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Sono passati più di cinquant’anni dalla nascita delle prime riviste musicali. In principio erano pubblicazioni legate alla musica leggera e al mondo Beat, ma in poco tempo è il rock nelle sue varie forme a trovare spazio su riviste quali «Ciao 2001», «Gong» e «Muzak». In parallelo, a cavallo tra gli anni Sessanta e i Settanta e grazie all’affermazione delle controculture, nascono interessanti fogli di informazione musicale che non passano per le edicole, ma vengono distribuiti tramite canali alternativi che trovano terreno fertile nei primi spazi occupati. Con gli anni Ottanta/Novanta, grazie alla maggiore diffusione delle riviste estere e ai continui viaggi oltreconfine di...
A noted cultural critic unearths the weird, the eerie, and the horrific in 20th-century culture through a wide range of literature, film, and music references—from H.P. Lovecraft and Daphne Du Maurier to Stanley Kubrick and Christopher Nolan. What exactly are the Weird and the Eerie? Two closely related but distinct modes, and each possesses its own distinct properties. Both have often been associated with Horror, but this genre alone does not fully encapsulate the pull of the outside and the unknown. In several essays, Mark Fisher argues that a proper understanding of the human condition requires examination of transitory concepts such as the Weird and the Eerie. Featuring discussion of the works of: H. P. Lovecraft, H. G. Wells, M.R. James, Christopher Priest, Joan Lindsay, Nigel Kneale, Daphne Du Maurier, Alan Garner and Margaret Atwood, and films by Stanley Kubrick, Jonathan Glazer and Christopher Nolan.
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