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O regime previdenciário do servidor público
Este livro vai muito além de comentar as modificações trazidas pela reforma da previdência. É, fundamentalmente, uma obra sobre o regime previdenciário do servidor público, atualizado pelas reformas previdenciárias. Quer isso dizer que o leitor encontrará as novas normas previdenciárias do servidor público inseridas em um contexto maior do que comentários pontuais: o do Regime Próprio de Previdência Social – RPPS e seu arcabouço jurídico infraconstitucional, ao qual se vinculam os servidores públicos efetivos e os membros de Poder. Para tanto, traz noções básicas de previdência social, os princípios constitucionais do RPPS, natureza e tipos de benefícios, bem como as...
São Paulo
"Data prepared by the Sao Paulo-based Fundacao Sistema Estadual de Analise de Dados (SEADE) in collaboration with UN-HABITAT"--T.p. verso.
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
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Diario Oficial
Laws, decrees, and administrative acts of government.
Boletim UEG.
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The Mosquito Bite Author
Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.
