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Maurice Marinot
Over twenty years of glass production by the French painter and glassmaker. Maurice Marinot (1882-1960) was a pioneer in the development of glass as a studio art form. Born in Troyes, France, Marinot began his career as a painter, studying at the Ecole des Beaux Arts and associated with the Fauvist movement. In 1911, a visit to the glassworks of the Viard brothers at Bar-sur-Seine was the catalyst for an all-encompassing passion for glass that would endure for twenty-six years. Drawing initially on his skill as a painter, Marinot decorated glass with striking, brightly coloured enamels. Around 1920, he began to create his own highly experimental glass forms that he considered as sculpture. A combination of failing health and the closure of the Viard's works in 1937 caused Marinot to stop making glass and he returned to painting and drawing.
The Art of Glass
-- Published to coincide with a major exhibition. -- Examines in depth the historical background of each designer and firm, their styles and techniques. This introduction to the most innovative period of goth century glass-making was published to coincide with The Art of Glass - Art Nouveau to Art Deco exhibition at the Sunderland Museum and Art Gallery. The fascinating history of art glass in this Period begins in the 1880's with the precursors to Art Nouveau, follows the creations of Galle, Daum and Muller Freres. It continues with the development of opalescent, frosted and clear molded glass -- especially Lalique, Art Deco, functionalism, Orrefors and English and Scottish glass. But it is above all the glass itself, beautifully reproduced in full color, that brings to life one of the most exciting and creative periods in the history of art glass.
History of Modern Design
An exploration of the parallel development of product and graphic design from the 18th century to the 21st. The effects of mass production and consumption, man-made industrial materials and extended lines of communication are also discussed.
American Studio Glass, 1960-1990
A unique exploration of the question, can art be fashioned out of glass? Analysis of the philosophical and circumstantial factors that reveal the early history of the movement and the clash of ambitions and power that marked the relationship between the worlds of so-called crafts and high art. 81 colour & 47 b/w illustrations
Le génie verrier de l'Europe
La découverte à Venise, au XIVe siècle, d'un type de verre incolore et transparent, a donné un élan au développement d'un art spécifique à l'Europe. L'éventail de près de mille verres réunis ici évoque cette histoire multiple, des origines à nos jours.
The Studio
None
The Brilliance of Swedish Glass, 1918-1939
Udgivet i forbindelse med udstilling på Bard Graduate Center for Studies in the Decorative Arts fra 21.november 1996-2. marts 1997
1000 Masterpieces of Decorative Art
From ancient Sumerian pottery to Tiffany stained glass, decorative art has been a fundamental part of the human experience for generations. While fine art is confined to galleries and museums, decorative art is the art of the every day, combining beauty with functionality in objects ranging from the prosaic to the fantastical. In this work, Albert Jacquemart celebrates the beauty and artistic potential behind even the most quotidian object. Readers will walk away from this text with a newfound appreciation for the subtle artistry of the manufactured world.
