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NEW YORK TIMES BESTSELLER • LOS ANGELES TIMES BESTSELLER An NPR Best Book of the Year In this spectacular, newsmaking exposé that has the entertainment industry abuzz and on its heels, Vanity Fair's Maureen Ryan blows the lid off patterns of harassment and bias in Hollywood, the grassroots reforms under way, and the labor and activist revolutions that recent scandals have ignited. It is never just One Bad Man. Abuse and exploitation of workers is baked into the very foundations of the entertainment industry. To break the cycle and make change that sticks, it’s important to stop looking at headline-making stories as individual events. Instead, one must look closely at the bigger picture,...
This is a comprehensive bible to low-budget film producing for emerging and professional producers. Structured to guide the reader through production meetings, every aspect of the film-production pro-cess is outlined in detail. Invaluable checklists -- which begin 12 weeks before shooting and continue through principal (and secondary) photography and postproduction -- keep the filmmaker on track and on target. Ryan is co-producer of James Marsh's Man on Wire, winner of the 2009 Academy Award for Best Documentary
A Child born with albinism hears her mother lovingly speak the words, "Mirror, mirror reflecting from the wall, I am seeing the fairest child of all. Smiling warmly like the rays of the sun, you bring much happiness to everyone." The child falls asleep feeling a true sense of security. She dreams of magnificent pale creatures like herself and contentedly sees herself playing amongst her fair-haired friends. The reader feels her child-like innocence as she is later approached by a bully. She appears fearful but not defeated. There is no tolerance for this inappropriate behavior as "The creatures form a circle to protect these fair children from any disrespect." She awakens and shares her dream with her mother and is compassionately reminded of her unique beauty. "Be proud of who you are, let your love shine and hold your head up high fair child of mine." This book was inspired by the author's personal experiences and her strong desire to write a book for children with albinism and their families, as well as for all children. My Fair Child gently speaks to our hearts as it is reminiscent of a child's innocence and the infinite beauty of human diversity.
This book explores the emergence of "lifestyle" in the US, first as a term that has become an organizing principle for the self and for the structure of everyday life, and later as a pervasive form of media that encompasses a variety of domestic and self-improvement genres, from newspaper columns to design blogs. Drawing on the methodologies of cultural studies and feminist media studies, and built upon a series of case studies from newspapers, books, television programs, and blogs, it tracks the emergence of lifestyle’s discursive formation and shows its relevance in contemporary media culture. It is, in the broadest sense, about the role played by the explosion of lifestyle media texts in changing conceptualizations of selfhood and domestic life.
Through twelve chapters that historicize and re-evaluate postfeminism as a dominant framework of feminist media studies, this collection maps out new modes of feminist media analysis at both theoretical and empirical levels and offers new insights into the visibility and circulation of feminist politics in contemporary media cultures. The essays in this collection resituate feminism within current debates about postfeminism, considering how both operate as modes of political engagement and as scholarly traditions. Authors analyze a range of media texts and practices including American television shows Being Mary Jane and Inside Amy Schumer, Beyonce’s "Formation" music video, misandry memes, and Hong Kong cinema.
This latest volume brings the project up to date, with entries on almost 500 women whose death dates fall between 1976 and 1999. You will find here stars of the golden ages of radio, film, dance, and television; scientists and scholars; civil rights activists and religious leaders; Native American craftspeople and world-renowned artists. For each subject, the volume offers a biographical essay by a distinguished authority that integrates the woman's personal life with her professional achievements set in the context of larger historical developments.
In little more than a century of cinema - Birth of a Nation was one hundred years old in 2015 - our sense of what a film director is, or should be, has shifted in fascinating ways. A director was once a functionary; then an important but not decisive part of an industrial process; then accepted as the person who was and should be in charge, because he was an artist and a hero. But the world has changed. In a nutshell, the change takes the form of a question: Who directed The Sopranos or Homeland? Hardly anyone knows, because we don't tend to read TV credits and the director has returned to a more subservient and anonymous role. Directors now try to be efficient, the deliverers of profitable films, and are often involved as producers, like Steven Spielberg. David Thomson's brilliant A Light in the Dark personalises each chapter through an individual: Jean Renoir, Howard Hawks, Jean-Luc Godard, Alfred Hitchcock, Luis Bunuel, Orson Welles, Fritz Lang, Jane Campion, Stephen Frears and Quentin Tarantino. Through these characters (and other directors not mentioned here), David Thomson relates an imaginative new history of a medium that has changed the world.
This is the latest edition of a book that has sold over 75,000 copies since its first printing in 1984 by producer/publisher Michael Wiese. An indispensible tool for any producer, this "industry bible" has been updated with the latest digital technologies for production and post-production -- the standard for most films today. Downloadable budget templates are free and easily accessible at www.mwp.com. They can be adapted for any production and can save you tons of time and money. The templates include different budget levels for narrative features, non-fiction features, and short films. The book goes through a 14-page Master Budget template line-by-line with an explanation for every line item in any budget. As it guides you through each step, you can use this book to put together budgets for proposals, treatments, and productions. Maureen Ryan, Co-Producer, Academy Award(TM)-winning film, MAN ON WIRE
Students of Latin have long enjoyed the poetry of Ovid, but his love poems, aptly titled Amores, have proved more difficult to introduce into the classroom. Curricular changes and increased appreciation of sophisticated love poetry are finally making room for the Amores. This edition of the first book of the Amores—the only one available for both intermediate- and advanced-level classes—addresses the needs of students of varying abilities and experience, helping them comprehend, and more fully enjoy, the rich complexities of Ovid's poetry. In their introduction to the volume, Maureen B. Ryan and Caroline A. Perkins recount Ovid's career as a poet, describe the elegiac genre, and explain ...
For centuries, women who aspired to write had to enter a largely male literary tradition that offered few, if any, literary forms in which to express their perspectives on lived experience. Since the nineteenth century, however, women writers and readers have been producing "disobedient" counter-narratives that, while clearly making reference to the original texts, overturn their basic assumptions. This book looks at both canonical and non-canonical works, over a variety of fiction and nonfiction genres, that offer counter-readings of familiar Western narratives. Nancy Walker begins by probing women's revisions of two narrative traditions pervasive in Western culture: the biblical story of Adam and Eve, and the traditional fairy tales that have served as paradigms of women's behavior and expectations. She goes on to examine the works of a wide range of writers, from contemporaries Marilynne Robinson, Ursula Le Guin, Anne Sexton, Fay Weldon, Angela Carter, and Margaret Atwood to precursors Caroline Kirkland, Fanny Fern, Mary De Morgan, Mary Louisa Molesworth, Edith Nesbit, and Evelyn Sharp.