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"Korean Studies" (ISSN: 0145-840X) is a semi-annual journal published by the University of Hawaii Press in Honolulu. The journal publishes scholarly articles focusing on Korea. The University of Hawaii Press provides access to the tables of contents for the current and previous issues. Manuscript submission guidelines and subscription details are available.
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In recent years the increase in interest in Asian art has led to a number of books being published about Japanese and Chinese artists. However, the exciting Korean scene is still largely undocumented. Now Kim YoungNa reveals Korean modern and contemporary artists to the West. Twentieth-Century Korean Art provides a comprehensive, engaging survey that places emphasis on art historical narratives. It draws on primary sources and historical artefacts as well as on new interpretations of issues such as the identity of Korean art and the cultural ramifications of Japanese colonialism. Covering over one hundred year from the late 19th century through to the 1990s, the essays in this book examine how both external influences and wills-to-change within Korean society itself generated an artistic vitality against a shifting political, social, and cultural backdrop and how this necessarily involved East Asia at large and the West.
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In contrast to the Lost Generation of youth in the West, who were disoriented and disillusioned by the First World War and its aftermath, the Chinese youth born between 1895 and 1905 not only believed they had a duty to “save” their nation but pursued their goal through social and political experimentation. The vigorous purpose and optimism of this Found Generation contrasted with the apathy and detachment of their Western counterparts, who followed a different path in coming to terms with the new world of the twentieth century. Just after the First World War, sixteen hundred Chinese young men and women traveled to Europe, most of them to France, as members of the Work-Study Movement. Th...
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Print, Profit, and Perception examines the dynamic cross-cultural exchanges occurring in China and Taiwan from the first Sino-Japanese War to the mid-twentieth century. Drawing examples from various genres, this interdisciplinary volume presents nine empirically grounded case studies on the growth in the production, dissemination and consumption of texts, which lay behind a dramatic expansion of knowledge. The chapters collectively address the co-existence of globalization and localization processes in the period. By taking into account intra-Asian cultural encounters and tracing the multiple competing forces encountered by many, this book offers a fresh and compelling take on how individuals and social groups participated in transnational conceptual flows. Contributors include: Paul Bailey, Che-chia Chang, Elizabeth Emrich, Tze-ki Hon, Max K.W. Huang, Mei-e Huang, Mike Shi-chi Lan, Pei-yin Lin, and Weipin Tsai.
"Transcriptions and investigations of traditional songs from the Thule Area recorded by Erik Holtved in 1937 and Michael Hauser and Bent Jensen in 1962. Further investigations with music examples of traditional songs from the Uummannaq-Upernavik Areas, the Baffin Island Areas and the Copper Inuit Areas."