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Postwar Amateur Film Practices in a Transnational Perspective
Amateur film and amateur media practices have attracted increasing interest in recent decades in the context of the "visual turn". Questions of agency, participatory and political/militant film practices, and of representations of "self" and "other" are of interest as well as the institutions and networks of amateur productions. This special issue of "zeitgeschichte" contributes to this field of research by examining international and transnational developments of amateur films in the period after the Second World War. The collected contributions analyze national specifics and regional shapings of practices as well as cultural constructions in amateur film and video, they trace transnational entanglements of amateur media and tackle cross-border amateur filmmaking and internationally and globally shared discursive references and uses of metaphors in video activism. The authors elaborate parallels to organizational structures in amateur film practices in specific sociopolitical and cultural contexts and discuss aspects of memory and the appropriation of hegemonic visual cultures in individual film practices.
In Transit
Contents: The title of the book 'In Transit'-as a reference to the novel written by Anna Seghers-functions on two levels: On a narrative level, it is a primary metaphor for the fate of all German Jews who fled from the Third Reich and found themselves in France doubly stigmatized as Germans-the despised boches-and as juifs. On another level, 'In Transit' offers perspectives on the Occupation of France and the Vichy regime-the so-called Dark Years-that have not been part of the Vichy debate. So how did German Jews who fled from Nazi Germany to France narrate and document their experiences? This book tells their stories, and in a sense brings them back home to Germany, where they always wanted...
Women Writing Trauma in Literature
This collection features studies on trauma, literary theory, and psychoanalysis in women’s writing. It examines the ways in which literature helps to heal the wounded self, and it particularly concentrates attention on the way women explain the traumatic experiences of war, violence, or displacement. Covering a global range of women writers, this book focuses on the psychoanalytic role of literature in helping recover the voices buried by intense pain and suffering and to help those voices be heard. Literature brings the unconscious into being and focus, reconfiguring life through narration. These essays look at the relationship between traumatic experience and literary form.
New Literary Voices of the Moroccan Diaspora
The highly-charged debate over Morocco’s diasporic minorities in Europe has led to a growing interest in the literary production of these ‘new’ Europeans. This comparative study is the first to discuss together a body of texts, including contemporary Judeo-Moroccan literature, written in French, Spanish, Catalan and Dutch, which have never been studied as a group. Faced with such a variegated field of literary production, the aim of this book is not to tie individual works of literature to their ‘national’ place of origin, but to re-conceptualize the idea of a ‘Moroccan’ literature with regard to the transnational and multilingual experiences from which it arises. Drawing on a ...
Fireweed
In Fireweed, Gerda Lerner, a pioneer and leading scholar in women's history, tells her story of moral courage and commitment to social change with a novelist's skill and a historian's command of context. Lerner's memoir focuses on the formative experiences that made her an activist for social justice before her academic career began. The child of a well-to-do Viennese Jewish family, she was still a teenager when a fascist regime came to power in 1934, and she became involved in the underground resistance movement. The Nazi takeover of Austria cast her into prison, then forced her and her family into exile; she alone was able to leave Europe. Once in the United States, she experienced the har...
The United States Holocaust Memorial Museum Encyclopedia of Camps and Ghettos, 1933–1945: Volume III
Accounts of significant sites in Hungary, Vichy France, Italy, and other nations, part of the multi-volume reference praised as a “staggering achievement” (Jewish Daily Forward). This third volume in the monumental seven-volume encyclopedia, prepared by the Jack, Joseph, and Morton Mandel Center for Advanced Holocaust Studies at the United States Holocaust Memorial Museum, offers a comprehensive account of camps and ghettos in, or run by, Croatia, Hungary, Italy, Romania, Bulgaria, Slovakia, and Vichy France (including North Africa). Each entry discusses key events in the history of the ghetto; living and working conditions; activities of the Jewish Councils; Jewish responses to persecution; demographic changes; and details of the ghetto’s liquidation. Personal testimonies help convey the character of each ghetto, while source citations provide a guide to additional information. Documentation of hundreds of smaller sites—previously unknown or overlooked in the historiography of the Holocaust—make this an indispensable reference work on the destroyed Jewish communities of Eastern Europe.
When Men Fell from the Sky
Between 1940 and 1945, more than 100,000 airmen were shot down over Europe, a few thousand of whom survived and avoided being arrested. When Men Fell from the Sky is a comparative history of the treatment of these airmen by civilians in France, Germany and Britain. By studying the situation on the ground, Claire Andrieu shows how these encounters reshaped societies at a local level. She reveals how the fall of France in 1940 may have concealed an insurrection nipped in the bud, that the 'People's War' in Britain was not merely a myth, and that in Germany, the 'racial community of the people' had in fact become a social reality with Allied airmen increasingly subjected to lynching from 1943 onwards. By considering why the treatment of these airmen contrasted so strongly in these countries, Andrieu sheds new light on how civilians reacted when confronted with the war 'at home'.
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Keine Angaben
Scènes des genres au Maghreb
Dans la lignée des études postcoloniales et des études sur le genre, Scènes des genres au Maghreb examine les manifestations du genre dans différentes formes d’expression artistique de l’espace franco-maghrébin. Ce volume réunit les réflexions et analyses captivantes de spécialistes en littérature, cinéma et linguistique dans le but d’éclairer la fonction structurante des mythes génériques et de souligner l’impact social des images et des codes genrés ainsi que leur incidence dans les différents champs artistiques. D’Isabelle Eberhardt à Yasmina Khadra en passant par Bernard-Marie Koltès, Assia Djebar, Abdelkébir Khatibi ou Rachid Boudjedra, la littérature du (ou en rapport avec le) Maghreb y occupe une place de choix, à côté d’œuvres cinématographiques de Julien Duvivier, Mehdi Ben Attia ou encore Merzak Allouache. L’ouvrage, qui aborde en outre la question de la musique (raï) et des traditions iconographiques et culturelles, interroge ainsi l’ensemble des modes de création, réécriture, subversion ou perpétuation des mythes.
