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Historically Responsive Storytelling
This book explores the notion that the emergent language of contemporary theatre, and more generally of modern culture, has links to much earlier forms of storytelling and an ancient worldview. This volume looks at our diverse and amalgamative theatrical inheritance and discusses various practitioners and companies whose work reflects and recapitulates ideas, approaches, and structures original to theatre’s ritual roots. Drawing together a range of topics and examples from the early Middle Ages to the modern day, Chadwick focuses in on a theatrical language which includes an emphasis on the psychosomatic, the non-linear, the symbolic, the liminal, the collective, and the sacred. This interdisciplinary work draws on approaches from the fields of anthropology, philosophy, historical and cognitive phenomenology, and neuroscience, making the case for the significance of historically responsive modes in theatre practice and more widely in our society and culture. Eleanor
Paper Dolls
“You know, Yossi, we couldn't dress like this in the Philippines… wear earrings, dye our hair, put on make up, lipstick. It's forbidden.” In Tel Aviv, Israel, a group of Filipino immigrants work as live-in carers for elderly Orthodox Jewish men. Six days a week they provide dedicated support to their employers. But on the seventh day they transform into a homespun, sassy musical drag act. Meet the Paper Dolls! An extraordinary true story exploring an unlikely collision of cultures and the universal desire to find 'home'. Based on Tomer Heymann's award-winning documentary of the same name, Paper Dolls explores changing patterns of global immigration and expanding notions of family through the prism of a community of Filipino transvestites who live illegally in Israel.
The Pride
THE STORY: Alternating between 1958 and 2008, THE PRIDE examines changing attitudes to sexuality and the perennial themes of love, lust and betrayal. In 1958 Philip is married to Sylvia but finds himself falling in love with another man. His refusa
Straight
Based on the motion picture Humpday (written & directed in 2009 by Lynn Shelton), Straight is a razor-sharp new comedy from acclaimed writer D. C. Moore about male friendship, sexuality and how the two things can be blurred more easily than one might think . . . Lewis and Waldorf were inseparable at university. Ten years on and a lot has changed. In the middle of a drunken night out, they make a bet that will take their friendship to whole new level. You'll never look at your best friend in the same way again . . . Adapted for the stage by award-winning writer D. C. Moore, author of Town, Honest, Alaska, and The Empire (all published by Methuen Drama) Straight premieres in the Crucible Lyceum Studio, directed by Richard Wilson.
The New Wave of British Women Playwrights
It is a fact that today’s British stages resound with powerfully innovative voices and that, very often, these voices have been those of young women playwrights. This collection of essays gives visibility and pride of place to these fascinating voices by exploring the vitality, inventiveness and particularly strong relevance of these poetics. These women playwrights sometimes invent radically new forms and sometimes experiment with conventional ones in fresh and unexpected ways, as for example when they re-energize naturalism and provide it with new missions. The plays that are addressed are all concerned with the necessity to grasp the complexity of the contemporary world and to further investigate what it means to be human. Intimate or epic, and sometimes both at once, visionary or closer to everyday life, these plays approach the contemporary world through a multitude of prisms – historical, scientific, political and poetic – and open different and visionary perspectives.
Theatre Music and Sound at the RSC
This book discusses an exciting laboratory that has been developing the practice of theatre music composition and sound design since 1961: the Royal Shakespeare Company. Musical practices have evolved as composers and musical directors inherited from the past and innovated with new technology; different interpretations of single plays in multiple iterations have provided a picture of developing styles, genres, working practices, technologies and contexts; actor musicianship has been practiced quietly and without fuss; and the role of the sound designer has appeared and transformed the theatrical soundscape. This book moves to musical theatre to evidence a continuum between its rich interdisciplinary textures and the musicodramatic world of Shakespeare’s plays, positioning the RSC as an innovative company that continually expands the creative and collaborative possibilities of the theatre.
Aural/Oral Dramaturgies
Aural/Oral Dramaturgies: Theatre in the Digital Age focuses on the ‘aural turn’ in contemporary theatre-making, examining a number of seemingly disparate trends that foreground speech and sound -- ‘post-verbatim’ theatre, 'amplified storytelling' (works using microphones and headphones), and ‘gig theatre’ that incorporates live music performance. Its main argument is that the dramaturgical underpinnings of these works contribute to an understanding of theatre as an extra-literary activity, greater than the centrality of the script that traditionally dominated many historical discussions. This quality is usually expressed in terms of the corporeality in dance and physical theatre,...
Paper Dolls
Paper dolls might seem the height of simplicity--quaint but simple toys, nothing more. But through the centuries paper figures have reflected religious and political beliefs, notions of womanhood, motherhood and family, the dictates of fashion, approaches to education, individual self-image and self-esteem, and ideas about death. This book examines paper dolls and their symbolism--from icons made by priests in ancient China to printable Kim Kardashians on the Internet--to show how these ephemeral objects have an enduring and sometimes surprising presence in history and culture.
Polar Bears
Polar Bears is a captivating tale by award-winning writer Mark Haddon. Balancing humour and pathos, it tells of one man's struggle to love, support and live with someone suffering from a psychological condition. With an elliptical structure and teasing timeline, the play handles the subject sensitively, with vivid, sympathetically-drawn characters and nicely-balanced dialectics. Polar Bears is thought-provoking and intelligent, with echoes of Nietszchean philosophy, and it refuses to offer any easy answers for those embroiled in mental instability. The plot is as follows: John has never met anyone like Kay. When the moon is in the right phase, she is magnetic and amazingly alive. But when th...
