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Chorando Pela Natureza é uma antologia que reúne poemas sobre as questões geopolíticas ambientais, principalmente do Brasil. É composta por produções de poetas contemporâneos e escritores independentes. O material coletado versa sobre as questões territoriais indígenas, a Floresta Amazônica, a crise dos recursos naturais, a devastação do solo, o futuro do planeta, entre outros temas.
"... bem, não são palavras minhas, mas o que fica parecendo é que “[ele] só quis vacina quando houve chance de propina”. E, ainda, depois do fervo, tem a capacidade de ironizar as acusações dizendo que ~ não foi comprado nada. realmente, não sei o que é pior: a tentativa de faturar com a vida ou a questão de furtar a vida. me pego pensando, e se fosse o contrário, um dólar poderia salvar quantas vidas? a dose não chegou, meu irmão quase perdeu a mãe hoje e você?" — Jéssica Iancoski.
A educação formal e libertadora tem seus percalços, o sistema de ensino tem muitos desafios e encontra dificuldades para enquadrar certos perfis de certas clientelas, que decorre em danos à proficiência de determinados estudantes, conduzindo, assim, um número significativo para apresentação de baixo rendimento, ocasionando em fragilidade no sistema de ensino. Mas, as adversidades não estão somente no sistema em si, sobretudo, na sua concepção, pois a extensão de sua organização distancia os pontos de convergência para uma educação centrada no conhecimento, na perspectiva de progressão embasada no ensino aprendizagem significativo que constrói e edifica. Nas escolas rurais...
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
The Companion to Magical Realism provides an assessment of the world-wide impact of a movement which was incubated in Germany, flourished in Latin America and then spread to the rest of the world. It provides a set of up-to-date assessments of the work of writers traditionally associated with magical realism such as Gabriel Garc a M rquez in particular his recently published memoirs], Alejo Carpentier, Miguel ngel Asturias, Juan Rulfo, Isabel Allende, Laura Esquivel and Salman Rushdie, as well as bringing into the fold new authors such as W.B. Yeats, Seamus Heaney, Jos Saramago, Dorit Rabinyan, Ovid, Mar a Luisa Bombal, Ibrahim al-Kawni, Mayra Montero, Nakagami Kenji, Jos Eustasio Rivera and...
DIVAnthropological study of the globalization of pharmaceuticals and its effects on local cultures, health, and economics./div
About Trees considers our relationship with language, landscape, perception, and memory in the Anthropocene. The book includes texts and artwork by a stellar line up of contributors including Jorge Luis Borges, Andrea Bowers, Ursula K. Le Guin, Ada Lovelace and dozens of others. Holten was artist in residence at Buro BDP. While working on the book she created an alphabet and used it to make a new typeface called Trees. She also made a series of limited edition offset prints based on her Tree Drawings.
Prefeitura do distrito.
There are approximately 150 million people of African descent in Latin America yet Afro-descendants have been consistently marginalized as undesirable elements of the society. Latin America has nevertheless long prided itself on its absence of U.S.-styled state-mandated Jim Crow racial segregation laws. This book disrupts the traditional narrative of Latin America's legally benign racial past by comprehensively examining the existence of customary laws of racial regulation and the historic complicity of Latin American states in erecting and sustaining racial hierarchies. Tanya Katerí Hernández is the first author to consider the salience of the customary law of race regulation for the contemporary development of racial equality laws across the region. Therefore, the book has a particular relevance for the contemporary U.S. racial context in which Jim Crow laws have long been abolished and a "post-racial" rhetoric undermines the commitment to racial equality laws and policies amidst a backdrop of continued inequality.
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