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A story with a light environmental message
Hong Kong Apothecary transports us to the exotic world of Eastern medicine, a world of oils, powders, pills, and cures for every known ailment from impotency to opium addiction. As peculiar as pink pills for pale people are the packages containing these medicaments. Author Simon Go has combed manufacturers, shops, and home medicine cabinets for years collecting the most compelling examples. the result is a visual cabinet of curiosities, a graphical pharmacopoeia. Divided by type such as ointments, herbal teas, infused oils Hong Kong Apothecary presents the fascinating graphics and tantalizing descriptions of hundreds of medicines and gives us an insight into Chinese customs afforded only by examining the artifacts and customs of everyday life. many of these medicines are no longer produced, making Hong Kong Apothecary a memoir of a quickly disappearing culture. This lavishly illustrated book is of interest as much for designers seeking inspiration in the unknown vernacular of commercial graphics as for anyone interested in Eastern medicine.
Review of the architecture biennale 'Bring Your Own Biennale' (BYOB) held in Hong Kong and Shenzhen Dec 2009-Feb 2010.
In their first blackand white strip cartoon adventrue, Tik and Tok find their way out of a black hole into...
An exploration of the possibility of the translatability of lived experience between the personal and the political.
Retrospective selection from one of Hong Kong's most celebrated literary figures.
King Chung's personal story about the quietly dynamic role he has played in Hong Kong's burst of urban development.
Asian cities create concomitant imagery - polarizations of poverty and wealth, blurry lines between formality and informality, and stark juxtapositions of ancient historic places with shimmering new skylines. With Asia's re-emergence on the global stage, there is an acute focus on its multifarious urban issues and identities: What are Asian cities going to become? Will they surpass the economic and environmental debacles of the West? This collection of twenty-four essays surveys the most dominant issues shaping the Asian urban landscape today. It offers scholarly reflections and positions on the forces shaping Asian cities, and the forces that they in turn are shaping.
Leung Ping Kwan is one of Hong Kong's most acclaimed poets. His poems display a unique blend of the literary and the down-to-earth, of the modern and the traditional, of the serious and the humorous, of the local and the universal. In his own words, 'I want my poems about things to be a dialogue with the world, to learn and be inspired by the shapes, smells and colours of things….' This collection has been carefully curated, and is arranged under ten thematic sections: Lotus Leaves, Hong Kong, Macao, Foodscape, After the Book of Songs, Strange Tales: After Pu Songling, Clothink, Museum Pieces, Places and Friends, and Bitter-Melon and Others. These translated poems, and the delight they bring, are a celebration of the continuing legacy of a remarkable Hong Kong poet.
Postwar Hong Kong cinema played an active role in building the colony’s community in the 1950s and 1960s. To Jing Jing Chang, the screening of movies in postwar Hong Kong was a process of showing the filmmakers’ visions for Hong Kong society and simultaneously an attempt to conceal their anxieties and mask their political agenda. It was a time when the city was a site of intense ideological struggles among the colonial government, Chinese Nationalists, and Communist sympathizers. The medium of film was recognized as a powerful tool for public persuasion and various camps competed to win over the hearts and minds of the audience. Screening Communities thus situates the history of postwar ...