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Like Franz Kafka’s The Trial for the post-truth era, at once “surreal, polemical, and fun” (The Telegraph). Sterling Beckenbauer is plunged into a terrifying and nonsensical world one morning when they are attacked, then unfairly arrested, in their neighborhood in London. With the help of their friends, Sterling hosts a trial of their own in order to exonerate themselves and to hold the powers that be to account. Sterling Karat Gold, in the words of Kamila Shamsie, is “a madly brilliant and deeply sane novel that reveals surrealism as possibly the most effective way of talking about the political moment we find ourselves in.” In it, Isabel Waidner concocts a world replete with bull...
Helen Garner’s gritty, lyrical first novel divided the critics on its publication in 1977. Today, Monkey Grip is regarded as a masterpiece—the novel that shines a light on a time and a place and a way of living never before presented in Australian literature: communal households, music, friendships, children, love, drugs, and sex. When Nora falls in love with Javo, she is caught in the web of his addiction; and as he moves between loving her and leaving, between his need for her and promises broken, Nora’s life becomes an intense dance of loving and trying to let go. Helen Garner is one of Australia’s finest authors. In 2006 she received the inaugural Melbourne Prize for Literature, ...
This book is a portrait of the city of Brisbane by a resident who returns to his home town after many years away. He's surprised by the changes he sees and explores the seminal events that shaped his newly cosmopolitan home.
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Aged fifteen and on track to be an Olympic gymnast, Lucia Osborne-Crowley was violently raped in Sydney on a night out, sparking a series of events that left her devastatingly ill for more than ten years of her life. Her path to healing began a decade later, when she told someone about her rape for the very first time. Lucia eventually found solace in writers like Elena Ferrante, and her work is about rediscovering vulnerability and resilience in the face of formerly unbearable trauma. The author explores what has been proved, but is not yet widely known, about how trauma affects the body, bringing to our attention its cyclical, intergenerational nature; how trauma intersects with deeply held beliefs about the credibility of women; and how trauma is played out again and again in the fabric of our cultures, governments, judicial systems and relationships. 'If you buy one book today let it be this one...It moved me to tears and to anger.' - Daisy Johnson, author of Everything Under 'This book is burrowed deep under my skin.' - Jessica Andrews, author of Saltwater
In the 1980s and early 1990s, David Campese thrilled spectators both in Australia and overseas with his footloose, crazy-brave style of free running. This book tells the story of his rise from humble beginnings to the very top of a global sport. As a rugby player, David Campese seemed to operate on cross-grained pure instinct, one that left many a defender clutching at him in vain, stranded in the slipstream of his audacity. Hailed as the ‘Bradman of rugby’ by former Wallaby coach Alan Jones, and the ‘Pele’ of rugby by others, Campese was a match-winner. The refrain ‘I saw Campese play’ now speaks to much more than wistful reminiscences about a player widely regarded as the most ...
Annotation " ... It is highly recommended to anyone who thinks they have a serious interest in the book ... or would like to discover to discover something of the complexity of the well-springs of the Australian psyche." Biblionews Paper Empires explores Australian book production and consumption from 1946 to the present day, using wide-ranging research, oral history and memoir to explore the worlds of book publishing, selling and reading. After 1945, Australian publishing went from a handful of fledgling businesses to the billion dollar industry of today with thousands of new titles each year and a vast array of imported books. Publishing's postwar expansion began with the baby boom and the increased demand for school texts, with independent houses blossoming during the 1960s and 70s followed by the current era dominated by global conglomerates.