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Un análisis riguroso de Iran, desde su rica historia antigua hasta su gran reto ante la modernidad. Un nuevo espacio de reflexión e intercambio de experiencias y conocimientos.
Abbas Kiarostami planted Iran firmly on the map of world cinema when he won the Palme d'Or at the Cannes film festival for his film A Taste of Cherry in 1997. In this book Hamid Dabashi examines the growing reputation of Iranian cinema from its origins in the films of Kimiyai and Mehrjui, through the work of established directors such as Kiarostami, Beyzai and Bani-Etemad, to young filmmakers like Samira Makhmalbaf and Bahman Qobadi, who triumphed at the Cannes 2000 festival. Dabashi combines exclusive interviews with directors, detailed and insightful commentary, critical cultural context, an extensive filmography, and generous illustration to provide an indispensable guide to a globally celebrated but little-studied cinematic genre. Book jacket.
�There are several peculiar features about writing any detailed account of the recent political events in Persia which make necessary some slight explanation. The first point is that Persian political affairs, fraught as they are with misfortune and misery for millions of innocent people, are conducted very much as a well-staged drama - I have heard some critics say, as an op�ra bouffe.� William Morgan Shuster, �The Strangling of Persia� , 1912 So Hooman Majd introduces his story of Iran, with its volatile politics, jostling leaders, global ambitions, and enormous implications for world peace. What does it mean for the world if �Green� represents not a revolution but a civil ri...
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