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More Anon
Selected poems of Maureen N. McLane More Anon gathers a selection of poems from Maureen N. McLane’s critically acclaimed first five books of poetry. McLane, whose 2014 collection This Blue was a finalist for the National Book Award, is a poet of wit and play, of romanticism and intellect, of song and polemic. More Anon presents her work anew. The poems spark with life, and the concentrated selection showcases her energy and style. As Parul Seghal wrote in Bookforum, “To read McLane is to be reminded that the brain may be an organ, but the mind is a muscle. Hers is a roving, amphibious intelligence; she’s at home in the essay and the fragment, the polemic and the elegy.” In More Anon, McLane—a poet, scholar, and prizewinning critic—displays the full range of her vertiginous mind and daring experimentation.
My Poets
A thrillingly original exploration of a life lived under poetry's uniquely seductive spell "Oh! there are spirits of the air," wrote Percy Bysshe Shelley. In this stunningly original book Maureen N. McLane channels the spirits and voices that make up the music in one poet's mind. Weaving criticism and memoir, My Poets explores a life reading and a life read. McLane invokes in My Poets not necessarily the best poets, nor the most important poets (whoever these might be), but those writers who, in possessing her, made her. "I am marking here what most marked me," she writes. Ranging from Chaucer to H.D. to William Carlos Williams to Louise Glück to Shelley (among others), McLane tracks the "growth of a poet's mind," as Wordsworth put it in The Prelude. In a poetical prose both probing and incantatory, McLane has written a radical book of experimental criticism. Susan Sontag called for an "erotics of interpretation": this is it. Part Bildung, part dithyramb, part exegesis, My Poets extends an implicit invitation to you, dear reader, to consider who your "my poets," or "my novelists," or "my filmmakers," or "my pop stars," might be.
The Cambridge Companion to British Romantic Poetry
More than any other period of British literature, Romanticism is strongly identified with a single genre. Romantic poetry has been one of the most enduring, best loved, most widely read and most frequently studied genres for two centuries and remains no less so today. This Companion offers a comprehensive overview and interpretation of the poetry of the period in its literary and historical contexts. The essays consider its metrical, formal, and linguistic features; its relation to history; its influence on other genres; its reflections of empire and nationalism, both within and outside the British Isles; and the various implications of oral transmission and the rapid expansion of print culture and mass readership. Attention is given to the work of less well-known or recently rediscovered authors, alongside the achievements of some of the greatest poets in the English language: Wordsworth, Coleridge, Blake, Scott, Burns, Keats, Shelley, Byron and Clare.
World Enough
In World Enough, Maureen N. McLane maps a universe of feeling and thought via skyscapes, city strolls, lunar vistas, and passages through environments given and built. These poems explore how we come to know ourselves—sensually, intellectually, politically, biologically, historically, and anthropologically. Moving from the most delicate address to the broadest salutation, World Enough takes us from New England to New York to France to the moon. McLane fuses song and critique, giving us poetry as "musical thought," in Carlyle's phrase. Shuttling between idyll and disaster, between old forms and open experiment, these are restless, probing, exacting poems that aim to take the measure of—and to give a measure for—where we are. McLane moves through many forms and creates her own, invoking the French Revolution alongside convolutions of the heart and revolutions of the moon. Shifting effortlessly between the species and the self, between the sentient surround and the peculiar pulse within, World Enough attests to experience both singular and shared: "not that I was alive / but that we were."
Romanticism and the Human Sciences
This study, published in 2000, examines the dialogue between Romantic poetry and the human sciences of the period. Maureen McLane reveals how Romantic writers participated in a new-found consciousness of human beings as a species, by analysing their work in relation to discourses on moral philosophy, political economy and anthropology. Writers such as Wordsworth, Coleridge, Mary Shelley and Percy Shelley explored the possibilities and limits of human being, language and hope. They engaged with the work of theorisers of the human sciences - Malthus, Godwin and Burke among them. The book offers original readings of canonical works, including Lyrical Ballads, Frankenstein and Prometheus Unbound, to show how the Romantics internalised and transformed ideas about the imagination, perfectibility, immortality and population which so energised contemporary moral and political debates. McLane provides a defence of poetry in both Romantic and contemporary theoretical terms, reformulating the predicament of Romanticism in general and poetry in particular.
Mz N: the Serial
"A philosophical and sensual exploration of identity from the National Book Award finalist"--
Some Say
A dazzling collection of poems exploring the mental landscape of our moment Maureen N. McLane’s Some Say revolves around a dazzling “old sun.” Here are poems on sex and death; here are poems testing the “bankrupt idea / of nature.” Some Say offers an erotics of attention; a mind roaming, registering, and intermittently blocked; a mortal poet going “nowhere fast but where / we’re all going.” From smartphones to dead gods to the beloved’s body, Some Say charts “the weather of an old day / suckerpunched” into the now. Following on her bravura Mz N: the serial: A Poem-in-Episodes, McLane bends lyric to the torque of our moment—and of any moment under the given sun. Some S...
Three Poems
Hannah Sullivan's debut collection is a revelation - three poems of startling intensity, ambition and length. Though each poem stands apart, their inventive and looping encounters make for a compelling unity. 'You, Very Young in New York' is a study of romantic possibility and disillusion in a great American city. 'Repeat Until Time' begins with a move to California and unfolds into a philosophical essay on repetition. 'The Sandpit After Rain' explores the birth of a child and the loss of a father with exacting clarity. Readers will experience her work with the same exhilaration as they might the great modernising poems of Eliot and Pound, but with the unique perspective of a brilliant new female voice.
The Cloud Corporation
Timothy Donnelly’s brilliant, breakneck and beautiful poetry has been hailed as some of the most original and exciting new work to emerge from the US in several years. In The Cloud Corporation, Donnelly shows how a wholly engaged poetic sensibility can uncover both beauty and meaning within the bewilderments and complexities of contemporary life, without simplifying either its subject or its own investigative approach. In a Donnelly poem, the reader is never sure quite where the next line will take them – the poems pursue their narratives and arguments by surreal association one moment, relentless logic the next – but quickly learns that Donnelly’s is a voice to trust, one which can ...
Balladeering, Minstrelsy, and the Making of British Romantic Poetry
Shows how Romantic poetry was powerfully shaped by literary and cultural researches into oral, vernacular poetries in the late eighteenth-century.
