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The Art of the Everyday
A collection of essays on the quotidian in philosophy, cinema, theater, photography, and other visual arts in postwar France, published in conjunction with an exhibition of contemporary French artists at the Grey Art Gallery of New York University in spring 1997. Includes many color photos. No index. Annotation copyrighted by Book News, Inc., Portland, OR
The Studio Reader
The image of a tortured genius working in near isolation has long dominated our conceptions of the artist’s studio. Examples abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a “factory,” artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. The Studio Reader pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist’s p...
Women Artists in the 20th and 21st Century
Taschen's inventive layout is effective in presenting the provocative works, words, and biographies of the nearly 100 women artists gathered here. Grosenick, a freelance art historian in Germany, has selected women artists working in Germany, the US, South Africa, Japan, Poland, France, Scandinavia, and Spain, among other countries. The entry for each artist is six pages, with much of the space devoted to good- quality color photos of her work. c. Book News Inc.
Art and its Market
The new look on the history of art and its blind spots, the far-reaching digitization of structures and content, the changing role of museums and art criticism, new forces from influencers to NFTs: Hardly any market system has evolved as profoundly in the last decade as the distribution of art. With 25 years of experience in the art industry, Dirk Boll acts as a continuous chronicler and seasonal commentator of these pervasive developments. His handbook Art and its Market is a reliable source of in-depth knowledge about the inner workings of global art market systems. How do auctions, the network of galleries, and fairs work? How are prices being made, and how do trends both in the production of art as well as its collection emerge? What is more, this edition provides comprehensive information on the practical issues of art acquisition: What are the customs and pitfalls, the economic interdependencies between the artists, buyers and other market players, and the legal regulations governing the trade with art?
Douglas Gordon
Published in conjunction with the exhibition Douglas Gordon: Timeline, held at the Museum of Modern Art, New York, from June 11-September 4, 2006.
Half Square, Half Crazy
Edited by Eric Mangion. Text by Lili Reynaud Dewar, Elisabeth Wetterwald, Vincent Pecoil.
The Space that Time Forgot
New work by the Spanish sculptor and installation artist known for her large-scale systems of enclosed passageways made from interconnected and organic-feeling metal lattices. Represented in New York by Marion Goodman Gallery, Iglesias has had one-person shows at such major international venues as the Guggenheim Museum, New York.
Fake Hybrid Sites Palimpsest
Die Buchreihe der Universität für angewandte Kunst Wien Edition Angewandte, herausgegeben von Rektor Dr. Gerald Bast, erscheint themenabhängig in den Verlagen Birkhäuser und De Gruyter. Veröffentlicht werden Sammelbände, Dokumentationen und Monografien aus den Bereichen Architektur, Bildende und Mediale Kunst, Design, Kunstwissenschaften, Kunstpädagogik und Kunstvermittlung. Die seit 2007 bestehende Reihe wird als mittlerweile in der Öffentlichkeit stark etablierte Plattform für relevante Veröffentlichungen aus Kunst und Wissenschaft wahrgenommen. Die Bücher erscheinen in deutscher wie auch in englischer Sprache.
Gerold Miller
Since 1985, Gerold Miller (b. Althausen, Baden-W�rttemberg, 1961; lives and works in Berlin) has created formally reduced objects made of metal and lacquer to explore the boundaries between picture, sculpture, and architecture. He studies the fine line where space is transformed into surface and representation turns into abstraction. The present book is a catalogue raisonn�, the first to offer comprehensive documentation of Gerold Miller's complete works created between 1985 and 2011. Includes essays by Edelbert K�b and Barbara Jenner and a series of photographs Oliver Mark.
