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Intro -- Contents -- Preface -- Acknowledgments -- Introduction -- 1. Franciscan Principles -- 2. Imitation and Deviation -- 3. Travels through Catholic Europe -- 4. Toward the Lamb, with the Lamb -- Conclusion -- Bibliography -- Index
Using concepts from urban and cultural studies, City Fictions examines the representation of the city in the works of five important late-twentieth-century Spanish American authors, Octavio Paz, Julio Cortazar, Christina Peri Rossi, Diamela Eltit, and Carlos Monsavais. While each of these authors is influenced at least partially by a specific Spanish American city, be it Mexico City, Buenos Aires, Montevideo, or Santiago, the element that brings them together is the way in which the city is fictionalized in their work: they all equate both language and the body with urban space. In these metaphors, language breaks down and the body disintegrates, creating a disturbing picture of violent decline. The poetry of Paz associates the urban surroundings with dissolving sentences and desensitized, fingertips; for Cortazar, characters walking through cities are seen as both creating and unraveling written texts;
National Geographic Traveller's the best books on European cities, 2019 In the autumn of 1948 Hemingway was approaching fifty and hadn't published a novel in nearly a decade. He travelled for the first time to Venice and there, at a duck shoot in the lagoon he met and fell in love with Adriana Ivancich, a striking young Venetian woman just out of finishing school. What followed was a platonic love affair; he continued to visit her in Venice; she in turn came to Cuba while he wrote The Old Man and the Sea. This is the illuminating story of a writer and a muse that intimately examines both the cost to Adriana and the fractured heart and changing art of Hemingway in his fifties. 'Hemingway [is] an enduringly fascinating character, one whom di Robilant, with his easy-paced style, has sympathetically brought to life.' Literary Review 'Effortlessly and expertly explores the secret desires, successes, and depressive obstacles that shrouded Ernest Hemingway's final productive years.' New York Journal of Books
This book provides a general survey of the life and work of the Spanish philosopher and essayist Ortega y Gasset (1183-1955), author of the widely read The Revolt of the Masses. Dr Dobson divides his study into sections devoted to Ortega's political thinking and to his philosophy, rooting these in the context of contemporary Spain and discussing the wider implications of their influence. He examines Ortega's position with regard to the Civil War, his ambivalent espousal of socialism, his emphasis on the importance of the select individual in the modernisation of society and creation of a nació vital; the appropriation of his ideas by Primo de Rivera in the cause of fascism. This book is intended to be accessible to both Hispanists and general readers with an interest in literature, history, intellectual and political thought and philosophy.
Not easily translated, the Spanish terms cursi and cursilería refer to a cultural phenomenon widely prevalent in Spanish society since the nineteenth century. Like "kitsch," cursi evokes the idea of bad taste, but it also suggests one who has pretensions of refinement and elegance without possessing them. In The Culture of Cursilería, Noël Valis examines the social meanings of cursi, viewing it as a window into modern Spanish history and particularly into the development of middle-class culture. Valis finds evidence in literature, cultural objects, and popular customs to argue that cursilería has its roots in a sense of cultural inadequacy felt by the lower middle classes in nineteenth- ...
This is the first thorough study of Calderón in comparison with other important dramatists of the period: Lope de Vega and Tirso de Molina in Spain, Racine and Corneille in France, and Shakespeare and Marlowe in England. Cascardi studies Calderón's paradoxical engagement with illusion in its philosophical guise as scepticism. He shows on the one hand Calderón's moral will to reject illusion and on the other his theatrical need to embrace it. Cascardi discusses plays from every period to show how in Calderón's best work illusion is not rejected; instead, scepticism is absorbed. Calderón is placed in and defined against the philosophical line of Vives, Descartes, and Spinoza. Of central importance to this argument is Calderón's idea of theatre and the various transformations of that idea. This emphasis will give the book an additional interest to students, readers in philosophy and comparative literature.
Migrant architects of the NHS draws on forty-five oral history interviews and extensive archival research to offer a radical reappraisal of how the National Health Service was made. It tells the story of migrant South Asian doctors who became general practitioners in the NHS. Imperial legacies, professional discrimination and an exodus of UK-trained doctors combined to direct these doctors towards work as GPs in some of the most deprived parts of the UK. In some areas, they made up over half of the general practitioner workforce. The NHS was structurally dependent on them and they shaped British society and medicine through their agency. Aimed at students and academics with interests in the history of immigration, immigration studies, the history of medicine, South Asian studies and oral history. It will also be of interest to anyone who wants to know more about how Empire and migration have contributed to making Britain what it is today.
DNA testing is now being used by thousands of genealogists around the world. DNA and Family History is the first guide to this pioneering subject, designed for family historians and surname study organizers at any stage in their research. In simple language aimed at non-scientists, Chris Pomery examines the background and the issues.