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Mythology and Symbolism of Eurasia and Indigenous Americas
A system of myths, symbols, and rituals, dating back to the Paleolithic and Neolithic, survives in present-day imagery. In exploring this system, special attention is drawn to the linkage between ancient and contemporary civilizations of Eurasia and Mesoamerica, as seen in their cosmology, and expressed in common mythological and iconographic themes. The author examines contemporary Middle American and eastern European textiles, especially women’s garments, that contain an elaborated sacred code of symbols, and include remnants of the four horizontal directions, and the three vertical worlds that portray the structure of the universe. The cosmology contained in patterns around the world denotes striking parallels that attest to internal connections between different cultures, beyond time and place.
She Is Everywhere! Volume 3
She Is Everywhere! Volume 3 presents a bold, brave, and beautiful compilation of womanist/feminist essays, poems, and artwork showcasing work from an international community of women and men who honor the Sacred Female. The fifty contributors in this anthologyscholars, creative writers, and visual artistsshare their vision for a world that reclaims the inviolability of the Divine Female in all Her many and varied manifestations. She Is Everywhere! Volume 3 is the latest edition of a leading-edge series which, like its predecessors, offers an invaluable contribution to womens spirituality, religion, philosophy, and womens studies. The contemporary voices contained within its pages echo an anc...
How Catholics Encounter the Bible
In How Catholics Encounter the Bible, award-winning biblical scholar and historian Michael Peppard explores the paradoxical role of the Bible for Catholics--a book central to their tradition, but one which Catholics rarely read. Instead, as Peppard shows, biblical ideas influence Catholics through diverse modes of storytelling, artistic imagination, and ritual. Through examples of pilgrimage, visual arts, poetry, music, and even on Netflix, Peppard shows how the Bible thrives among Catholics, even if its printed text may be missing.
On Racial Icons
What meaning does the American public attach to images of key black political, social, and cultural figures? Considering photography’s role as a means of documenting historical progress, what is the representational currency of these images? How do racial icons “signify”? Nicole R. Fleetwood’s answers to these questions will change the way you think about the next photograph that you see depicting a racial event, black celebrity, or public figure. In On Racial Icons, Fleetwood focuses a sustained look on photography in documenting black public life, exploring the ways in which iconic images function as celebrations of national and racial progress at times or as a gauge of collective ...
The Black Christ of Esquipulas
On the eastern border of Guatemala and Honduras, pilgrims and travelers flock to the Black Christ of Esquipulas, a large statue carved from wood depicting Christ on the cross. The Catholic shrine, built in the late sixteenth century, has become the focal point of admiration and adoration from New Mexico to Panama. Beyond being a site of popular devotion, however, the Black Christ of Esquipulas was also the scene of important debates about citizenship and identity in the Guatemalan nation throughout the nineteenth and twentieth centuries. In The Black Christ of Esquipulas, Douglass Sullivan-González explores the multifaceted appeal of this famous shrine, its mysterious changes in color over ...
Landscape Dreams, a New Mexico Portrait
This collection of elegantly composed black-and-white images by one of New Mexico's most accomplished photographers, celebrates the state's captivating physical variety and enduring allure. With subject matter ranging from some of the state's most iconic landforms--including the White Sands desert and Carlsbad Caverns--to the people who work the land, Varjabedian's images pay homage to New Mexico's ancient history and to the homely details of everyday life. In photographing his subjects, whether epic or mundane, Varjabedian seeks the moments when the light, shadow, composition, and other elements combine to express the beauty of the place. Marin Sardy's wide-ranging essay provides historical and cultural contexts in which to understand Varjabedian's work. Scholar-poet Jeanetta Calhoun Mish defines the particular quality of the artist's imagery.
Fierce Feminine Divinities of Eurasia and Latin America
In this provocative book, Małgorzata Oleszkiewicz-Peralba examines untamed feminine divinities from around the world. Although distant geographically, these divine figures are surprisingly similar-representing concepts of liminality, outsiderhood, and structural inferiority, embodied in the divine feminine. These strong, independent, unrestrained figures are connected to the periphery and to magical powers, including power over sexuality, transformation, and death. Oleszkiewicz-Peralba offers a study of the origin and worship of four feminine deities across cultures and continents: the Slavic Baba Yaga, the Hindu Kālī, the Brazilian Pombagira, and the Mexican Santa Muerte. Although these divinities have often been marginalized through dismissal, demonization, and dulcification, they continue to be extremely attractive, as they empower their devotees confronting them with the ultimate reality of transience and death. Oleszkiewicz-Peralba examines how these sacred icons have been adapted and transformed across time and place.
In the Spirit of a New People
Reexamining the Chicano civil rights movement of the 1960s and 1970s, In the Spirit of a New People brings to light new insights about social activism in the twentieth-century and new lessons for progressive politics in the twenty-first. Randy J. Ontiveros explores the ways in which Chicano/a artists and activists used fiction, poetry, visual arts, theater, and other expressive forms to forge a common purpose and to challenge inequality in America. Focusing on cultural politics, Ontiveros reveals neglected stories about the Chicano movement and its impact: how writers used the street press to push back against the network news; how visual artists such as Santa Barraza used painting, installa...
Challenging the Black Atlantic
The historical novels of Manuel Zapata Olivella and Ana Maria Gonçalves map black journeys from Africa to the Americas in a way that challenges the Black Atlantic paradigm that has become synonymous with cosmopolitan African diaspora studies. Unlike Paul Gilroy, who coined the term and based it on W.E.B. DuBois’s double consciousness, Zapata, in Changó el gran putas (1983), creates an empowering mythology that reframes black resistance in Colombia, Haiti, Mexico, Brazil, and the United States. In Um defeito de cor (2006), Gonçalves imagines the survival strategies of a legendary woman said to be the mother of black abolitionist poet Luís Gama and a conspirator in an African Muslim–led revolt in Brazil’s “Black Rome.” These novels show differing visions of revolution, black community, femininity, sexuality, and captivity. They skillfully reveal how events preceding the UNESCO Decade of Afro-Descent (2015–2024) alter our understanding of Afro-Latin America as it gains increased visibility. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
