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A reissued classic that examines the structure and themes of each of Hitchcock’s British feature films. Originally published in 1977 and long out of print, Maurice Yacowar’s Hitchcock’s British Films was the first volume devoted solely to the twenty-three films directed by Alfred Hitchcock in his native England before he came to the United States. As such, it was the first book to challenge the assumption that Hitchcock’s "mature" period in Hollywood, from the late 1940s to the early 1960s, represented the director’s best work. In this traditional auteurist examination of Hitchcock’s early work, author Maurice Yacowar considers Hitchcock’s British films in chronological order, ...
Maurice Yacowar challenges genre and form in Roy & Me, a cross between memoir and fiction, truth and distortion. It is the exploration of Yacowar's relationship with Roy Farran - soldier, politician, author, mentor - and his conflict with Farran's anti-Semitic past. Best known for his service with the Special Air Service during World War II, Roy Farran served as a politician in the Legislative Assembly of Alberta for Premier Peter Lougheed. During his time as a soldier, Farran allegedly kidnapped and murdered a sixteen-year-old member of the Lehi group. Roy & Me is a memoir that edges toward fiction by venturing into Farran's thoughts, based on his writings and Yacowar's imagination.
The first in-depth look at a television phenomenon.
This complete biographical look at John Bratby, an English painter who founded the "kitchen sink" style of art that was influential and popularized in the 1950s, reveals an eccentric artist who battled addictions and insecurity. Touching on the shameless publicity employed to make himself Britain's first modern celebrity artist, this is the first study to mine the Bratby Archive, which includes his selections from his intimate diaries. In addition to close readings of his art, this work examines his writings and his fiction, from his bestseller Breakdown to his unpublished novels and pornographic short stories.
Studies all the film adaptations of Williams's work to date, revealing their successes and failures and their profound influence on the cinema.
Was Alfred Hitchcock a cynical trifler with his audience's emotions, as he liked to pretend? Or was he a profoundly humane artist? Most commentators leave Hitchcock's self-assessment unquestioned, but this book shows that his movies convey an affectionate, hopeful understanding of human nature and the redemptive possibilities of love. Lesley Brill discusses Hitchcock's work as a whole and examines in detail twenty-two films, from perennial favorites like North by Northwest to neglected masterpieces like Rich and Strange.
This new edition of A Hitchcock Reader aims to preserve what has been so satisfying and successful in the first edition: a comprehensive anthology that may be used as a critical text in introductory or advanced film courses, while also satisfying Hitchcock scholars by representing the rich variety of critical responses to the director's films over the years. a total of 20 of Hitchcock's films are discussed in depth - many others are considered in passing section introductions by the editors that contextualize the essays and the films they discuss well-researched bibliographic references, which will allow readers to broaden the scope of their study of Alfred Hitchcock
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Directors Martin Scorsese, Woody Allen, and Spike Lee emerged as filmmakers toward the end of the 1960s, when the breakdown of the studio system paved the way for new production partnerships and gave more creative authority to directors, actors, and writers. In what has come to be called the “Indie” movement, these directors were able to explore ethno-racial themes with more frankness than previously allowed. From the perspectives of their own minority communities, Scorsese, Allen, and Lee dramatized and critiqued the challenges this restless, ethno-racial underclass posed to the “White Republic” imagined by the Founding Fathers. The three directors whose work is at the heart of this...
This collection has one central theoretical focus, viz. stock-taking essays on the present and future status of postcolonialism, transculturalism, nationalism, and globalization. These are complemented by 'special' angles of entry (e.g. 'dharmic ethics') and by considerations of the global impress of technology (African literary studies and the Internet). Further essays have a focus on literary-cultural studies in Australia (the South Asian experience) and New Zealand (ecopoetics; a Central European émigrée perspective on the nation; the unravelling of literary nationalism; transplantation and the trope of translation). The thematic umbrella, finally, covers studies of such topics as trans...