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MALAY AND CHINESE INDONESIAN
This work grew out of field research on Malay – Chinese Indonesian interaction along the Northern Coasts of West Kalimantan. The research proves that the interaction between the two entities in this area is not similar to the one we found in Teluk Pakedai, Kubu Raya Regency. In Teluk Pakedai, the harmonious interaction originated by a sort of “simplicity.” Paperless economic transaction between Malay and Chinese Indonesian traders is a living tradition. Neither receipt nor bill is needed, even in debt transactions. When questioned, what if another party forgets or dies? The answer was: “Nothing to worry about, it is Teluk Pakedai.” The similar simplicity is also found in conflict resolution, elites who first recognized the problem would come to the other group discussing the solution with no need to investigate “who commits the sin”. Furthermore, regarding the question of “Who are the earliest inhabitants of Teluk Pakedai, Malay-Bugis or Chinese?” many Malay-Bugis, in contrast to popular identification of Teluk Pakedai as Malay-Bugis settlement, provided an interesting answer: “….possibly Chinese as the name Teluk Pakedai refers to an old time Chinese Shop.
Reading the Victory Ode
The victory ode was a short-lived poetic genre in the fifth century BC, but its impact has been substantial. Pindar, Bacchylides and others are now among the most widely read Greek authors precisely because of their significance for the literary development of poetry between Homer and tragedy and their historical involvement in promoting Greek rulers. Their influence was so great that it ultimately helped to define the European notion of lyric from the Renaissance onwards. This collection of essays by international experts examines the victory ode from a range of angles: its genesis and evolution, the nature of the commissioning process, the patrons, context of performance and re-performance, and the poetics of the victory ode and its exponents. From these different perspectives the contributors offer both a panoramic view of the genre and an insight into the modern research positions on this complex and fascinating subject.
Minority Stages
Minority Stages: Sino-Indonesian Performance and Public Display offers intriguing new perspectives on historical and contemporary Sino-Indonesian performance. For the first time in a major study, this community’s diverse performance practices are brought together as a family of genres. Combining fieldwork with evidence from Indonesian, Chinese, and Dutch primary and secondary sources, Josh Stenberg takes a close look at Chinese Indonesian self-representation, covering genres from the Dutch colonial period to the present day. From glove puppets of Chinese origin in East Java and Hakka religious processions in West Kalimantan, to wartime political theatre on Sumatra and contemporary Sino-Sun...
Rioting for Representation
Toha explains why ethnic groups engage in violence during political transition, and why and how this violence eventually declines.
ICGCS 2021
Responding to evolving challenges toward achieving gender equality and social inclusion. 30-31 August 2021, Indonesia. This event, organized by Pusat Studi Gender, Anak, dan Keluarga (PPGAK) ‘The Center of Gender, Children, and Family Studies’ Universitas Andalas aims to promote new insights and discussion about the current global perspectives, considering the differences in academic and subject fields’ approaches across time, countries, and economic sectors, with its implications and to improve and share the scientific knowledge on gender research. Is meant to open our horizon that the issue of gender and social inclusion may be viewed from various disciplines and perspectives. This book constitutes the refereed post-conference proceedings of the 1st International Conference in Gender, Culture and Society, held online from Padang, Indonesia, August 30-31, 2021. The 85 revised full papers were carefully selected from 124 submissions. The papers are organized thematically in gender, culture and society. The papers present a wide range of insights and discussion about the current global perspectives on gender research.
The Chinese Story in Global Order
This book provides a historical review of the transformation of China’s image around the world since the 1978 Reform and Opening Up. Based on a synthetic model that the author constructs for evaluating national images, together with a historical review and quantitative analysis, it discusses the issues and challenges confronting China’s image around the world since the Opening Up. To help rectify the situation that most of the research on China’s reform efforts focuses on hard power (esp. economic power), this book, which mainly focuses on China’s soft power, reviews and assesses its global image from the three perspectives of politics, economy and culture. In the process, it sheds valuable new light on the presentation of China’s image and the world’s perceptions of China.
