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Compost index
Edited by Roger Willems, Mark Manders Text by Gabriel Kuri, Dieter Roelstraete, Maxine Kopsa.
The New Art
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Katja Mater
Visual artist and photographer Katja Mater constructs an image by layering multiple moments in time. When making a drawing or object, different exposures are made on the same negative at various points in the process, physically building up an image in a
Reconstructing Exhibitions in Art Institutions
Reconstructing Exhibitions in Art Institutions spans exhibition histories as anti-apartheid activism within South African community arts; collectivities and trade unions in Argentina; Civil Rights movements and Black communities in Baltimore; institutional self-critique within the neoliberal museum; reframing feminisms in USA; and revisiting Cold War Modernisms in Eastern Europe among other themes. An interdisciplinary project with a global reach, this edited volume considers the theme of exhibitions as political resistance as well as cultural critique from global perspectives including South Africa, Latin America, Eastern Europe, USA and West Europe. The book includes contributions by ten a...
Experiments in Art Research
Experiments in Art Research: How Do We Live Questions Through Art? is not a conventional research methods guide; it's an encounter for asking questions through art. Originating from the work of a community of tightly connected scholars, artists, and teachers, the book unfolds through a tapestry of moments, practices, and people, embracing the celebration of works in progress and in community. Rooted in the practice of permission-giving, the narrative intertwines personal stories—laying bare the transformative power of unconventional teaching methods, risky endeavors, and the breaking of scholarly norms—and begins by understanding that “art” and “research” are not separate. After ...
Lonnie van Brummelen and Siebren de Haan
Drifting Studio Practice begleitet Lonnie van Brummelens und Siebren de Haans partizipativen Dokumentarfilme Episode of the Sea (2014) und Stones Have Laws (2018), die sie in Zusammenarbeit mit der niederländischen Fischergemeinde Urk und mit den Saamaka- und Okanisi-Maronen von Surinam, einer ehemaligen niederländischen Kolonie im Amazonasgebiet, gedreht haben. Die Künstler skizzieren, wie sie mit kollektivem Drehbuchschreiben und performativem Geschichtenerzählen experimentierten. Ausgehend von ihrer früheren Arbeit Monument of Sugar (2007) entwickelt sich der Bericht zu einer praxisorientierten Auseinandersetzung mit Koautorenschaft und (Nicht-)Menschenrechten als Strategien zur Bewältigung des Plantagenozäns.
Aernout Mik
Edited by Laurence Kardish. Text by Laurence Kardish, Kelly Sidley, Michael T. Taussig.
Marlow Moss
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The Illuminated Void
"Germaine Kruip's work is conceptually based and often ephemeral in character - the ideas that generate the works remain unseen, and the pieces themselves are often temporary. These factors make documentation in text and image a significant aspect of the work. Now that the documentation of various works has been compiled and the ideas around it have been allowed to interrelate, it is time to put these together in the form of a book. The medium of a publication will add another layer of concentration and investigation to her work. Kruip's practice stems from her education in and experience with theatre. With her entry into the visual arts she retained elements of her dramaturgical background....
