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Women in Northern Ireland
"Sullivan is among those emerging feminist cultural critics who are breaking a critical silence: her study of fiction, films and plays by Northern Irish women not only charts new territory in Irish studies, it also provides a model for doing Irish cultural criticism."--Katherine Kirkpatrick, editor of Border Crossings: Irish Women Writers and National Identity In this examination of the cultural production of critically acclaimed women novelists, filmmakers, nonfiction writers and dramatists in Northern Ireland, Megan Sullivan insists that their work demonstrates that the Irish political struggle takes place in the material conditions of women's lives--in the home, within the family, and on ...
A Companion to Modern and Contemporary Latin American and Latina/o Art
In-depth scholarship on the central artists, movements, and themes of Latin American art, from the Mexican revolution to the present A Companion to Modern and Contemporary Latin American and Latinx Art consists of over 30 never-before-published essays on the crucial historical and theoretical issues that have framed our understanding of art in Latin America. This book has a uniquely inclusive focus that includes both Spanish-speaking Caribbean and contemporary Latinx art in the United States. Influential critics of the 20th century are also covered, with an emphasis on their effect on the development of artistic movements. By providing in-depth explorations of central artists and issues, alo...
Radical Form
A timely reassessment of some of the most daring projects of abstraction from South America. Emphasizing the open-ended and self-critical nature of the projects of abstraction in South America from the 1930s through the mid-1960s, this important new volume focuses on the artistic practices of Joaquín Torres-García, Tomás Maldonado, Alejandro Otero, and Lygia Clark. Megan A. Sullivan positions the adoption of modernist abstraction by South American artists as part of a larger critique of the economic and social transformations caused by Latin America’s state-led programs of rapid industrialization. Sullivan thoughtfully explores the diverse ways this skepticism of modernization and social and political change was expressed. Ultimately, the book makes it clear that abstraction in South America was understood not as an artistic style to be followed but as a means to imagine a universalist mode of art, a catalyst for individual and collective agency, and a way to express a vision of a better future for South American society.
Windfall
"A powerful argument for how America should capitalise on the 'New Energy Abundance'."--The Financial Times "Riveting and comprehensive...a smart, deeply researched primer on the subject."--The New York Times Book Review Windfall is the boldest profile of the world's energy resources since Daniel Yergin's The Quest. Harvard professor and former Washington policymaker Meghan L. O'Sullivan reveals how fears of energy scarcity have given way to the reality of energy abundance. This abundance is transforming the geo-political order and boosting American power. As a new administration focuses on raising American energy production, O'Sullivan's Windfall describes how new energy realities have prof...
The Good Life Method
Two Philosophers Ask and Answer the Big Questions About the Search for Faith and Happiness For seekers of all stripes, philosophy is timeless self-care. Notre Dame philosophy professors Meghan Sullivan and Paul Blaschko have reinvigorated this tradition in their wildly popular and influential undergraduate course “God and the Good Life,” in which they wrestle with the big questions about how to live and what makes life meaningful. Now they invite us into the classroom to work through issues like what justifies our beliefs, whether we should practice a religion and what sacrifices we should make for others—as well as to investigate what figures such as Aristotle, Plato, Marcus Aurelius,...
Theories of the Nonobject
"Theories of the Nonobject investigates the crisis of the sculptural and painterly object in the concrete, neoconcrete, and constructivist practices of artists in Argentina, Brazil, and Venezuela, with case studies of specific movements, artists, and critics. Amor traces their role in the significant reconceptualization of the artwork that Brazilian critic and poet Ferreira Gullar heralded in 'Theory of the Nonobject' in 1959, with specific attention to a group of major art figures including Lygia Clark, Hélio Oiticica, and Gego, whose work proposed engaged forms of spectatorship that dismissed medium-based understandings of art. Exploring the philosophical, economic, and political underpinnings of geometric abstraction in post-World War II South America, Amor highlights the overlapping inquiries of artists and critics who, working on the periphery of European and US modernism, contributed to a sophisticated conversation about the nature of the art object"--Provided by publisher.
Ghosting the News
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All in a Day's Work
Collects more than thirty "Career of the Month" columns from the National Science Teachers Association high school journal "The Science Teacher," each of which profiles a person working in a science-related job.
The Disintegration of a Critic
Collected texts by cultural critic, auto/biographer, and lesbian icon Jill Johnston. Jill Johnston—cultural critic, auto/biographer, and lesbian icon—began her career at the Village Voice as a critic of dance and performance, writing about Merce Cunningham, Martha Graham, the activities at Judson Church, Allan Kaprow and Happenings, Fluxus, and the downtown New York art scene. The column eventually became more personal than critical, allowing her to discuss her life, her sexuality, and her politics. This book brings together thirty texts Johnston wrote for the Voice between 1960 and 1974, beginning with her early dance coverage and continuing though the time when, as she put it, the colu...
Revolutionary Horizons
Following the trajectories of two pioneering artist groups, this groundbreaking book explores the development of abstract art, and its political stakes, in 1950s Cuba.
