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Animacies
Rethinks the criteria governing agency and receptivity, health and toxicity, productivity and stillness
Queer Inhumanisms
This issue features a group of leading theorists from multiple disciplines who decenter the human in queer theory, exploring what it means to treat "the human" as simply one of many elements in a queer critical assemblage. Contributors examine the queer dimensions of recent moves to think apart from or beyond the human in affect theory, disability studies, critical race theory, animal studies, science studies, ecocriticism, and other new materialisms. Essay topics include race, fabulation, and ecology; parasitology, humans, and mosquitoes; the racialization of advocacy for pit bulls; and queer kinship in Korean films when humans become indistinguishable from weapons. The contributors argue t...
Intoxicated
In Intoxicated Mel Y. Chen explores the ongoing imperial relationship between race, sexuality, and disability. They focus on nineteenth-century biopolitical archives in England and Australia to show how mutual entanglements of race and disability take form through toxicity. Examining English scientist John Langdon Down’s characterization of white intellectual disability as Asian interiority and Queensland’s racialization and targeting of Aboriginal peoples through its ostensible concern with black opium, Chen explores how the colonial administration of race and disability gives rise to “intoxicated” subjects often shadowed by slowness. Chen charts the ongoing reverberations of these ...
Disability Studies and the Environmental Humanities
Although scholars in the environmental humanities have been exploring the dichotomy between "wild" and "built" environments for several years, few have focused on the field of disability studies, a discipline that enlists the contingency between environments and bodies as a foundation of its scholarship. On the other hand, scholars in disability studies have demonstrated the ways in which the built environment privileges some bodies and minds over others, yet they have rarely examined the ways in which toxic environments engender chronic illness and disability or how environmental illnesses disrupt dominant paradigms for scrutinizing "disability." Designed as a reader for undergraduate and g...
Architecture of Life
This exhibition catalog accompanies the inaugural exhibition at the new UC Berkeley Art Museum and Pacific FIlm Archive building, designed by Diller Scofido + Renfro. Over 150 works of art in a wide range of media, as well as scientific illustrations and architectural drawings and models, explore the ways that architecture--as concept, metaphor, and practice--illuminates various aspects of life experience.
Sex Ecologies
The first compendium of writing and art to present the case for the role of sex in environmental and social justice. Sex Ecologies explores pleasure, affect, and the powers of the erotic in the human and more-than-human worlds. Arguing for the positive and constructive role of sex in ecology and art practice, these texts and artistic research projects attempt nothing short of reclaiming the sexual from Western erotophobia and heteronormative narratives of nature and reproduction. The artists and writers set out to examine queer ecology through the lens of environmental humanities, investigating the fluid boundaries between bodies (both human and nonhuman), between binary conceptions of natur...
Tranimacies
Tranimacies is a neologism that pushes and pulls together transness and animality so as to better germinate unruly, wily, perverse relationships between them, and their spawn. Through tranimacies the book aims at rethinking the linking of liberation struggles amongst former colonized peoples and lands, minoritized genders and sexualities, racially marked persons and non-human animals, and does so in a variety of geopolitical and temporal sites. This rich compendium includes original scholarship and dialogues as well as poetry, comix, bioart, and performance documentation. The composite term of tranimacies enmeshes several everyday and scholarly concepts: transgender, animal, animacy, intimac...
New Time
"In 1980 Lucy Lippard argued that feminist art is "neither a style nor a movement" but rather "a value system, a revolutionary strategy, a way of life." New Time: Art and Feminisms in the Twenty-First Century takes Lippard's statement as a point of departure, examining the values, strategies, and ways of life reflected in recent feminist art. Although artworks made since 2000 are the primary focus, the objects and installations discussed span several generations, mediums, geographies, and political sensibilities, conveying the heterogeneous, intergenerational, and gender-fluid nature of feminist practices. In keeping with Griselda Pollock's observation that "feminism is a historical project ...
Meat!
What is meat? Is it simply food to consume, or a metaphor for our own bodies? Can “bloody” vegan burgers, petri dish beef, live animals, or human milk be categorized as meat? In pursuing these questions, the contributors to Meat! trace the shifting boundaries of the meanings of meat across time, geography, and cultures. In studies of chicken, fish, milk, barbecue, fake meat, animal sacrifice, cannibalism, exotic meat, frozen meat, and other manifestations of meat, they highlight meat's entanglements with race, gender, sexuality, and disability. From the imperial politics embedded in labeling canned white tuna as “the chicken of the sea” to the relationship between beef bans, yoga, and bodily purity in Hindu nationalist politics, the contributors demonstrate how meat is an ideal vantage point from which to better understand transnational circuits of power and ideology as well as the histories of colonialism, ableism, and sexism. Contributors Neel Ahuja, Irina Aristarkhova, Sushmita Chatterjee, Mel Y. Chen, Kim Q. Hall, Jennifer A. Hamilton, Anita Mannur, Elspeth Probyn, Parama Roy, Banu Subramaniam, Angela Willey, Psyche Williams-Forson
Fray
In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of “craftivism”—the politics and social practices associated with handmaking—Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval. Closely examining how amateurs and fine artists...
