertutur secara komunikatif. Hal itu dapat dilakukan bila penutur dan petutur mencoba mendalami berbagai aspek dan teori pragmatik yang diuraikan dalam buku ini. Buku ini diharapkan dapat memberikan sumbangan kepada mahasiswa dan masyarakat pada umumnya untuk mengaplikasikannya dalam komunikasi sehari-hari baik di lingkungan akademik maupun di masyarakat luas.
In this book, Lauren Ristvet rethinks the narratives of state formation by investigating the interconnections between ritual, performance, and politics in the ancient Near East. She draws on a wide range of archaeological, iconographic, and cuneiform sources to show how ritual performance was not set apart from the real practice of politics; it was politics. Rituals provided an opportunity for elites and ordinary people to negotiate political authority. Descriptions of rituals from three periods explore the networks of signification that informed different societies. From circa 2600 to 2200 BC, pilgrimage made kingdoms out of previously isolated villages. Similarly, from circa 1900 to 1700 BC, commemorative ceremonies legitimated new political dynasties by connecting them to a shared past. Finally, in the Hellenistic period, the traditional Babylonian Akitu festival was an occasion for Greek-speaking kings to show that they were Babylonian and for Babylonian priests to gain significant power.
There are many books to help Korean students write in English, but few deal with writing at the scholarly level. This is a book which deals with academic research paper writing and is designed primarily for Korean post-secondary writers. This book introduces and explains to the undergraduate or graduate student how to better plan, research, write, and edit an argument paper, thesis, or journal publication in MLA or APA format. While it is tailored to Hanyang University students, the information here is meant to be helpful for a broad audience of writers.
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This book offers an integrated study of the texts and images of illustrated Malay manuscripts on magic and divination from private and public collections in Malaysia, the UK and Indonesia. Containing some of the rare examples of Malay painting, these manuscripts provide direct evidence for the intercultural connections between the Malay region, other parts of Southeast Asia and the rest of the world. In this richly illustrated volume many images and texts are gathered for the first time, making this book essential reading for all those interested in the practice of magic and divination, and the history of Malay, Southeast Asian and Islamic manuscript art.
Mpu Monaguṇa's early thirteenth century epic poem Sumanasāntaka is a vernacular rendering of Kālidāsa's story of Prince Aja and Princess Indumatī told in the Raghuvaṃśa. In it the poet exploits his source narrative to describe and comment on the Javanese world of his times. In Mpu Monaguṇa's Sumanasāntaka the authors offer an edited text and translation of Mpu Monaguṇa's epic kakawin and extensive commentary on the editing of the manuscripts and history of the poem and its story, the relationship between the Old Javanese poem and Kālidāsa's Raghuvaṃśa, the way in which the poem imagines the lived environment of ancient Java in the early thirteenth century and Balinese painted representations of the story of Prince Aja and Princess Indumatī.
NEW YORK TIMES BESTSELLER Charles Frazier, the acclaimed author of Cold Mountain and Thirteen Moons, returns with a dazzling novel set in small-town North Carolina in the early 1960s. With his brilliant portrait of Luce, a young woman who inherits her murdered sister’s troubled twins, Frazier has created his most memorable heroine. Before the children, Luce was content with the reimbursements of the rich Appalachian landscape, choosing to live apart from the small community around her. But the coming of the children changes everything, cracking open her solitary life in difficult, hopeful, dangerous ways. In a lean, tight narrative, Nightwoods resonates with the timelessness of a great work of art. “Impossible to shake.”—Entertainment Weekly “Fantastic.”—The Washington Post “Astute and compassionate.”—The Boston Globe