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Beyond the Iron House
Beyond the Iron House is a critical study of a crucial period of life and work of the modern Chinese writer Lu Xun. Through thorough research into historical materials and archives, the author demonstrates that Lu Xun was recognized in the literary field much later than has hitherto been argued. Neither the appearance of "Kuangren riji" (Diary of a madman) in 1918 nor the publication of Nahan (Outcry) in 1923 had catapulted the author into nationwide prominence; in comparison with his contemporaries, neither was his literary work as original and unique as many have claimed, nor were his thoughts and ideas as popular and influential as many have believed; like many other agents in the literary field, Lu Xun was actively involved in power struggles over what was at stake in the field; Lu Xun was later built into an iconic figure and the blind worship of him hindered a better and more authentic understanding of many other modern writers and intellectuals such as Gao Changhong and Zhou Zuoren, whose complex relationships with Lu Xun are fully explored and analysed in the book.
Zibuyu, “What The Master Would Not Discuss”, according to Yuan Mei (1716 - 1798): A Collection of Supernatural Stories (2 vols)
Although the preface says that the tales in this collection of supernatural stories should not be taken seriously and just aim to dispel boredom, Zibuyu is a work with different reading levels, which allows to uncover several deep trends, taboos and fantasies of late imperial intellectual circles. Disgust, surprise and laughter are constantly evoked, by continually attracting and repulsing the reader. Yuan Mei’s approach guides the reader to an adventure in the dangerous recesses of the self. It is a sort of allegoric fantastic reflection on the relative and polyphonic essence of human beings, the multiplicity of selves from psychological perception, and a challenge to the traditional biographical and historical perspective for the unreliability of destiny. Dreams, madness, delusions and other extreme cognitive and affective conditions, abnormal events, gods and spirits, and the dark world of death lead to a reversal of perspective and destroy the Apollonian vision of the social-centered Confucian orthodoxy. With introduction, translation and comments.
Chinese-English Dictionary of Chinese Medical Terms
Containing over 33,000 terms, the Chinese-English Dictionary of Chinese Medicine is the largest, fully searchable list of Chinese medical terms ever published. It is the only sufficiently comprehensive list of Chinese medical terms to be an ultimate go-to for any translator, student, or clinician. It contains a vast array of general terms, including the 5,000 or more of Practical Dictionary of Chinese Medicine (Paradigm Publications, 1997). It also contains the 1,500 standard and alternate acupoint names from Grasping the Wind (Paradigm Publications, 1989) and over 10,000 standard and alternate names of medicinals described in the Comprehensive Chinese Materia Medica (Paradigm Publications, ...
Battling Western Imperialism
For the past two decades a number of historians have argued that the CCP was a nationalist movement and that the United States missed its opportunity to establish friendly relations because U.S. leaders were blinded by fears of an international Communist threat. In his provocative book, Michael Sheng strongly challenges this position.
Food Plants of China
The food plants of an area provide the material basis for the survival of its population, and furnish inspiring stimuli for cultural development. There are two parts in this book. Part 1 introduces the cultural aspects of Chinese food plants and the spread of Chinese culinary culture to the world. It also describes how the botanical and cultural information was acquired; what plants have been selected by the Chinese people for food; how these foodstuffs are produced, preserved, and prepared; and what the western societies can learn from Chinese practices. Part 2 provides the botanical identification of the plant kingdom for the esculents used in China as food and/or as beverage. The plants are illustrated with line drawings or composite photographic plates. This book is useful not only as a text for general reading, but also as a work reference. Naturally, it would be a useful addition to the general collection of any library.
Pioneers of Modern China
Amongst the Chinese exists great cultural variety and diversity. The Cantonese care more for profit than face and are good businessmen, whereas Fujian R(r)n are frank, blunt and outspoken but daring and generous. Beijing R(r)n are more aristocratic and well-mannered, having stayed in a city ruled by emperors of different dynasties. Shanghai R(r)n are more enterprising, adventurous and materialistic but less aristocratic, having been at the center of pre-war gangsterism. Hainan R(r)n are straightforward, blunt and stubborn. Hunan R(r)n are more warlike and have produced more marshals and generals than any other province. Pioneers of Modern China is a fascinating book that paints a vivid picture of the unique cultural characteristics and behavior of the Chinese in the various provinces. Using leaders in the modern history of China, such as Sun Yat Sen, Chiang Kai Shek, Mao Zedong, Zhou Enlai, Deng Xiaoping, Jiang Zemin, Hu Jintao and Wen Jiabao as representatives, it offers an in-depth look into the psyche of the Chinese people. It also pays tribute to writers, painters and kungfu experts, who have helped to develop the country socially and artistically."
Dangerous Tunes
Barbara Mittler's book is the first comprehensive monographic study of China's New Music written in a Western language. It deals with two key points of contention: the effects of politics on the development of Chinese New Music, and the importance of China's indigenous musical traditions for the development of her New Music. In many ways, it is a handbook to New Chinese Music as it provides biographical and musicological sketches of the greater number of China's composers. As a reference work it will thus be of interest to libraries as well as to musicologists and music impressarios. The book is unique as a comparative study of New Chinese Music under three different political systems. Its conclusions, the discovery of (and explanations for) inherent similarities in those three New Musics will be of interest to sinologists in the field of politics and cultural studies.
Re-examining the Cold War: U.S.-China Diplomacy, 1954–1973
The twelve essays in this volume underscore the similarities between Chinese and American approaches to bilateral diplomacy and between their perceptions of each other’s policy-making motivations. Much of the literature on U.S.–China relations posits that each side was motivated either by ideologically informed interests or by ideological assumptions about its counterpart. But as these contributors emphasize, newly accessible archives suggest rather that both Beijing and Washington developed a responsive and tactically adaptable foreign policy. Each then adjusted this policy in response to changing international circumstances and changing assessments of its counterpart’s policies. Motivated less by ideology than by pragmatic national security concerns, each assumed that the other faced similar considerations.
