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Reform, Notation and Ottoman music in Early 19th Century Istanbul
Reform, Notation and Ottoman Music in Early 19th Century Istanbul: EUTERPE presents the first complete set of transcription and edition of Euterpe (1830) from Byzantine neumatic notation into the modified staff notation used by classical Turkish music and is accompanied by a substantial examination of the related historical, theoretical and musical topics. Through a series of Ottoman/Turkish classical vocal music compositions that can be dated to the 18th and 19th centuries, Euterpe and related sources reinforce a much broader picture of musical practice and transmission in which we clearly see that the Greek and Turkish traditions are linked. Reform, Notation and Ottoman Music in Early 19th Century Istanbul is presented in two parts: historical discussion and musical analysis, and complete transcription and edition of Euterpe. This book will appeal to music scholars and university students interested in minorities, cosmopolitanism in the Middle East and Balkans, the relationship between music and national identity, musical notation, classical Ottoman/Turkish music, Byzantine music, and, most significantly, ethnomusicology.
Music of the Ottoman Court
Between 1600 and 1750 Ottoman Turkish music differentiated itself from an older Persianate art music and developed the genres antecedent to modern Turkish art music. Based on a translation of Demetrius Cantemir’s seminal “Book of the Science of Music” from the early eighteenth century, this work is the first to bring together contemporaneous notations, musical treatises, literary sources, travellers’ accounts and iconography. These present a synthetic picture of the emergence of Ottoman composed and improvised instrumental music. A detailed comparison of items in the notated Collections of Cantemir and of Bobowski—from fifty years earlier—together with relevant treatises, reveal key aspects of modality, melodic progression and rhythmic structures.
The Gift of Song
The Gift of Song: Performing Exchange in Western Arnhem Land tells the story of the return of physical and digital cultural materials through song and dance. Drawing on extensive, first-person ethnographic fieldwork in western Arnhem Land, Australia, Brown examines how Bininj/Arrarrkpi (Aboriginal people of this region) enact change and innovate their performance practices through ceremonial exchange. As Indigenous communities worldwide confront new social and environmental challenges, this book addresses the questions: How do Indigenous communities come to terms with legacies of taking and collecting? How are cultural materials in digital formats received and ritualised? How do traditional ...
The Art Song in East Asia and Australia, 1900 to 1950
This book explores art song as an emblem of musical modernity in early twentieth-century East Asia and Australia. It appraises the lyrical power of art song – a solo song set to a poem in the local language in Western art music style accompanied by piano – as a vehicle for creating a localized musical identity, while embracing cosmopolitan visions. The study of art song reveals both the tension and the intimacy between cosmopolitanism and local politics and culture. In 20 essays, the book includes overviews of art song development written by scholars from each of the five locales of Japan, Korea, China, Taiwan, and Australia, reflecting perspectives of both established narratives and unc...
OPERALARIMIZ (1917 - 2017)
Bu çalışma bestecilerimizin operalarını bir araya getirmeyi ve tanıtmayı amaçlamaktadır. Müzik kurumlarımız, araştırmacılarımız, orkestralarımız ve yorumcularımız için bir el kitabıdır. Üç yılda tamamlanan bu kitapta tarihsel sıralama Türk Beşlilerinin üyesi olan Cemal Reşid Rey’den başlayarak günümüze kadar gelmektedir. Kitapta yer verilen opera bestecilerimiz Cemal Reşid Rey, Ahmet Adnan Saygun, Necil Kazım Akses, Ferit Tüzün, Nevit Kodallı, Cengiz Tanç, Ali Doğan Sinangil, Yalçın Tura, Çetin Işıközlü, Sabahattin Kalender, Ahmet Yürür, Okan Demiriş, Timur Selçuk, Ali Hoca, Nejat Başeğmezler, Selman Ada, Babür Tongür, Aydın Karlıbel, Serdar Yalçın, Kamran İnce, Zeki Evyapan, Tevfik Akbaşlı, Mustafa Erdoğan, Orhan Şallıel, Tolga Taviş, Utar Artun, Alper Maral, Mehmet Ali Sanlıkol, Hakan Ali Toker, Evrim Demirel, Murat Yakın, Taner Akyol, Cenk Ergün, Atilla Kadri Şendil, Sinem Altan, Burak Özdemir, Arda Özmen, Ali Yunus Gencer, Egemen Kesikli. Belge niteliği taşıyan kitabımızın müzik literatürümüze katkıda bulunmasını diliyoruz.
Sokağın Sesleri
Bir sokakta, caddede yürürken hiç duymadan yanından geçiverdiğimiz ya da durup uzun uzun dinlediğimiz bir müzik sokak müzisyeninin yaptığı: Enstrümantal, bağıra çağıra, halaylı, hüzünlü, gitarlı, santurlu, trompetli, sazlı, kemanlı, darbukalı... Sedat Anar, Sokağın Sesleri’nde sokak müzisyenliğinin Osmanlı’daki yerini kısaca ele aldıktan sonra 1990’lı yıllardan itibaren sokak müzisyenliği yapmış ve halen yapmakta olan isimlerin hikâyelerine aracılık ediyor, sokak müzisyenliğinin gerçeğini sergiliyor. Belediyelerin çıkardığı engeller, zabıtalar, polisler... Sokak müzisyenlerinin çalmaya başlamasıyla canlanan, hayat bulan sokakl...
Mikrotonal Gitar Metodu 1/Microtonal Guitar Method Vol. 1
“Nihayet! Modern gitar, binlerce yıldır mükemmel müzikal ifadenin kaynağı olan entonasyonun sonsuz inceliklerinin icra edilebildiği dünyanın dört bir yanındaki perdeli kuzenlerinin arasına artık katılabilir. Hareketli perdeler ve değiştirilebilir klavyeler gibi çeşitli modern icatların yanı sıra, İtalyan Rönesansında tastini olarak bilinen ek perdelerin yeniden canlandırılmasıyla İranlıların radifleri, Arapların ve Türklerin makamları ve Hint ragalarının sayısız lezzeti artık parmaklarınızın ucunda. Tolgahan Çoğulu, çoğu müzik dilinin temeli olan modal müziklerin bu davetkâr okyanusuna adım atmak isteyenler için artık bize bir rehber getir...
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Music in Cyprus
Music in Cyprus draws its authors from both sides of the divided island to give a rounded picture of musical culture from the beginning of the British colonial period (1878-1960) until today. The book crosses conventional scholarly divides between musicology and ethnomusicology in order to achieve a panorama of music, culture and politics. Shared practices of traditional music and dance are outlined, and the appropriation of those practices by both communities in the aftermath of the de facto division of the island is examined. Art music (European and Ottoman) is also discussed, both in terms of the structures of musical life and the creative praxes of composers, and there is an account of t...
Navigating Stylistic Boundaries in the Music History Classroom
At a time of transformation in the music history classroom and amid increasing calls to teach a global music history, Navigating Stylistic Boundaries in the Music History Classroom adds nuance to the teaching of varied musical traditions by examining the places where they intersect and the issues of musical exchange and appropriation that these intersections raise. Troubling traditional boundaries of genre and style, this collection of essays helps instructors to denaturalize the framework of Western art music and invite students to engage with other traditions—vernacular, popular, and non-Western—on their own terms. The book draws together contributions by a wide range of active scholar...
